Fun In The Waves

Ever since it became possible to record music, it's been possible to lose "valuable" recordings. Tim Goodyer raises the question of responsibility.

MIDI & Multitrack

Part 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder.

Where everything clicks

Your questions answered

If the major record companies won't give you the deal you know you deserve, you could do worse than to do it yourself. David Bradwell investigates the pros and cons of pressing your own single.

TechTalk: Kim Ryrie

Second and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology.

The techno punk duo on U2, sampling theft, virtual reality, CDI, and getting the machines to rock.

Yamaha SPX990 20-Bit Digital Multi Effects

We put the first affordable 20-bit processor through its paces.

Spirit PowerStation

Return of the powered mixer

Q: When is a guitar not a guitar? A: When it's part of David Sylvian's music. Taking time out from a hectic schedule David Torn talks guitar textures and musical crossovers with Tim "pretentious, moi?" Goodyer.

Multi-fx Processor

In their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one.

In The Digital Age

The digital revolution has not quite killed off the analogue synthesizer, and vintage or vintage-style instruments have an enduring appeal. Julian Colbeck looks at why this should be so.

A Series By Warren Cann

In this month's instalment, Warren Cann circumnavigates his drum machine in search of the perfect song map.

Digital Audio Board For The Mac LC

Where everything clicks

Your questions answered

The original hurdy-gurdy man takes Tim Barr on an ambient perambulation through his current project, System 7

Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable.

Hip-hop beats, anarchic industrial noise and the odd jazz lick are the hallmarks of The Disposable Heroes Of Hiphoprisy’s debut album Hypocrisy Is The Greatest Luxury. Kean Wong drops in on San Francisco’s uncompromising renegades and discovers which are the sharpest tools at the cutting edge of rap

Dispatches from the frontline of the future

With the development of their Series 4000 range of studio mics, Bruel & Kjaer have earned a reputation as one of the top manufacturers of versatile, high performance microphones. In this article Ralph Dunlop, B&K's UK Sales Manager, makes a case for the use of quality microphones and outlines a useful guide for determining microphone choice and application.

After producing artists ranging from Bomb the Bass and S 'Xpress to Bryan Ferry and Wet Wet Wet, Pascal Gabriel is about to begin his own career as a recording artist. Tim Goodyer discovers a Lovechild.

He's big in Japan, massive in America, and beginning to conquer Europe with his own brand of ethereal synthesized 'mood music'. Mark Jenkins talks to the phenomenon that is Kitaro.

Inventor of the 'infinite guitar', this Canadian born player's haunting multi-layered guitar parts have graced the works of such luminaries as Brian Eno, Jon Hassell, U2's Edge, and Daniel Lanois, though Michael Brook's own music has yet to receive the recognition it deserves. Mark J. Prendergast reports.

Why isn't everybody happy with 16-bit sampling? Why are 20 bits better than 16? Kendall Wrightson looks at the technology in the latest generation of analogue-to-digital convertors.