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Beat DisInterview | Sound On Sound, Jun 1991Into the future with RSS, and looking back to programming 'Say A Little Prayer', Bomb The Bass talk technical to Mike Collins. |
Beck To The FutureInterview | Music Technology, May 1993One day you're a keyboard player writing songs with an unknown Bradford singer. The next - one of those songs goes to Number One. Phil Ward goes on the road with John Beck, for whom exactly that happened with Tasmin Archer, and experiences the fulfilment of some great expectations. |
Modus OperandiInterview | Sound On Sound, Jul 1993Depeche Mode: Songs Of Faith And DevotionThe boys in black talk technical in this UK exclusive interview. |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Electric gypsyGroup: In SessionThe original hurdy-gurdy man takes Tim Barr on an ambient perambulation through his current project, System 7 |
Sony DPS-R7 Digital ReverberatorReview | Sound On Sound, Dec 1991A New Reverb StandardHot on the heels of their impressive DPS-D7 digital delay comes the latest single effects unit from Sony. As the DPS-R7 reverberates, David Mellor adjudicates. |
Roland S750 SamplerReview | Sound On Sound, Oct 1991Digital Quality — Analogue FeelRoland's acclaimed S770 sampler has been quietly growing in popularity, and the release of version 2.0 software and the floppy drive-only S750 should ensure that Roland samplers become still more popular. Wilf Smarties explains why. |
SNAP! to tomorrowGroup: In SessionLuca of Snap chats about all things multimedia |
Digging In The DirtFeature | Topic: Recording | Sound On Sound, Nov 1992Recording Peter Gabriel's Us |
Baptism of fireGroup: In SessionAlchemeaA visit to one of the leading recording colleges |
Psychotronic LandscapesInterview | Sound On Sound, Jun 1993Michel Huygen/NeuroniumThis Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes. |
The Streets Of San FranciscoInterview | Music Technology, Jul 1993Hip-hop beats, anarchic industrial noise and the odd jazz lick are the hallmarks of The Disposable Heroes Of Hiphoprisy’s debut album Hypocrisy Is The Greatest Luxury. Kean Wong drops in on San Francisco’s uncompromising renegades and discovers which are the sharpest tools at the cutting edge of rap |
Beats WorkingInterview | Music Technology, Jul 1991Pioneer of the sampling revolution, Tim Simenon, is back with a new album, a new studio and a refreshing update on what technology has to offer music. Tim Goodyer charts Unknown Territory. |
Message In A SampleInterview | Music Technology, May 1993Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder. |
Hands On: Apple Macintosh ComputersFeature | Topic: Computing | Sound On Sound, Mar 1993 |
Art Of The StateInterview | Sound On Sound, Oct 1992Instrumental music doesn't sell, the UK dance scene is totally bereft of life, and dance bands never produce decent albums. Wrong, wrong, wrong — and 808 State are back with proof. Nigel Humberstone talked to Manchester's finest during the recording of Gorgeous, their third album. |
Shape Of Things To ComeNews | Sound On Sound, Nov 1990All the latest hi-tech goodies, brought to you in glorious technicolour. |
Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
Incoming DataNews | Music Technology, May 1993 |
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