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The Professionals: APRS

Feature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988

In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios.

The Professionals

Feature | Topic: Music Business | Sound On Sound, Mar 1987
PRS - The Performing Right Society

The first of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Performing Right Society.

The Professionals: MCPS

Feature | Topic: Music Business | Sound On Sound, May 1987
The Mechanical Copyright Protection Society

The second of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Mechanical Copyright Protection Society.

This article has no OCR bodytext.Communique

Feedback | Music Technology, Dec 1988

Why let the professionals have it all their own way? Music Technology's regular letters page is your chance to air your own point of view on matters musical and hi-tech.

Leading Story

Feature | Topic: Maintenance / Repair / Modification | Making Music, Jun 1986

Editorial

Editorial | International Musician & Recording World, May 1986

The Mix

Feature | Music Technology, May 1994

The future of MT unveiled...

Front Man

Editorial | Sound On Stage, Nov 1996

Tape Reversal

Feature | Topic: Effects Processing, Recording | Home & Studio Recording, Feb 1984

Quick tips for recording.

Get the Horn

Review | Micro Music, Apr/May 1989

Jez Ford gets his laughing gear round the budget Casio MIDI wind controller - The DH100

Dubba-Dubba, Cha!

Feature | Topic: Humour | One Two Testing, Jan 1984

Making friends in the studio.

Sound Bites

Feedback | Recording Musician, Apr 1993

More meaty studio hints and tips to get your teeth into.

Talking Shop

Feature | Electronics & Music Maker, Nov 1983
Jones & Crossland, Birmingham.

Picture Scoring

Feature | Topic: Composing for Business, Video / Film / Picture | Music Technology, Jan 1988

Ever tried to put music to pictures? Then the odds are you've discovered just how difficult it actually is. Chris Many explains "hit points" and "cues" and shares some of the secrets of the professionals.

Inside Views

Feature | Sound On Sound, Oct 1986
Pressing Records

Paul Gilby visits SRT Records & Tapes to unearth the 'inside views' of its managing director David Richardson, whose profound words shatter some of the illusions and myths that surround the record manufacturing industry.

XLR Wiring Tips

Feature | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Aug 1984

Advice on this important cable connector.

Technically Speaking

Feedback | Music Technology, Dec 1992

A Bit on the Side

Feature | Topic: Music Business | Home & Studio Recording, May 1987
Tell us Another One

Yet another Idea from Clive Brooks enabling you to deprive your fellows of money.

Workbench

Feature | Topic: Electronics / Build, Live, Maintenance / Repair / Modification | International Musician & Recording World, Oct 1986
Sounding Out

Phil Walsh is in complete remote control, and tells you how to mix on a budget.

Working with Video

Feature | Topic: Video / Film / Picture | Electronics & Music Maker, Mar 1981

Videotech

Feature | Topic: Live, Performing, Video / Film / Picture | Electronics & Music Maker, Dec 1982
Thomas Dolby at TV South.

Gibson Chet Atkins, Lucille

Group: Guitar Special

Review | One Two Testing, Dec 1982

Patchwork

Feature Downloads | Topic: Synthesizer Patches | Music Technology, Sep 1989

Readers' patches for Casio's CZ5000 and Ensoniq ESQ1, and a review of Leister Productions' Professional patches for D110 & TX81Z make up this month's Patchwork.

Fender Amplifiers

Feature | Electronics & Music Maker, Aug 1983

Is it Live, or Is It Art?

Feature | Topic: Live | Electronics & Music Maker, Oct 1986

Leaving the comforts of the studio behind, the Art of Noise step out into the real world of live music, taking their MIDI technology with them. Chris Meyer lends an ear to see how they fare.

 

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