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What It All MeansFeature | Topic: Recording | Making Music, Apr 1986RecordingWhere we sort out and explain carefully a set of technical terms: this month, recording gear |
Contact Miking Real DrumsFeature | Topic: Acoustics, Microphones | Home & Studio Recording, Dec 1983Live Recording |
XR-300Review | Micro Music, Mar 1990 |
Great Audio Concepts Of Our Time - Part 2Feature Series | Topic: Sound Fundamentals | Sound On Sound, Jan 1988Bamboozled by technical specs? David Mellor explains how to 'interpret' audio equipment specifications and also gives the lowdown on that little understood concept, Barkhausen noise. |
Fostex X30 PortastudioGroup: News and Reviews |
Getting into Video - Part 2Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Oct 1989PART 2: Timecode - much talked about but little understood - is of increasing importance to musicians and recording engineers. Whether you are synchronising audio to video, or MIDI to multitrack, at least a working knowledge of SMPTE/EBU is required. In the second part of this series, David Mellor explains what timecode is and how it is used. |
LeaderEditorial | Home & Studio Recording, Aug 1986 |
Tama Techstar Electronic DrumsReview | Electronics & Music Maker, Oct 1984Tama are the first acoustic percussion manufacturer to enter the electronic arena: Paul White tested the first example in the country to see if the Japanese could make something more than a Simmons copy. |
Is Analogue Multitrack Recording Dead?Feature | Topic: Recording, Tape, Vinyl, CD, DAT | Sound On Sound, Feb 1993 |
Using Timecodes - Part 3Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Apr 1986Tonmeister Course lecturer, Francis Rumsey, explains how timecodes are used to synchronise audio to video in Part 3 of our series. |
Future History FS1 and FST MIDI SwitchersReview | Recording Musician, Apr 1993 |
Poor Person's SMPTEReview | Sound On Sound, Nov 1987J.L. Cooper PPS-1Looking for an alternative means of syncing MIDI instruments to tape? David Mellor tries out a low-cost solution from J.L. Cooper Electronics - the PPS-1. |
Tascam 238 SyncasetReview | Sound On Sound, Aug 19888-track RecorderThe 8-track war hots up. Now Tascam have an 8-track cassette to compete with the Toa MR8T. We know that eight tracks on compact cassette are possible, but who does it better, Tascam or Toa? David Mellor decides. |
Roland OctapadReview | International Musician & Recording World, Feb 1986DrumcheckEight pads, one reviewer. Bob Henrit puts one over the eight |
Simmons TMIReview | International Musician & Recording World, Aug 1986DrumCheckYet more MIDI manipulation, as Bob Henrit explores this trigger to MIDI converter |
MTR Dual Noise GateGroup: Recording WorldStudio TestIt's cheap, it's fast, it's sensitive — it's Jim Betteridge |
Anatek Pocket SyncReview | Music Technology, Mar 1991As integration of musical and studio technology grows, the need for units like Anatek's new sync box grows. Synchronisation made easy with Vic Lennard. |
Doctoring The Dr.Feature | Topic: Electronics / Build | Electronic Soundmaker & Computer Music, Oct 1984An easy-to-follow project to fit separate outputs to your Dr. Rhythm to increase its versatility. |
Hair raiserGroup: Control RoomSamson Servo 150Studio power for your monitoring |
Wiring DIN ConnectorsFeature | Topic: Electronics / Build | Home & Studio Recording, Mar 1984Interconnect |
Fostex E16 MultitrackReview | Music Technology, Nov 198616-track Tape RecorderEver since its launch, the Fostex B16 has dominated the budget 16-track studio market Now Paul White tests its successor, the E16, and finds out if the improvements are worthwhile. |
Power by designGroup: Control RoomFender PX2216D powered mixerInnovative PA concept |