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Random NoiseFeedback | Polyphony, Apr 1976 |
Random NoiseFeedback | Polyphony, Feb 1976 |
Random NoiseFeature | Polyphony, Jul 1976 |
Practical Circuitry - Part 2Feature Series | Topic: Electronics / Build | Polyphony, Jul/Aug 1981Tricks With The SN76477 |
Modular Synthesis - Part 5Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, May 1984Synthetic Percussion SoundsSteve Howell finishes off percussion sounds and how to go about synthesising them. |
EditorialEditorial | Polyphony, Jul 1976 |
Atari 600XLFeature | Topic: Computing | Electronic Soundmaker & Computer Music, Jan 1984A review for the musician |
Modular Synthesizer Effects - Part 2Feature Series | Topic: Synthesis & Sound Design | Polyphony, Jul/Aug 1981Flora & Fauna of the Patch Cord Jungle |
Making WavesReview | Sound On Sound, Dec 1991Resotek Virtual Wave SoftwareMartin Russ investigates a software synthesis program that offers a wealth of new sounds for under £100. |
Video 8: Not Just A Pretty PictureFeature | Topic: Tape, Vinyl, CD, DAT, Video / Film / Picture | Sound On Sound, Jan 1986The revolutionary Video 8 format has resulted in a new generation of domestic video recorders that offer high quality pictures and up to 6 tracks and 18 hours of stereo digital sound. Francis Rumsey explains how. |
MXR CompanderReview | Sound International, Sep 1978Mel Lambert on the MXR Compander, including a general roundup of noise reduction techniques. |
Studio SceneGroup: Computer MusicianUniversity of Surrey Electro-Acoustic Music StudioA look at the Surrey Sound electronic and computer music studio, scene of the Tonmeister degree course. |
Ensoniq EPS16 PlusReview | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
The Art of Looping - Part 2Feature Series | Topic: Sampling | Music Technology, Jan 1988In the second part in our series on successful sample looping Chris Meyer concentrates on the mysteries and subtleties of crossfade looping. |
SoftmusicFeature | Topic: Computing, Electronics / Build | Electronics & Music Maker, Feb 1983Softmuse Auto Composer |
Reflected gloriesGroup: Sound AdviceStudio designBuilding the perfect inner wall |
Acorn Music 500Group: Computer MusicianSynthesiser Hardware and Software for the BBC MicroAcorn's first venture into music synthesis boasts some good-looking synthesis hardware and a music composition language - AMPLE - that grows with the user. David Ellis has the advance details. |
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