...On A Shoestring Budget

Having a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth.

Mint Jam Studios

A new breed of studio is emerging, ignoring the major record companies and putting their own product out there... Mint Jam is one of them

The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself.

Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds, and samples

No hype, no waffle — just tomorrow's products today

Tomorrow’s hot products previewed

Recently seen effortlessly blowing Bo Diddley and Ron Wood off stage, Ellis Beggs and Howard have been compared to the Rolling Stones in musical significance. Tim Goodyer rediscovers rock 'n' roll.

16-track Tape Recorder

Ever since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile.

Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks to Marco Alpert, Director of Marketing & Sales for E-mu Systems of America - the company behind the Emulator and Emax samplers.

Sequential's One Man Band

Paul Wiffen first encountered the Studio 440 sampling drum machine several months ago when he was called in to help Stevie Wonder suss out his! It has since become the mainstay of his own programming armoury. Here he tells why...

Sounds, samples, & software upgrades for the modern studio

Software, samples and gadgets for the modern musician

The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive.

Twin Function Equaliser

Passport AudioTrax

MIDI and hard disk recording on the Mac for only £260? It sounds too good to be true, but Paul Wiffen pinches himself and finds he is awake!

Multi-effects Processor

SynthCheck

Ensoniq's new baby gets a warm welcome from Tony Mills.

Power Station, NYC

We visit the world-renowned studio, and talk to owner and producer Tony Bongiovi.

The band called it music, the press called it confrontational noise, and the public bought it and danced to it. Stephen Hillier talks to the men behind Renegade Soundwave.

Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.

Digital Space Echo

When Roland made the most popular tape echo unit in the world they called it Space Echo - now they've revived it in digital form. Gordon Reid listens to echoes from the past.

Instead of following other keyboard manufacturers sheep-like into sampling machines, Oberheim have come up with a unique device which doesn't sample but replays disks from several other samplers. Paul Wiffen investigates.

Johnny Demestos

An in-depth assessment