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Guide to Electronic Music TechniquesFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jun 1981 |
Guide to Electronic Music TechniquesFeature Audio | Topic: Synthesis & Sound Design | Electronics & Music Maker, Apr 1981 |
Guide to Electronic Music TechniquesFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, May 1981 |
Guide to Electronic Music Techniques - Part 3Feature Series | Topic: Performing, Synthesis & Sound Design | Electronics & Music Maker, Feb 1983Performance Controls: Part 3 |
Guide to Electronic Music TechniquesFeature Audio | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1981 |
Guide to Electronic Music TechniquesFeature | Topic: Effects Processing | Electronics & Music Maker, Nov 1981Phasing |
Guide To Electronic Music TechniquesFeature | Topic: Effects Processing | Electronics & Music Maker, Jan 1982Flanging |
Guide to Electronic Music Techniques - Part 5Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983From One Note to the NextGlissando and Portamento |
Guide to Electronic Music TechniquesFeature | Electronics & Music Maker, Sep 1983Polyphonic Portamento |
Guide to Electronic Music Techniques - Part 4Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jun 1983The Low Frequency OscillatorThe LFO |
Guide to Electronic Music Techniques - Part 2Feature Series | Topic: Performing, Synthesis & Sound Design | Electronics & Music Maker, Nov 1982Synth Performance Controls |
Guide to Electronic Music TechniquesFeature | Topic: Microphones | Electronics & Music Maker, Jul 1981Microphone techniques for 'Musique Concrete' |
Guide To Electronic Music TechniquesFeature | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Mar 1982Patchwork |
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, Mar 1984 |
Five Years AgoRetrospective | Electronics & Music Maker, Mar 1986...In March 1981, E&MM's publishers launched this magazine onto an unsuspecting musical public. Dan Goldstein looks back at the issue that started it all. |
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