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The Shape Of Things To ComeNews | Sound On Sound, Jul 1986A look at what's new in the recording and hi-tech equipment fields including Applied Microsystem's new synchroniser, Oberheim's rack-mount Matrix-6 expander and more... |
Frankfurt: The Final FrontierShow Report | Music Technology, May 1991Following on from last month's pictorial exclusive, this account of Europe's largest hi-tech music exhibition fills in the details. Tim Goodyer files the report. |
Bits 'n' Pieces - Part 1Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Nov 1992An Introduction to Digital AudioDigital audio explained from the ground up — bit by bit! |
MIDI Futures at the BBCFeature | Topic: Recording Studios, Video / Film / Picture | Sound On Sound, Feb 1989The unique demands on the BBC Radiophonic Workshop have placed it in the forefront of developments in high technology music. Their latest development- a new style of MIDI suite - is an innovation not only in terms of the technology that's employed, but also in the geography’ of the working environment. Richard Elen takes an exclusive first look at the new studio. |
E-Mu Vintage KeysReview | Music Technology, Apr 1993Sound ModuleTake 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest |
Prophet T8Review | Electronics & Music Maker, Dec 1983Touch-Sensitive Polyphonic SynthesiserThe new Sequential Circuits touch sensitive programmable poly synth |
Skill Centre: It BitesFeature | Topic: Tuition / Technique | Making Music, Oct 1986It Bites Play "Calling All The Heroes."Guitarist Frank Dunnery shows you the chords to 'Calling All The Heroes'. |
TAC Scorpion 16:8:2 Mixing ConsoleReview | Home & Studio Recording, Sep 1985A British mixer built to survive. |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |
Scratch & SnatchInterview | Phaze 1, Jan 1989tasty tips from britain's cut-up kings - if it moves, sample it! |
TOA 280-MEReview | Home & Studio Recording, Jun 1986Reference MonitorA very impressive pair of studio monitors at the budget end of the market. |
Heavy fretting - Part 5Group: Sound AdviceGetting a heavy bass sound |
Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |
Tascam M2524Review | Music Technology, Jan 1992Mixing DeskTascam make their bid for the growing private studio/pre-production market with two brand new MIDI-controlled mixers. Tim Goodyer follows the expansion of automated mixing on a budget. |
Alesis MIDIFEXReview | Sound On Sound, Aug 1986Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words. |
Soundtracs 16-8-16 MixerReview | Home & Studio Recording, Jan 1984 |
Four-Headed MonsterReview | Recording Musician, Feb 1993Sony DTC77ES Four-Head DAT RecorderFour heads can be better than one — and they needn't tax your overdraft, as Derek Johnson discovers with Sony's latest DAT recorder. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Nov 1981 |
Back To BachInterview | Music Technology, Jun 1993Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Dec 1992 |
Acid RadicalInterview | Phaze 1, Feb 1989baby ford, golden boy of british acid, drops hints on getting the dancefloor moving |