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Sweet Little SixteenReview | Sound On Sound, Aug 1991Tascam MSR16S MultitrackHaving made its debut on the new generation of affordable 1" 24-tracks, Dolby S has now given a new lease of life to Tascam's MSR16S. Dave Lockwood explains why. |
Allen & Heath S2Review | Sound On Sound, Sep 1991Recording MixerNot content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size. |
Dynamic DuoReview | Sound On Sound, Nov 1991Drawmer DL241 Auto-Compressor & DS404 Quad Noise GateThe latest from Drawmer in dynamic control, reviewed by Dave Lockwood. |
Fostex X28Review | Sound On Sound, Dec 1991Cassette MultitrackerPolicemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28. |
Born In The USAReview | Sound On Sound, Dec 1991Mackie CR1604 MixerThe mixer market is dominated by British manufacturers, with a range of Japanese designs also popular in MIDI setups. However, a new American compact mixer offers impeccable audio quality, and outstanding features and value that look hard to beat. Dave Lockwood welcomes the newcomer. |
Guitarist's GrailReview | Sound On Sound, Jan 1992Tech 21 SansampThe ultimate DI sound is the Holy Grail for recording guitarists. Dave Lockwood test (over)drives a black box that moves a step closer to the goal. |
ART Multiverb AlphaReview | Sound On Sound, Jan 1992The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out. |
The Rough Guide To Choosing MicrophonesFeature | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jan 1992Dave Lockwood presents the ultimate guide to microphone basics — how they work, how to choose the right mic for a given application, and how to use them. |
Keep It SimpleReview | Sound On Sound, Feb 1992Sessionmaster Direct Recording Pre-AmpThe Sessionmaster spurns unnecessary extras best left to other effects units and concentrates on producing a quality DI guitar sound. Dave Lockwood approves. |
Yamaha MT120Review | Sound On Sound, Feb 19924-track Cassette RecorderYamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before. |
You Get More From A MackieReview | Sound On Sound, Mar 1992Mackie 1202 Compact MixerMackie Designs' 1202 mixer offers supreme flexibility, and the same standard of design and construction that distinguished the 1604. Dave Lockwood finds proof that the best things come in small packages. |
Vive La Difference!Group: The SOS Guide To Going LiveChoosing Mixers For Live SoundAll mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage. |
Smaller, Neater, Cheaper...Review | Sound On Sound, Mar 1992Fostex X18 Cassette MultitrackerFollowing in the footsteps of Fostex's X15, their new X18 offers the cheapest and simplest entry to 4-track recording. Dave Lockwood puts it to the test. |
Back On Top?Review | Sound On Sound, Mar 1992C-Lab Notator/Creator V3.1The latest update to C-Lab's Creator/Notator adds graphic arranging, support for tape recorder transport control, and a host of other assorted new or improved features. If you still haven't upgraded from a pre-3.0 version, now's the time to do it, says Dave Lockwood. |
Audio Technica AT4033Review | Sound On Sound, Apr 1992Studio Condensor MicAudio Technical new AT4033 offers the performance and precision construction that usually carry a premium price tag. Dave Lockwood looks at this attractive alternative to some big name mics. |
Zoom 9000Review | Sound On Sound, Apr 1992Guitar Effects ProcessorThe Zoom 9002 effects processor won universal praise for its combination of compact size and classy sound. Dave Lockwood checks out its newly-launched little brother, the Zoom 9000. |
I Sync Therefore I AmReview | Sound On Sound, May 1992Micon Audio LMTC SynchroniserMicon Audio's LMTC Processor Controller Synchroniser does for owners of Tascam multitracks what the MTC1 did for Fostex users: integrates multitrack recorder control into the sequencer environment. Dave Lockwood gets that syncing feeling once more. |
Allen & Heath GS3Review | Sound On Sound, May 1992Multitrack MixerWith features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored. |
Tascam ATS500Review | Sound On Sound, Jun 1992Transport SynchroniserDave Lockwood checks out Tascam's ATS500 which is ideal for semi-pro musicians with an eye on the field of audio-for-video. |
Tascam 464 PortastudioReview | Sound On Sound, Jun 1992Dave Lockwood takes a shine to Tascam's new top-of-the-range Portastudio, the 464. |
Tascam M1516 MixerReview | Sound On Sound, Jun 1992Tascam's compact and versatile new M1516 desk is aimed squarely at the semi-pro 8-track market. The not-so compact but even more versatile Dave Lockwood checks it out. |
Rock Around The ClocksFeature | Topic: Syncronisation | Sound On Sound, Jul 1992Synchronisation ExplainedMany hi-tech musicians see tape synchronisation as a necessary evil. Dave Lockwood ponders the pitfalls and muses on the mysteries of timecode. |
Dolby S ExplainedFeature | Topic: Recording, Tape, Vinyl, CD, DAT | Recording Musician, Aug 1992Dave Lockwood explains how Dolby S noise reduction increases the potential of analogue tape recorders. |
Silent PartnerReview | Recording Musician, Aug 1992Tascam 238S 8-TrackDave Lockwood checks out the first ever Dolby S cassette multitracker in this exclusive review. |
Fostex 2412Review | Sound On Sound, Aug 199224-Channel Multitrack MixerFostex's new 24-channel 12-group 2412 mixer packs big console features into a compact frame. Dave Lockwood tries it on for size. |