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Making WavesReview | Electronic Soundmaker & Computer Music, Apr 1985DW-6000An analog poly that rivals the DX? Korg's DW6000 might be the one... |
Making WavesReview | Sound On Sound, Dec 1991Resotek Virtual Wave SoftwareMartin Russ investigates a software synthesis program that offers a wealth of new sounds for under £100. |
Making wavesGroup: Sound AdviceAcoustic diffusersWhat they are, how they work, why you need them |
The ProducersGroup: Recording WorldChas De Whalley shivers with Pat Collier in Alaska... Waterloo |
Powerstation!Review | Sound On Sound, Sep 1990Ensoniq VFX-SDIIEnsoniq's flagship workstation has recently received some very welcome updates — new piano samples, extra stereo outputs, multitrack sequence recording and step-time entry, and more. Paul Ireson satisfies his curiosity! |
Electro RecordFeature | Electronics & Music Maker, Aug 1983 |
KitaroInterview | Electronics & Music Maker, Aug 1982Nature is of the Mind, and Music is of the Nature...An insight into the music of one of Japan’s leading synthesists on record. |
Ensoniq KS-32 MIDI StudioReview | Music Technology, May 1993It's called a studio; it could be called a workstation; but actually it's a serious keyboard. Nicholas Rowland identifies a product with several possible identities and several possible markets. Have Ensoniq weighted in vain? |
Ensoniq SQ-80Review | Sound On Sound, Feb 1988Cross Wave SynthesizerThe onboard 8-track sequencer and sampled waveforms of the ESQ-1 make it a hard act for any manufacturer to follow. So what further features does Ensoniq's new SQ-80 synthesizer have that could possibly outshine its stablemate? Craig Anderton explores... |
The Boddy ElectricInterview | Electronic Soundmaker & Computer Music, Jul 1985At the forefront of independent synthesis |
Demo to Vinyl - Part 3Feature Series | Topic: Marketing / Promotion, Music Business | Home & Studio Recording, Oct 1986The saga goes on outlining the hazards that befall anyone trying to get an ounce of sense out of a record company. |
Kawai K3Review | Sound On Sound, Dec 1986Digital Wave Memory SynthesizerA digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates. |
Tama SuperstarReview | International Musician & Recording World, Aug 1986DrumCheckA new Superstar and Bob H get acquainted |
Return of the WarriorInterview | Electronics & Music Maker, Jul 1984One of the seventies' most original instrumental bands, Jade Warrior almost ceased to exist four years ago. Now a new album and some rare live appearances look like reestablishing them for good. Interview by Dan Goldstein. |
At Home In The StudioFeature | Topic: Home Studio | Home & Studio Recording, Nov 1985Zsa ZsaZsa Zsa defected from Hungary to Britain with very little knowledge of English. Now she has her own home studio in London, complete with Greengate sampler. |
The Prophet And The Rising Sun - Part 1Interview Series | Music Technology, Nov 1990Designer of the revolutionary Prophet 5, prime mover behind MIDI and now one of Korg's chief designers, Dave Smith's career is unique in hi-tech music. Simon Trask conducts the exclusive MT interview. |
The Jazz TipInterview | Music Technology, Jul 1992Fusing jazz with rap and feel with technology are second nature to Ronny Jordan - whose cover of Miles Davis' 'So What' recently made the pop charts. Simon Trask talks to the man on the "jazz tip". |
Michael Karoli on Guitar ImprovisationInterview | Electronics & Music Maker, Mar 1983We interview the legendary improvising guitarist from German rock band Can |
Irmin Schmidt on his Toy PlanetInterview Audio | Electronics & Music Maker, Aug 1981 |
Arthur BrownInterview | Electronics & Music Maker, Jun 1983Vocals and electronic music in unique combination |
Interfacing The Past - Part 1Feature Series | Topic: Syncronisation, Vintage Instruments | Music Technology, Dec 1992The missing sync? |
Hugh PadghamInterview | Home & Studio Recording, Jan 1985Producer ExtraordinaireThe genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse. |
The New Age Music ConundrumFeature | Sound On Sound, Jan 1987What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie. |
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