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Proteus EditorReview | Micro Music, Mar 1990Phil Brammer runs through the pro's and cons of the Proteus Editor from Caged Artist | |||
Proteus Editors - DR T'S Editor & IMS ProtezoaReview | Music Technology, Mar 1990Atari ST SoftwareEvery new synth seems to herald a new generation of software editors - and so with IMS and Dr T's Atari ST editors for E-mu's Proteus. Vic Lennard gets in shape. | |||
Invision ProtologicReview | Music Technology, Jan 1991Proteus ExpansionWith the success of E-mu's Proteus sample reader assured, Invision are offering a hardware upgrade that's likely to see the Proteus' use become even more widespread. Vic Lennard explores the logic. | |||
Emu Systems ProteusReview | Sound On Sound, Nov 1989The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait. | |||
E-Mu Proteus MPSReview | Music Technology, Mar 1992Sample Playback KeyboardWith the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System. | |||
Man of VisionInterview | Sound On Sound, Oct 1989Dave Oppenheim of OpcodeMike Collins chats to Dave Oppenheim, founder of and main programmer for Opcode Systems, the creators of Vision sequencer, the original MIDI File Format, and a range of primarily Macintosh music software and hardware. | |||
Shape of Things to ComeNews | Sound On Sound, Jun 1990Another glimpse of forthcoming products from the hi-tech music and recording worlds. | |||
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