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What It All Means

Feature | Topic: Recording | Making Music, Apr 1986
Recording

Where we sort out and explain carefully a set of technical terms: this month, recording gear

Contact Miking Real Drums

Feature | Topic: Acoustics, Microphones | Home & Studio Recording, Dec 1983

Live Recording

Strong stuff

Group: Control Room

Review | The Mix, Feb 1995
Samson MPL2242

Live/recording mixer

XR-300

Review | Micro Music, Mar 1990

Great Audio Concepts Of Our Time - Part 2

Feature Series | Topic: Sound Fundamentals | Sound On Sound, Jan 1988

Bamboozled by technical specs? David Mellor explains how to 'interpret' audio equipment specifications and also gives the lowdown on that little understood concept, Barkhausen noise.

Before You Press Record

Feature | Topic: Recording | Making Music, Oct 1987
Recording Tips

Fostex X30 Portastudio

Group: News and Reviews

Review | Making Music, Nov 1987

Getting into Video - Part 2

Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Oct 1989

PART 2: Timecode - much talked about but little understood - is of increasing importance to musicians and recording engineers. Whether you are synchronising audio to video, or MIDI to multitrack, at least a working knowledge of SMPTE/EBU is required. In the second part of this series, David Mellor explains what timecode is and how it is used.

Leader

Editorial | Home & Studio Recording, Aug 1986

Tama Techstar Electronic Drums

Review | Electronics & Music Maker, Oct 1984

Tama are the first acoustic percussion manufacturer to enter the electronic arena: Paul White tested the first example in the country to see if the Japanese could make something more than a Simmons copy.

Is Analogue Multitrack Recording Dead?

Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Feb 1993

Using Timecodes - Part 3

Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Apr 1986

Tonmeister Course lecturer, Francis Rumsey, explains how timecodes are used to synchronise audio to video in Part 3 of our series.

Important Announcement

Group: Supplement

Editorial | Recording Musician, May 1993
To All RM Readers

Future History FS1 and FST MIDI Switchers

Review | Recording Musician, Apr 1993

Poor Person's SMPTE

Review | Sound On Sound, Nov 1987
J.L. Cooper PPS-1

Looking for an alternative means of syncing MIDI instruments to tape? David Mellor tries out a low-cost solution from J.L. Cooper Electronics - the PPS-1.

Tascam 238 Syncaset

Review | Sound On Sound, Aug 1988
8-track Recorder

The 8-track war hots up. Now Tascam have an 8-track cassette to compete with the Toa MR8T. We know that eight tracks on compact cassette are possible, but who does it better, Tascam or Toa? David Mellor decides.

Roland Octapad

Review | International Musician & Recording World, Feb 1986
Drumcheck

Eight pads, one reviewer. Bob Henrit puts one over the eight

Simmons TMI

Review | International Musician & Recording World, Aug 1986
DrumCheck

Yet more MIDI manipulation, as Bob Henrit explores this trigger to MIDI converter

MTR Dual Noise Gate

Group: Recording World

Review | International Musician & Recording World, Jul 1986
Studio Test

It's cheap, it's fast, it's sensitive — it's Jim Betteridge

Anatek Pocket Sync

Review | Music Technology, Mar 1991

As integration of musical and studio technology grows, the need for units like Anatek's new sync box grows. Synchronisation made easy with Vic Lennard.

Doctoring The Dr.

Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Oct 1984

An easy-to-follow project to fit separate outputs to your Dr. Rhythm to increase its versatility.

Hair raiser

Group: Control Room

Review | The Mix, Apr 1995
Samson Servo 150

Studio power for your monitoring

Wiring DIN Connectors

Feature | Topic: Electronics / Build | Home & Studio Recording, Mar 1984
Interconnect

Fostex E16 Multitrack

Review | Music Technology, Nov 1986
16-track Tape Recorder

Ever since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile.

Power by design

Group: Control Room

Review | The Mix, Dec 1994
Fender PX2216D powered mixer

Innovative PA concept

 

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