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musikmesseShow Report | The Mix, May 1995 |
Technically SpeakingFeature | Topic: Computing, Construction / Build, Electronics / Build | Making Music, Nov 1987 |
Yamaha DMP7 MixerPreview | Music Technology, Feb 1987Just weeks before it makes its European debut, Dan Goldstein previews the small mixing console that could change the way we think about signal processing, sequencing, and recording as a whole. |
A New MasterFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1990With Digital Audio Tape becoming widely used for mastering, it's important to know how it differs from its quarter-inch predecessor and how it can benefit you. Vic Lennard acknowledges his new master. |
Korg A5 Multi-FX/GuitarReview | Music Technology, Oct 1991Performance Signal ProcessorKorg's A5 series of effects is aimed to offer a variety of effects to a variety of musicians. Simon Trask test drives them and discovers guitar distortion works for drum machines. |
Drumware SoundfilerReview | Music Technology, Mar 1988Akai S900 Editor for the Atari STThis comprehensive visual sample-editing package from America could be the answer to many S900 owner's prayers. Vic Lennard says: have ST will travel. |
Roland S-10 Sampling KeyboardReview | Sound On Sound, Nov 1986'Is this the one we have all been waiting for?' asks Julian Colbeck. Slotting neatly into the vacant sub-£1000 price bracket, Roland's new keyboard is a fast and easy to use sampler with plenty of attractive qualities. But how does it fare against the competition? Read on to find out... |
Acid RadicalInterview | Music Technology, Dec 1988The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell. |
AmericaNews | Electronics & Music Maker, Aug 1981 |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Studio VisionReview | Sound On Sound, Feb 1991The Freedom FactorOpcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports. |
Inner TubesFeature | Topic: Maintenance / Repair / Modification | In Tune, Jan 1985Amps: Exclusive 'Groove Tubes' Boss quizzed on Replacement Valves |
Son et LumiereFeature | Topic: Lighting, Live | Sound On Sound, Oct 1993Jean-Michel Jarre In ConcertWe go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together. |
Fast forwardNews | The Mix, May 1995No hype, no waffle - just tomorrow's products todayTomorrow's hot products previewed |
Technically SpeakingFeedback | Topic: Computing, Electronics / Build | Making Music, Dec 1987 |
Oberheim DPX1Review | Music Technology, Feb 1987Sample Replay UnitIn a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that. |
Roland D70Review | Music Technology, Aug 1990Super LA SynthesiserThe latest addition to Roland's D-series synths is its new flagship - the D70. Simon Trask puts the "Super LA" synth through its paces and discovers its new Analogue Feel facility. |
Rooting For The New AgeInterview | Music Technology, Nov 1991In the desert of new age there are oases of music. Scott Wilkinson talks to an American guitarist with a story to tell and the technology to tell it. |
Gateway's Sound Advice columnFeedback | Sound On Sound, Jan 1987More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology. |
Inner SpaceInterview | Music Technology, Jun 1992Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology. |
Fostex A8 Tape Recorder and 350 MixerUser Report | Home & Studio Recording, Nov 1983User ReportFostex A8 eight track and 350 mixer. |
Classic NouveauReview | Recording Musician, Aug 1992LA Audio Classic CompressorPaul White assesses LA's new compressor, which uses modern technology to emulate the sound of tube models. |
The Shape of Things to ComeNews | Sound On Sound, Apr 1988Check out some of the forthcoming and recently released new products from the hi-tech and recording fields. |