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Finale - Part 1

Review Series | Sound On Sound, Mar 1989
The best music program ever?

Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction.

The Finale Analysis

Review | Sound On Sound, Feb 1991
PC Music Notation Software

Coda's Finale is well established as a respected Mac scorewriting program. Peter Cudmore looks at the long-awaited version for the PC.

Finale - Part 2

Review Series | Sound On Sound, Apr 1989
The Best Music Program Ever?

Part 2: Kendall Wrightson continues his pilgrimage through Finale, Coda Software's music transcription program for Apple Macintoshes (and soon PC compatibles), lingering at the Playback, Hyperscribe and Transcription tools.

Coda Music Finale

Review | Music Technology, Dec 1988
Software for the Apple Macintosh

Possibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score.

Welcome

Editorial | Micro Music, Aug/Sep 1989

Apple Notes

Feature | Topic: Computing | Sound On Sound, Jul 1993

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Feb 1992
Hints, Tips & News From The World Of Music Software

More hints and tips from the software publishers themselves. This month: Steinberg; Passport; Opcode.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, May 1992
Hints, Tips & News From The World of Music Software

More hints and tips from the software publishers themselves. This month: C-Lab; Opcode; Coda; Dr. T's.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Oct 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, Coda, and Dr. T.

MTease

Feature | Music Technology, Nov 1993

Bluey Mannick of Incognito in the hot seat...

A Question Of Time

Editorial | Sound On Sound, Apr 1989

Mark Of The Unicorn Mosaic

Review | Sound On Sound, Jun 1992

Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition.

Art or noise?

Group: Mixing it!

Feature | The Mix, Mar 1995

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Sep 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the software manufacturers themselves. This month: C-Lab, Steinberg, and Coda.

Apple Notes

Feature | Topic: Computing | Sound On Sound, Jan 1993

On Stage

Music Review | Electronics & Music Maker, Sep 1984

Two sparkling summer concerts, by Ultravox and Michael Nyman.

Pink Floyd - The Wall concert

Show Report | Electronics & Music Maker, Aug 1981

Beyond E Major - Part 4

Feature Series | Topic: Tuition / Technique | One Two Testing, Jul 1984

jazz made bearable

Passport Designs' Encore

Review | Music Technology, Mar 1990
Software for Apple Macintosh

Passport's Encore Mac scorewriting software aims to optimise music entry, playback and printing in one program. Mike Collins checks out the dots and the dot matrix.

Opcode Vision

Review | Sound On Sound, Oct 1989

Does Opcode's new Macintosh sequencer have what it takes to oust 'Performer' from the sequencer king's throne? Mike Collins enjoys finding out...

Steinberg Masterscore II

Review | Music Technology, Aug 1992
Atari ST Software

The ST's final score?

Shape of Things to Come

News | Sound On Sound, Nov 1988

A look at some forthcoming products from the world of hi-tech music and recording.

Technically Speaking

Feedback | Music Technology, Sep 1992

Is Vic there? Good, he can answer a few questions

Live in Concert

Review | Sound On Stage, Nov 1996
Allen & Heath GL4000 Live Console

Synth Sense

Feature | Topic: Sequencing | Making Music, Jul 1987

last episode

 

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