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 Finale - Part 1Review Series | Sound On Sound, Mar 1989The best music program ever?Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction. | |||
 The Finale AnalysisReview | Sound On Sound, Feb 1991PC Music Notation SoftwareCoda's Finale is well established as a respected Mac scorewriting program. Peter Cudmore looks at the long-awaited version for the PC. | |||
 Finale - Part 2Review Series | Sound On Sound, Apr 1989The Best Music Program Ever?Part 2: Kendall Wrightson continues his pilgrimage through Finale, Coda Software's music transcription program for Apple Macintoshes (and soon PC compatibles), lingering at the Playback, Hyperscribe and Transcription tools. | |||
 Coda Music FinaleReview | Music Technology, Dec 1988Software for the Apple MacintoshPossibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score. | |||
WelcomeEditorial | Micro Music, Aug/Sep 1989 | |||
 Apple NotesFeature | Topic: Computing | Sound On Sound, Jul 1993 | |||
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Feb 1992Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software publishers themselves. This month: Steinberg; Passport; Opcode. | |||
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, May 1992Hints, Tips & News From The World of Music SoftwareMore hints and tips from the software publishers themselves. This month: C-Lab; Opcode; Coda; Dr. T's. | |||
 Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Oct 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Coda, and Dr. T. | |||
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 A Question Of TimeEditorial | Sound On Sound, Apr 1989 | |||
 Mark Of The Unicorn MosaicReview | Sound On Sound, Jun 1992Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition. | |||
 Art or noise?Group: Mixing it! | |||
 Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Sep 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, and Coda. | |||
 Apple NotesFeature | Topic: Computing | Sound On Sound, Jan 1993 | |||
 On StageMusic Review | Electronics & Music Maker, Sep 1984Two sparkling summer concerts, by Ultravox and Michael Nyman. | |||
 Beyond E Major - Part 4Feature Series | Topic: Tuition / Technique | One Two Testing, Jul 1984jazz made bearable | |||
 Pink Floyd - The Wall concertShow Report | Electronics & Music Maker, Aug 1981 | |||
 Passport Designs' EncoreReview | Music Technology, Mar 1990Software for Apple MacintoshPassport's Encore Mac scorewriting software aims to optimise music entry, playback and printing in one program. Mike Collins checks out the dots and the dot matrix. | |||
 Opcode VisionReview | Sound On Sound, Oct 1989Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out... | |||
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 Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. | |||
Technically SpeakingFeedback | Music Technology, Sep 1992Is Vic there? Good, he can answer a few questions | |||
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