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Sweet Little Sixteen

Review | Sound On Sound, Aug 1991
Tascam MSR16S Multitrack

Having made its debut on the new generation of affordable 1" 24-tracks, Dolby S has now given a new lease of life to Tascam's MSR16S. Dave Lockwood explains why.

Allen & Heath S2

Review | Sound On Sound, Sep 1991
Recording Mixer

Not content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size.

Dynamic Duo

Review | Sound On Sound, Nov 1991
Drawmer DL241 Auto-Compressor & DS404 Quad Noise Gate

The latest from Drawmer in dynamic control, reviewed by Dave Lockwood.

Fostex X28

Review | Sound On Sound, Dec 1991
Cassette Multitracker

Policemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28.

Born In The USA

Review | Sound On Sound, Dec 1991
Mackie CR1604 Mixer

The mixer market is dominated by British manufacturers, with a range of Japanese designs also popular in MIDI setups. However, a new American compact mixer offers impeccable audio quality, and outstanding features and value that look hard to beat. Dave Lockwood welcomes the newcomer.

Guitarist's Grail

Review | Sound On Sound, Jan 1992
Tech 21 Sansamp

The ultimate DI sound is the Holy Grail for recording guitarists. Dave Lockwood test (over)drives a black box that moves a step closer to the goal.

ART Multiverb Alpha

Review | Sound On Sound, Jan 1992

The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out.

The Rough Guide To Choosing Microphones

Feature | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jan 1992

Dave Lockwood presents the ultimate guide to microphone basics — how they work, how to choose the right mic for a given application, and how to use them.

Keep It Simple

Review | Sound On Sound, Feb 1992
Sessionmaster Direct Recording Pre-Amp

The Sessionmaster spurns unnecessary extras best left to other effects units and concentrates on producing a quality DI guitar sound. Dave Lockwood approves.

Yamaha MT120

Review | Sound On Sound, Feb 1992
4-track Cassette Recorder

Yamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before.

You Get More From A Mackie

Review | Sound On Sound, Mar 1992
Mackie 1202 Compact Mixer

Mackie Designs' 1202 mixer offers supreme flexibility, and the same standard of design and construction that distinguished the 1604. Dave Lockwood finds proof that the best things come in small packages.

Vive La Difference!

Group: The SOS Guide To Going Live

Feature | Topic: Live, Mixing | Sound On Sound, Mar 1992
Choosing Mixers For Live Sound

All mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage.

Smaller, Neater, Cheaper...

Review | Sound On Sound, Mar 1992
Fostex X18 Cassette Multitracker

Following in the footsteps of Fostex's X15, their new X18 offers the cheapest and simplest entry to 4-track recording. Dave Lockwood puts it to the test.

Back On Top?

Review | Sound On Sound, Mar 1992
C-Lab Notator/Creator V3.1

The latest update to C-Lab's Creator/Notator adds graphic arranging, support for tape recorder transport control, and a host of other assorted new or improved features. If you still haven't upgraded from a pre-3.0 version, now's the time to do it, says Dave Lockwood.

Audio Technica AT4033

Review | Sound On Sound, Apr 1992
Studio Condensor Mic

Audio Technical new AT4033 offers the performance and precision construction that usually carry a premium price tag. Dave Lockwood looks at this attractive alternative to some big name mics.

Zoom 9000

Review | Sound On Sound, Apr 1992
Guitar Effects Processor

The Zoom 9002 effects processor won universal praise for its combination of compact size and classy sound. Dave Lockwood checks out its newly-launched little brother, the Zoom 9000.

I Sync Therefore I Am

Review | Sound On Sound, May 1992
Micon Audio LMTC Synchroniser

Micon Audio's LMTC Processor Controller Synchroniser does for owners of Tascam multitracks what the MTC1 did for Fostex users: integrates multitrack recorder control into the sequencer environment. Dave Lockwood gets that syncing feeling once more.

Allen & Heath GS3

Review | Sound On Sound, May 1992
Multitrack Mixer

With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.

Tascam ATS500

Review | Sound On Sound, Jun 1992
Transport Synchroniser

Dave Lockwood checks out Tascam's ATS500 which is ideal for semi-pro musicians with an eye on the field of audio-for-video.

Tascam 464 Portastudio

Review | Sound On Sound, Jun 1992

Dave Lockwood takes a shine to Tascam's new top-of-the-range Portastudio, the 464.

Tascam M1516 Mixer

Review | Sound On Sound, Jun 1992

Tascam's compact and versatile new M1516 desk is aimed squarely at the semi-pro 8-track market. The not-so compact but even more versatile Dave Lockwood checks it out.

Rock Around The Clocks

Feature | Topic: Syncronisation | Sound On Sound, Jul 1992
Synchronisation Explained

Many hi-tech musicians see tape synchronisation as a necessary evil. Dave Lockwood ponders the pitfalls and muses on the mysteries of timecode.

Dolby S Explained

Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Recording Musician, Aug 1992

Dave Lockwood explains how Dolby S noise reduction increases the potential of analogue tape recorders.

Silent Partner

Review | Recording Musician, Aug 1992
Tascam 238S 8-Track

Dave Lockwood checks out the first ever Dolby S cassette multitracker in this exclusive review.

Fostex 2412

Review | Sound On Sound, Aug 1992
24-Channel Multitrack Mixer

Fostex's new 24-channel 12-group 2412 mixer packs big console features into a compact frame. Dave Lockwood tries it on for size.

 

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