Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for January 2025
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £22.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Metadata matches from your search
Plain text global search results

Akai S1000

Preview | Music Technology, Oct 1988
Sampler

Akai's popular S900 sampler has appeared on more records and in more studios than you can name. Simon Trask takes an early look at the S900's successor, the 16-bit, 16-voice S1000.

Making the Most of your Akai S1000 Sampler - Part 1

Feature Series | Topic: Sampling | Sound On Sound, May 1989

Recently voted 'Best Sampler' by SOS readers, Akai's S1000 has quickly established itself as the industry standard 16-bit machine. So who better to reveal the innermost secrets of the instrument than the creator of the new SWM and Workstation sample disks, Akai product specialist Steve Howell. This month he kicks off the series with an explanation of how to take your own samples.

The New Standard?

Review | Sound On Sound, Nov 1988
Akai S1000

No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000.

Hands On: Akai S1000 Sampler

Feature | Topic: Sampling | Sound On Sound, Feb 1992

There's an S1000 in every studio — almost. David Mellor presents an introduction to this popular sampler.

Akai S1000

Review | Music Technology, Dec 1988
Digital Sampler

Following in the footsteps of their successful S900 sampler, Akai's new baby looks likely to set new standards in sampling hardware. Simon Trask's thrilled to bits.

Making the Most of your Akai S1000 Sampler - Part 2

Feature Series | Topic: Sampling | Sound On Sound, Jun 1989
Sample Editing & Manipulation

PART 2: Akai product specialist Steve Howell passes on more useful tips to help you make the most of your new S1000 sampler.

Making the Most of your Akai S1000 Sampler - Part 3

Feature Series | Topic: Sampling | Sound On Sound, Jul 1989
Multiple Loops & Timestretch

In this final part of the series, Akai product specialist Steve Howell explores sample editing using multiple loops, and the S1000’s new timestretch feature.

Bits & Pieces

Review | Sound On Sound, Dec 1988
How To Upgrade Your Akai S900

What do you do when your 12-bit Akai S900 sampler starts to seem a little underspecified in comparison with the latest models? Upgrade it with a '16-bit injection' from Marion Systems. David Mellor reports.

This article has no OCR bodytext.WIN an Akai S1000PB 16-bit sampler

Competition | Sound On Sound, Mar 1989

This article has no OCR bodytext.WIN an Akai S1000PB 16-bit sampler

Competition | Sound On Sound, Apr 1989

Akai S1100

Review | Sound On Sound, Dec 1990
16-Bit Stereo Sampler

Akai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow).

Perfect Partners

Review | Sound On Sound, Nov 1990
Akai S1000KB Sampler with DAC R4000 Syquest Drive

The S1000 has been with us for almost two years now, and the removable Syquest drive has become the most popular way of accessing a large library for it. But suppose you put them both in the same box with a weighted keyboard? Paul Wiffen discovers to his joy that someone has!

Back to the future

Group: Control Room

Review | The Mix, Jun 1995
Akai MPC3000

Sampler, sequencer, synchroniser

Action Replay

Review | Sound On Sound, Apr 1989
Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation Disks

Do you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks.

Metro Sound Studiosamples Sound Disks

Group: Quality Control

Review | Music Technology, Sep 1993
for Ensoniq EPS16+/ASR10

Metro Sound Studiosamples sound disks for the Ensoniq EPS16+ and ASR10

Improve Your Memory

Review | Sound On Sound, Jan 1990
PLI Infinity Turbo Drive

Removable hard disks represent a cost-effective solution to data backup and storage problems for sampler owners. Kendall Wrightson takes a look at the PLI Infinity Turbo Drive in use with the Akai S1000.

Masterkit CD-ROM

Review | Music Technology, Mar 1993
Real Drum Company

Hungry for the ultimate drum samples? Take a byte out of this

A Room Of My Own: Red Sun

Interview | Sound On Sound, Nov 1992
Niki Patriarchaea & Yale Del Fabbro AKA Red Sun

Road Warriors

Interview | Sound On Sound, Jul 1992
On Tour With Nitzer Ebb

Nitzer Ebb are using the tools of technology to recreate their abrasive, challenging sound in a live context. Nigel Humberstone talks to the man who helps to put the show on the road.

Sampling Techniques - Part 2

Feature Series | Topic: Sampling | Sound On Sound, Jan 1993
How To Get The Most From Your Sampler

Kinki Roland ate my budgerigar

Group: Mixing It!

Interview Audio | The Mix, Jan 1995

Masterbits Sample CD Collection

Review | Sound On Sound, Jul 1990

David Hughes lends an ear to three well-priced CDs full of synthesizer and drum machine samples.

Shipwrecked!

Feature | Music Technology, Aug 1991

If you were stranded on a desert island with only a solitary keyboard to occupy your time, what would be the instrument of your choice? The professionals make theirs in this anniversary feature.

Patchwork

Feature | Music Technology, Jul 1991
Master Bits Sampling Collection 500, 600, 700 and 800

When your music cries out for the sounds of synths that you haven't got, your sampler can be your best friend. Tim Goodyer samples four CDs packed with the sounds of synths, drum machines and even samplers.

 

muzines_logo_02

Small Print

Terms of usePrivacy