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Taking Control of Your MXR Phase 100

Feature | Topic: Maintenance / Repair / Modification | Polyphony, Jul/Aug 1981

Taking Control

Feature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1993
Using MIDI Continuous Controllers

US Audio Gatex

Feature | Sound On Sound, May 1986

With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio.

Sequencer Plus

Review | Sound On Sound, Nov 1987

Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more.

Hybrid Arts ADAP1 Soundrack

Review | Sound On Sound, Feb 1989

Why buy a sampler when you already have one? If you own an Atari ST then you possess one of the major components of any sampling instrument - the memory. With the ADAP1 Soundrack software and processing units your ST can be transformed into a MIDI sampler and powerful post-production tool. David Mellor reports.

U Got The Look

Review | Sound On Sound, Aug 1989
Roland U20 Keyboard

Is the U20 just a revamped U110 with a keyboard or does it have what it takes to de-throne the Korg M1? Paul Ireson finds out.

Zoom At The Top?

Review | Sound On Sound, Dec 1992
Zoom 9120 Advanced Sound Environment Processor

Jon Hassell

Interview | Sound On Sound, Jul 1991

Jon Hassell has been at the leading edge of new music for three decades, with major contributions to western avant garde and world music. Following the re-release of two classic albums from the early '80s, Mark J. Prendergast presents a retrospective of Hassell's work.

 

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