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Review | Sound On Sound, Aug 1988Intelligent Music's M SoftwareHere's a program that will banish your lack of inspiration forever! Version 2.0 of Intelligent Music's 'M' (for Macintosh and Atari computers) is considerably more than an isochronic pulse sequencer. Ed Jones puts on his thinking cap and delves deeper... |
Review | Music Technology, Mar 1988Software for the Atari STPreviously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles. |
Review | Music Technology, Sep 1987Software for Apple MacintoshThis Mac program from New York sets out to bring the flexibility of computer programming techniques to drum programming. Jim Burgess drums up his enthusiasm. |
Review | Music Technology, Feb 1987Software for Apple MacintoshIf you're lucky enough to have an Apple Macintosh computer, you can now take advantage of a revolutionary new program that improvises its own music based on the data you feed it. Review by Jim Burgess. |
Review | Music Technology, Mar 1987Software for Apple MacintoshAfter the Jam Factory comes "M", an advanced music composition and manipulation system for the Mac. Jim Burgess investigates a variation on the theme of MIDI recording. |
Review | Music Technology, Apr 1989Software for the Atari STIf the usual approach to computer sequencing is unappealing or uninspiring to you, you may find the approach offered by this Atari ST program more to your liking. Chris Meyer finds time for Real Time. |
Review | Music Technology, Jan 1989Software for the Atari STAs well as being a communications standard, MIDI has encouraged the development of new forms of musical expression - like this graphic music program. Ian Waugh draws his own conclusions. |
Review | Sound On Sound, Aug 1989Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you? |
Editorial | Sound On Sound, Sep 1988Music Software At The PC Show |
Feature Series | Topic: Algorythmic Composition | Music Technology, Aug 1989With algorithmic composition sotware finding commercial use at last, the question has to be asked "will it write a tune?". Greg Truckell takes a close look at the applications of M. |
Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Feature Audio | Topic: Education | Electronics & Music Maker, Oct 1981Computer music and electro-acoustic education in London. |
Review | Sound On Sound, Oct 1989The most talked about Amiga software ever is finally in the shops. Was Microillusion's program worth the wait? Phil South waxes lyrical about the first professional integrated music sequencing and editing program to take full advantage of the Commodore Amiga's powerful multitasking features. |
Interview | Music Technology, Jul 1988Q: When is a guitar not a guitar? A: When it's part of David Sylvian's music. Taking time out from a hectic schedule David Torn talks guitar textures and musical crossovers with Tim "pretentious, moi?" Goodyer. |
Feature Series | Topic: Algorythmic Composition | Music Technology, Sep 1989PART 2: SEQUENCING AND NOTATIONIn the concluding part of this investigation into computer-assisted composition, Greg Truckell cells on Dr T's KCS to compose a tune. |
Show Report | Music Technology, Apr 1987For the first time, a UK magazine gives coverage to the fair that follows NAMM and Frankfurt. It may not be as big, but it's growing in importance all the time. Dan Goldstein reports from the Bosphorus. |
Feature | Topic: Buyer's Guide | Sound On Sound, Apr 1988Last month we gave you advice on choosing a computer for musical applications; as a follow on, this month Mike Barnes provides a comprehensive rundown of available music software for the Atari, Macintosh, IBM PC, and Amiga computers. |
Feature | Topic: Computing | Sound On Sound, Mar 1988Having made your decision to opt for a software-based MIDI music system, which computer do you choose? Which is best? Are they all the same? Mark Badger considers the three prime contenders. |
Feature Series | Topic: Buyer's Guide, Computing | Sound On Sound, Jun 1991Atari ST & Commodore AmigaPart 2. Concluding our look at the relative merits of the big four music computers, Martin Russ puts the case for the Atari ST and its variants, and Paul Overaa explains why his heart belongs to the Commodore Amiga. |
Show Report | Music Technology, Sep 1987Britain's biggest, busiest and noisiest music fair is over for another year. So what did we get for our money and our aching feet? Report by Simon Trask. |
Editorial | Sound On Sound, Feb 1991Revolution Or Evolution? |
Review | Micro Music, Apr/May 1989A novel little program for ST owners with a leaning towards pictures and music |
News | Sound On Sound, Dec 1988Forthcoming new products from the hi-tech music recording field. |
Feature | Sound On Sound, Apr 1990How To Obtain Extra Drum Sounds For Free!Bored with the sounds your drum machine makes? Martin Russ provides a bunch of tips to help you perk up your percussion. |
Feature | Topic: Computing, Sequencing | Sound On Sound, Oct 1988More useful hints and tips for Dr.T’s music programs, written and compiled exclusively for SOS by Dr.T themselves. |