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Proteus Editor

Review | Micro Music, Mar 1990

Phil Brammer runs through the pro's and cons of the Proteus Editor from Caged Artist

Proteus Editors - DR T'S Editor & IMS Protezoa

Review | Music Technology, Mar 1990
Atari ST Software

Every new synth seems to herald a new generation of software editors - and so with IMS and Dr T's Atari ST editors for E-mu's Proteus. Vic Lennard gets in shape.

Invision Protologic

Review | Music Technology, Jan 1991
Proteus Expansion

With the success of E-mu's Proteus sample reader assured, Invision are offering a hardware upgrade that's likely to see the Proteus' use become even more widespread. Vic Lennard explores the logic.

Emu Systems Proteus

Review | Sound On Sound, Nov 1989

The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait.

E-Mu Proteus MPS

Review | Music Technology, Mar 1992
Sample Playback Keyboard

With the popular Proteus series of sample playback modules as its inspiration, E-mu's new synth sounds as good as it looks. Simon Trask explores the Master Performance System.

Man of Vision

Interview | Sound On Sound, Oct 1989
Dave Oppenheim of Opcode

Mike Collins chats to Dave Oppenheim, founder of and main programmer for Opcode Systems, the creators of Vision sequencer, the original MIDI File Format, and a range of primarily Macintosh music software and hardware.

Shape of Things to Come

News | Sound On Sound, Jun 1990

Another glimpse of forthcoming products from the hi-tech music and recording worlds.

 

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