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The Professionals: APRSFeature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios. |
Yamaha TX16W SamplerReview | Sound On Sound, Jul 1988All good things come to those who wait... David Mellor samples Yamaha's version of the 'ultimate instrument', the MIDI sampler. Does it improve on all that have gone before or have Yamaha taken technology beyond the point of usability? |
Tascam 238 SyncasetReview | Sound On Sound, Aug 19888-track RecorderThe 8-track war hots up. Now Tascam have an 8-track cassette to compete with the Toa MR8T. We know that eight tracks on compact cassette are possible, but who does it better, Tascam or Toa? David Mellor decides. |
Sound Designer UniversalReview | Sound On Sound, Oct 1988If you own several samplers or just want to transfer S900 samples into your mate’s FZ1, then this program will make life considerably easier. David Mellor creates some designer sounds with the Atari ST version of Digidesign’s universal sample editor. |
My Ideal SequencerFeature | Topic: Computing, Design, Development & Manufacture, Sequencing | Sound On Sound, Oct 1988Just for a change, David Mellor does the impossible and reviews a product that does not exist! Perhaps one day it might, but for now this 'ideal' MIDI sequencer program lives only in the imagination of the author. |
J.L. Cooper MixMateReview | Sound On Sound, Oct 19888-Track Automation SystemWhen you run out of fingers and you find yourself pushing faders up and down with your nose during a mix, then it's time to get a helping hand. Master craftsman David Mellor takes on a new apprentice, the J.L Cooper MixMate. |
How It Works: the Noise Gate - Part 10Feature Series | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate. |
How It Works: the Power Amplifier - Part 11Feature Series | Topic: Sound Fundamentals | Sound On Sound, Nov 1988Otherwise known as the big black box at the bottom of the rack, the power amplifier is the most unglamorous piece of audio equipment known to man. David Mellor seeks out its finer qualities. |
ADA Signal ProcessorsReview | Sound On Sound, Nov 1988David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money. |
Eventide H3000 Ultra HarmonizerReview | Sound On Sound, Nov 1988From the shrill squeak of the soprano to the sepulchral tones of the basso profundo, the Eventide H3000 can create the full spectrum of human vocalisation out of the merest baritono ordinario. David Mellor gives it an aural test. |
The New Standard?Review | Sound On Sound, Nov 1988Akai S1000No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000. |
Bits & PiecesReview | Sound On Sound, Dec 1988How To Upgrade Your Akai S900What do you do when your 12-bit Akai S900 sampler starts to seem a little underspecified in comparison with the latest models? Upgrade it with a '16-bit injection' from Marion Systems. David Mellor reports. |
How to Set Up a Home Studio - Part 1Feature Series | Topic: Home Studio | Sound On Sound, Dec 1988It has been predicted that by the year 2020, the world will be entirely covered by a ten metre deep layer of home recording equipment. David Mellor begins a new series that offers advice on how to set up your home studio. |
Recording the Soundtrack for TV CommercialsFeature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Dec 1988David Mellor looks at the world of advertising, and how music is created and mated with the visuals in a TV commercial. |
Tascam MSR16Review | Sound On Sound, Dec 1988The AlternativeSo far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form. |
Home Recording TechniquesFeature | Topic: Home Studio, Recording | Sound On Sound, Jan 1989With a little thought and a few 'tricks of the trade', it is possible to produce top quality recordings at home. David Mellor explains how. |
How to Set Up a Home Studio - Part 2Feature Series | Topic: Home Studio, Maintenance / Repair / Modification | Sound On Sound, Jan 1989CablesPart 2: Cabling. David Mellor reveals all the prospective home studio owner needs to know about cables. |
Fostex R8 - The 8-Track Take-AwayReview | Sound On Sound, Jan 1989In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin... |
C-Lab UnitorReview | Sound On Sound, Feb 1989SMPTE/EBU SynchroniserDavid Mellor reviews this SMPTE/EBU timecode unit dedicated to C-Lab's Creator and Notator sequencing and scorewriting software for the Atari. |
How to Set Up a Home Studio - Part 3Feature Series | Topic: Home Studio | Sound On Sound, Feb 1989Soldering Techniques & Wiring LoomsPart 3: If you are a home studio builder, then sooner or later you are going to have to solder. And unless you like tangled cables, you will need to be able to make up your own wiring looms. David Mellor offers a man-in-the-street’s guide to simple and reliable wiring techniques. |
Hybrid Arts ADAP1 SoundrackReview | Sound On Sound, Feb 1989Why buy a sampler when you already have one? If you own an Atari ST then you possess one of the major components of any sampling instrument - the memory. With the ADAP1 Soundrack software and processing units your ST can be transformed into a MIDI sampler and powerful post-production tool. David Mellor reports. |
How to Set Up a Home Studio - Part 4Feature Series | Topic: Construction / Build, Home Studio, Recording | Sound On Sound, Mar 1989Building A RackPart 4: Building a 19" rack. There is only so high a temporary stack of equipment can get before it becomes a danger to life and limb. David Mellor explains how to give your rackmount gear a happy home. |
Troubleshooting with the Friend Chip SRC ATFeature | Topic: Syncronisation | Sound On Sound, Mar 1989SMPTE/MIDI ProcessorDavid Mellor dabbles in a spot of SMPTE/MIDI troubleshooting with the Friend Chip SRC/AT processor. |
How to Set up a Home Studio - Part 5Feature Series | Topic: Home Studio, Maintenance / Repair / Modification | Sound On Sound, Apr 1989Wiring A PatchbayPart 5: Patchbay wiring. David Mellor proposes a more practical wiring system for your studio. |
How It Works - Hard Disk Recorders - Part 12Feature Series | Topic: Digital Audio, Recording | Sound On Sound, Apr 1989An Alternative To TapeFrom the analogue to the digital era, magnetic tape has been the prime production medium for recorded music for several decades. David Mellor examines new developments in recording and speculates where they might lead. |