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Search results
 That Was ThenRetrospective | Music Technology, Nov 1993Ye olde worlde future shockThe way it was (sort of) |
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The FutureGroup: Drum Machine Supplement |
 Future Talk - Part 2Interview Series | Music Technology, Mar 1994Part 2: what would you do with a Sony Betacam video edit suite next to your S1000? Simon Trask continues to track FSOL's audio-visual path... |
 Future Talk - Part 1Interview Series | Music Technology, Jan 1994Simon Trask discovers the future sound - and vision - of London |
 Designs On The FutureGroup: Roland Newslink — Frankfurt Report |
 The Future of SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Sep 1987With the summer shows out of the way and the forthcoming new products all unveiled, Martin Russ looks into the crystal ball and plots out his version of where the world of synthesis might be heading... |
 Future History FS1 and FST MIDI SwitchersReview | Recording Musician, Apr 1993 |
CommentEditorial | Electronics & Music Maker, Mar 1986Back To The FutureThe future of the synthesiser: experimenter's toy or street-cred home organ? |
 Future History FS1 and FST Turbo switchesReview | Music Technology, Mar 1993An interesting diversion - or two |
 Future ShockInterview | Music Technology, Dec 1988Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask. |
 Designing The FutureFeature | Topic: Design, Development & Manufacture | Music Technology, Aug 1991Appropriately enough, MT shares its birthday with one of the companies which has helped shape today's synthesisers: Roland UK. Gez Kahan presents a view from the inside. |
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 Visions of the FutureFeature | Topic: Video / Film / Picture | Music Technology, Jan 1991One of the stars of Channel 4's Fourmations, Brian Johnson's Improvisions combine musical performance with real-time manipulation of video images. Peter Ridsdale trips on this. |
 Beck To The FutureInterview | Music Technology, May 1993One day you're a keyboard player writing songs with an unknown Bradford singer. The next - one of those songs goes to Number One. Phil Ward goes on the road with John Beck, for whom exactly that happened with Tasmin Archer, and experiences the fulfilment of some great expectations. |
 Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, May 1995interacting with the futureYour passport to future worlds |
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 Mixed MediaNews | Topic: Multimedia / Graphics / Visuals, Video / Film / Picture | The Mix, Oct 1994interacting with the futureYour passport to future worlds |
 Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Dec 1994interacting with the futureTomorrow’s ideas with today’s technology |
 Patrick MorazMusic Review | Electronics & Music Maker, Dec 1982Future Memories LiveWe analyse his 'Future Memories Live' LP. |
 Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Nov 1994Interacting with the futureA guide to Interactivity |
 Wally BadarouInterview | Sound On Sound, Dec 1990Creating The FutureAnyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in. |
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 Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Apr 1995interacting with the futureYour passport to future worlds |
 Mixed MediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Jun 1995interacting with the futureWhere sound and pictures meet |
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