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Magnificent Seven

Review | Recording Musician, Apr 1993
Studiomaster P7 Multitrack Mixing Console

Studiomaster have at last entered the in-line console fray with this well-specified and attractively-priced desk. RM checks it out.

Meet Gary Clark

Interview | Music Technology, Jun 1993

Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well

Rebel Yell

Interview | Sound On Sound, Apr 1993

One Size Fits All

Editorial | Music Technology, Dec 1990

Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size.

Shape of Things to Come

News | Sound On Sound, Jan 1989

Three jampacked pages of new product information.

Mr Bass Man

Interview | Micro Music, Aug/Sep 1989

Vie Marshall talks to record producer Simon Harris, but will he show her his Yo-Yo?

Oliver's army

Group: Mixing It!

News | The Mix, Oct 1994

Sampling Techniques - Part 1

Feature Series | Topic: Sampling | Sound On Sound, Dec 1992
How To Get The Most From Your Sampler

State Of Independence

Group: On The Record

Feature | Topic: Home Studio, Music Business, Recording | Sound On Sound, Nov 1993
Dave Stewart On Going It Alone In The Music Biz

The major record company route is not the only one to musical success. Dave Stewart has successfully avoided the majors and still manages to make a good living from his home-produced music. Here, he charts his musical history.

The Media Man

Interview | Music Technology, Jul 1989

Still crazy after all these years? Devo mainstay Mark Mothersbaugh speaks of TV music, obscure American synths and lunchboxes that go boom, tink, boom,tink...

Copycat Crimes

Feature | Topic: Copyright, Sampling | Music Technology, Sep 1988

Sampling and the law: where do you stand when you plug your record deck or CD player into your sampler? David Bradwell investigates the legal position and the attitudes of the music industry.

The Desktop Remix

Group: In Session

Interview Audio | The Mix, Jul 1994

Tracking the progress of a DIY mix that went official

Beat Generation

Interview | Music Technology, Jul 1989

With their debut album just released and a single high in the charts, these are busy times for the Beatmasters. Tim Goodyer braves a tube strike to find out what technology has done for them (and what they'd like to do to technology).

Patchwork

Feature | Music Technology, Jun 1990
Drumtrax 1 Sample Tape

If you're looking to expand your sampler's vocabulary of drum sounds or your D50 library, Patchworks' Drumtrax sample tape and PA Decoder's D50 Rom Volume III should be worth checking out - start here.

New Reality

Feature | Topic: Composing / Art | Sound On Sound, Nov 1989
The story of a CD

Not many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story...

Radio Days

Feature | Topic: Digital Audio Workstations, Live, MIDI, Performing, Sequencing | Sound On Sound, Aug 1992
Technology On The Air

When Paul D. Lehrman was asked to use his technological expertise to help create a radio quiz show, he rose to the challenge — and discovered it was just about the best fun he could have standing up.

Remixing With Phil Kelsey

Group: On The Record

Interview | Sound On Sound, Nov 1993

The art of remixing laid bare by DMC's top remixer.

Short takes

News | The Mix, Mar 1995

The Mix's terrestrial bulletin board

Three Wize Men

Interview | Music Technology, Jun 1988

Getting philosophical about the new British hip hop. Tim "homeboy" Ponting raps with Wize man DJ Jemski about sampling, sequencing and bringing the drum kit into hip hop.

MIDI Basics

Feature | Topic: MIDI, Syncronisation | Recording Musician, Jan 1993
MIDI-To-Tape Synchronisation

MIDI-to-tape sync: why you need it, what it does and how you use it.

Sub Culture

Interview | Music Technology, Jul 1993

Forsaking guitars and drums for a wall of keyboards and racked modules, Sub Sub turned a home studio into a hit factory. ‘Ain’t No Love (Ain’t No Use)’ peaked at Number 3 and took everyone by surprise - except Phil Ward, who heard the single pre-release and contacted the band immediately.

Laurie Anderson

Interview | Sound On Sound, Feb 1991

Laurie Anderson, pioneer and populariser of avant-garde electronic music, and arguably the performance artist, recently brought her 'Empty Places' show to the UK. Interview by Mark J. Prendergast.

Get on the party line

Group: Mixing it!

Feature Audio | The Mix, Mar 1995

Short Cuts

Group: Quality Control

Review | Music Technology, Mar 1994

Making Music Keyfax 4: Samplers & Controllers by Julian Colbeck Computer Manuals Windows Stuff Microsoft Forgot! by Ed Tiley Music Of Life George Clinton sample CD

HitSound Producer Series CDs

Review | Sound On Sound, May 1992
Coldcut, David Ruffy

Wilf Smarties looks for the perfect beat in two new HitSound sample CDs, from production team Coldcut and drummer David Ruffy.

 

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