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IntroductionGroup: PortaStudioMania |
IntroductionGroup: MIDI Supplement - Part OneGeoff Twigg on how MIDI came about, what it does, and how it does it. |
Technical IntroductionGroup: MIDI Supplement - Part TwoPaul White outlines the theory behind the new interconnection standard. |
MIDI - A Comprehensive IntroductionReview | Music Technology, Jan 1993 |
IntroductionGroup: The MIDI Connection Supplement |
Guitar Buyers' GuideGroup: Guitar Buyers GuideIntroduction |
Studio ProjectFeature | Topic: Construction / Build | Sound International, May 1978IntroductionLowdown on constructional projects for the smaller studio. |
Music Technology IntroductionFeature | Topic: Advertisement Feature | Electronics & Music Maker, Oct 1986A full run-down on what's happening to E&MM next month, how it'll look, and why we're doing it. |
What The Computer Does... An IntroductionFeature | Topic: Computing | Polyphony, Jul 1977 |
MIDI - An IntroductionFeature | Topic: MIDI | Home & Studio Recording, Sep 1985As MIDI begins to make inroads into the studio, Simon Trask examines its fundamental applications. |
Live Sound - Part 1Feature Series | Topic: Live | Recording Musician, Nov 1992Introduction To PAThis comprehensive series starts by looking at the basic components of a mobile PA system. |
Music & Pictures - Part 1Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Dec 1985An Introduction to the Art FormProducer/jingle composer Robin Lumley commences a new series that explores the role and function of music in the visual world. |
Practical PA - Part 1Feature Series | Topic: Live, Microphones | Sound On Stage, Nov 1996Part 1: Introduction To PA |
Using Timecodes - Part 1Feature Series | Topic: Syncronisation | Sound On Sound, Feb 1986An Introduction To Timecode SynchronisationThe release of the new Fostex synchronisers reinforces the importance of timecode in today's recording process. So, to help you familiarise yourself with their applications, Francis Rumsey begins a new series that should tell you all you need to know about timecodes. |
Digital Signal Processing - Part 1Feature Series | Topic: Computing, Digital Audio, Effects Processing | Sound On Sound, Oct 1989An introductionPART 1: Digital Signal Processing is rapidly becoming more familiar to musicians and home recordists as digital effects become ever more commonplace. Nevertheless, the technology and principles behind it remain a mystery to most. In this new series Jim Grant offers a straightforward explanation of how DSPs work. |
Bits 'n' Pieces - Part 1Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Nov 1992An Introduction to Digital AudioDigital audio explained from the ground up — bit by bit! |
MIDI on the Atari STReview | Sound On Sound, Sep 1987Atari ST: Introduction to MIDI ProgrammingBooks about MIDI are thin on the ground; books about MIDI on the Atari ST are even scarcer! However, there is one and you can read what Martin Russ thought of it on page 16... |
Using Sequencers - Part 1Feature Series | Topic: Sequencing | Electronics & Music Maker, Jan 1984An Introduction to the Use of SequencersAn introduction to the use of the perennial tools of the electronic composers trade. With some explanation of programming from music and notation. |
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EditorialEditorial | Electronic Soundmaker & Computer Music, Feb 1984 |
Making Notes - Part 9Feature Series | Topic: Music Theory | Electronics & Music Maker, Nov 1982Modulation, Intros and Passing Notes |
How to write a Rock Song - Part 4Feature Series | Topic: Arranging / Songwriting | Electronics & Music Maker, Jul 1983Form and Structure |
The Guinness Encyclopedia Of Popular MusicReview | Music Technology, Jan 1993 |
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