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Synthesizer Design - Part 1

Feature Series | Topic: Synthesis & Sound Design | Electronic Soundmaker & Computer Music, Sep 1983

Jezz Woodroffe explains

Synthesizer Design - Part 3

Feature Series | Topic: Synthesis & Sound Design | Electronic Soundmaker & Computer Music, Jan 1984

Jezz Woodroffe's page

Synthesizer Design - Part 2

Feature Series | Topic: Synthesis & Sound Design | Electronic Soundmaker & Computer Music, Oct 1983

Technical details from Jezz

Kawai K5

Review | Sound On Sound, Dec 1987
The Additive synthesizer

Once upon a time, 'additive synthesis' was an expensive and little used option on expensive computer music systems. Now, thanks to Kawai's latest keyboard, there is an instrument dedicated to this type of synthesis. Paul Wiffen, long-time advocate of creating your own waveforms, investigates.

The Mono Man

Interview | Electronic Soundmaker & Computer Music, Aug/Sep 1984

Chris Huggett, the man behind OSCar speaks

Inside Views: Fairlight

Feature | Topic: Design, Development & Manufacture, Sampling | Sound On Sound, May 1987

Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks sampling with Kim Ryrie, President of Fairlight Instruments of Australia.

The Synth Is Dead: Long Live The Synth

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Oct 1992

With the predominance of the workstation synth, and the rise and rise of essentially preset instruments, what has become of the 'traditional' synthesizer? Paul Hazel turns the spotlight on Roland's JD800 and Korg's Wavestation, two recent instruments which answer the question — but in very different ways.

Computer Music at Stanford

Feature | Topic: Design, Development & Manufacture, Synthesis & Sound Design | Sound On Sound, Sep 1987

Simon Millward visits the world-renowned Centre for Computer Research in Music and Acoustics at Stanford University, California and talks to its famous director, Professor John Chowning, inventor of FM synthesis.

The Modular Approach

Feature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jun 1987

Expander modules may be the modular synths of our age, but are they as good? Steve Howell explores the Akai VX90 and provides some guidance on how it can be used with Akai's range of sampling machines.

SY77 - The Power behind the Buttons! - Part 2

Review Series | Sound On Sound, Feb 1990
RCM Synthesis explained

In this second part of our in-depth review of the SY77 synthesizer, Martin Russ delves into Yamaha's ultra new synthesis method: Real-time Convolution and Modulation.

 

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