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Monster Mixing

Review | Sound On Sound, Aug 1993
Francinstien Stereo Enhancement System

musikmesse

Show Report | The Mix, May 1995

Technically Speaking

Feature | Topic: Computing, Construction / Build, Electronics / Build | Making Music, Nov 1987

Yamaha DMP7 Mixer

Preview | Music Technology, Feb 1987

Just weeks before it makes its European debut, Dan Goldstein previews the small mixing console that could change the way we think about signal processing, sequencing, and recording as a whole.

A New Master

Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jul 1990

With Digital Audio Tape becoming widely used for mastering, it's important to know how it differs from its quarter-inch predecessor and how it can benefit you. Vic Lennard acknowledges his new master.

Korg A5 Multi-FX/Guitar

Review | Music Technology, Oct 1991
Performance Signal Processor

Korg's A5 series of effects is aimed to offer a variety of effects to a variety of musicians. Simon Trask test drives them and discovers guitar distortion works for drum machines.

Drumware Soundfiler

Review | Music Technology, Mar 1988
Akai S900 Editor for the Atari ST

This comprehensive visual sample-editing package from America could be the answer to many S900 owner's prayers. Vic Lennard says: have ST will travel.

Roland S-10 Sampling Keyboard

Review | Sound On Sound, Nov 1986

'Is this the one we have all been waiting for?' asks Julian Colbeck. Slotting neatly into the vacant sub-£1000 price bracket, Roland's new keyboard is a fast and easy to use sampler with plenty of attractive qualities. But how does it fare against the competition? Read on to find out...

Acid Radical

Interview | Music Technology, Dec 1988

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

America

News | Electronics & Music Maker, Aug 1981

That Syncing Feeling - Part 3

Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989

Chris Smith enlightens us on the subject of locking music to video

From the Bradle To The Lathe

Feature | Topic: Humour | One Two Testing, May 1984

Probably humorous

Studio Vision

Review | Sound On Sound, Feb 1991
The Freedom Factor

Opcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports.

Inner Tubes

Feature | Topic: Maintenance / Repair / Modification | In Tune, Jan 1985

Amps: Exclusive 'Groove Tubes' Boss quizzed on Replacement Valves

Son et Lumiere

Feature | Topic: Lighting, Live | Sound On Sound, Oct 1993
Jean-Michel Jarre In Concert

We go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together.

Fast forward

News | The Mix, May 1995
No hype, no waffle - just tomorrow's products today

Tomorrow's hot products previewed

Technically Speaking

Feedback | Topic: Computing, Electronics / Build | Making Music, Dec 1987

Oberheim DPX1

Review | Music Technology, Feb 1987
Sample Replay Unit

In a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that.

Roland D70

Review | Music Technology, Aug 1990
Super LA Synthesiser

The latest addition to Roland's D-series synths is its new flagship - the D70. Simon Trask puts the "Super LA" synth through its paces and discovers its new Analogue Feel facility.

Rooting For The New Age

Interview | Music Technology, Nov 1991

In the desert of new age there are oases of music. Scott Wilkinson talks to an American guitarist with a story to tell and the technology to tell it.

Gateway's Sound Advice column

Feedback | Sound On Sound, Jan 1987

More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology.

Inner Space

Interview | Music Technology, Jun 1992

Confronting the "difficult third album" syndrome has presented fewer problems for Inner City mentor Kevin Saunderson than the "more of the same" second album syndrome. Simon Trask discusses musical ideologies, pop trends and advancing technology.

Fostex A8 Tape Recorder and 350 Mixer

User Report | Home & Studio Recording, Nov 1983
User Report

Fostex A8 eight track and 350 mixer.

Classic Nouveau

Review | Recording Musician, Aug 1992
LA Audio Classic Compressor

Paul White assesses LA's new compressor, which uses modern technology to emulate the sound of tube models.

The Shape of Things to Come

News | Sound On Sound, Apr 1988

Check out some of the forthcoming and recently released new products from the hi-tech and recording fields.

 

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