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SmokeNews | Making Music, May 1986The musicians' gossip column. Stuff you wouldn't believe. (We didn't.) |
Everything's Gone GreenInterview | Electronic Soundmaker & Computer Music, Oct 1984Roedelius explains the necessity of home recording and why he's addicted to the colour green! |
Self-PortraitInterview | Electronics & Music Maker, Aug 1984Seminal German avant garde composer Hans-Joachim Roedelius was in London recently to promote a new solo album, 'Gift of the Moment'. Dan Goldstein was granted a brief audience. |
The Magic of Daniel Lanois - Part 1Interview Series | Sound On Sound, Aug 1987Mark Prendergast interviews this French-Canadian engineer/producer about his long-standing production partnership with Brian Eno and his recent involvement with Peter Gabriel and U2. |
Animal MagicFeature | Topic: Live | Music Technology, Oct 1993Zoo TVMT goes backstage at U2's multimedia spectacular and discovers the technical realities behind Eno and the band's vision. Engineer Dave Lemmink unveils the system that redefines stadium rock |
Creating ChaosInterview | Music Technology, Oct 1987Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects. |
On TapeIndex Audio | Electronic Soundmaker & Computer Music, Oct 1984 |
Keyboard MusicInterview | Sound On Sound, Mar 1990One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music. |
Sound Of MovementInterview | Electronic Soundmaker & Computer Music, Jun 1985A contemporary composer drawing inspiration from the classics |
Ethnic FanfareInterview | Music Technology, Dec 1987American trumpeter extraordinaire talks to John Diliberto about horns, electronics and Indian ragas; '60s experimentation meets '80s chic. |
from Jams to JamesGroup: In SessionWise words from the master of modern production |
A History of Electronic Music - Part 6Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1982Into the Seventies |
The Art Of RepetitionEditorial | Music Technology, Nov 1989The non-musician has taken a lot of stick from his educated counterparts, yet he's contributed a lot to musical progress. What separates musicians and non-musicians? |
U2Interview | One Two Testing, Jan 1985can have an Edge like thisThe Edge describes sounds and styles |
Michael BrookInterview | Sound On Sound, Jun 1992Canada DryMichael Brook, inventor of the Infinite Guitar, is a guitarist, composer and producer with a good deal of talent and a taste for the unusual. Paul Tingen met him to talk about his forthcoming Cobalt Blue album. |
Electric FireInterview | International Musician & Recording World, Jan 1985Bono's boys give away a few secrets from the Fire department, Adrian Deevoy and Philip Bashe team up and get close to the Edge |
NewsNews | Electronics & Music Maker, Feb 1982 |
The Magic of Daniel Lanois - Part 2Interview Series | Sound On Sound, Sep 1987In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs. |
Studio Of The MonthGroup: Recording WorldThe Music WorksPatrick Hunt gives Music Works the once over |
The Sound-Painted World of Harold BuddInterview | Sound On Sound, Dec 1986The Eno collaborator and leading exponent of American minimalist music, Harold Budd, discloses the fascinating background to his new solo album 'Lovely Thunder', his love of the piano and his strange union with the Cocteau Twins. Mark Prendergast attends the masterclass and takes notes. |
The Art Of RepetitionEditorial | Music Technology, Jul 1990They say everyone's got one good song in them, it's writing a second that determines whether the first was luck or not... But just how good a guide to the quality of music is the ability to repeat it? |
New MusicFeature | Sound International, May 1978Intro...An introduction to a series on "music in which people are doing interesting, and often strange, things". |