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Commercial Gain

Interview | Music Technology, Feb 1990

Take two classically trained musicians, a studio full of hi-tech gear and a will to survive in the commercial world of music and you've got WBTM Music. Claire O'Brien learns how to be a musician and eat.

Deep Vibrations

Interview | Music Technology, Aug 1991

Turning their backs on pop notoriety to meet electronic experimentation head on, Sheffield's LFO are taking dance music into new areas. Simon Trask gets a new perspective on nostalgia.

Grief

Feature | Music Technology, Nov 1993

Don 't be sad - let MT solve your technical problems for you

Wet, Wet, Wet!

Review | Sound On Sound, Feb 1992
LSW Poolside Drums Sampling CD

David Mellor tastes a hot product from the London Sample Workshop.

A Room Of My Own: The Beatmasters

Interview | Sound On Sound, Dec 1992

Soul Searching

Interview | Music Technology, Jun 1989

From a clothes and record shop to an electronics company to a sound system to an excellent album and charting single, London's Funki Dreds are on the move. Tim Goodyer talks tech to Soul II Soul's Jazzie B.

No Man in particular

Group: Mixing It!

Interview Audio | The Mix, Jul 1994

One Size Fits All

Editorial | Music Technology, Dec 1990

Once a recording studio was a large room lined with futuristic acoustic tiles and filled with impressive equipment; now it could be the corner of a bedroom - it's all a matter of size.

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Nov 1992
Garage Studio

RM reader Martin Smith talks about the trials and tribulations of building a serious home studio in his garage.

Magnificent Seven

Review | Recording Musician, Apr 1993
Studiomaster P7 Multitrack Mixing Console

Studiomaster have at last entered the in-line console fray with this well-specified and attractively-priced desk. RM checks it out.

Meet Gary Clark

Interview | Music Technology, Jun 1993

Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well

Rebel Yell

Interview | Sound On Sound, Apr 1993

Voodoo Chile

Interview | Music Technology, Apr 1990

You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Dec 1992
Paul Ward

Paul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio.

Peter Gabriel - Passion

Feature | Topic: Recording Studios | Sound On Sound, Sep 1989

Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.

Welcome

Editorial | Sound On Sound, Nov 1990
Volume 6 Starts Here

Recording Techniques - Part 18

Feature Series | Topic: Recording | Sound On Sound, May 1991
Any Questions?

Part 18. David Mellor concludes this 18-part mammoth series on recording techniques with a handy question and answer session.

Fast Forward

News | The Mix, Jul 1994
No hype, no waffle - just tomorrow's products today

Tomorrow's technology today

Sound Spaces

Feature | Topic: Acoustics | Sound On Sound, Apr 1992
Getting Studio Acoustics Right

In major studios or in home setups, a good listening environment is essential. Wilf Smarties presents a practical guide to creating the right space for your sound.

Virtual or Reality

Feature | Topic: MIDI, Recording | Sound On Sound, Sep 1993

Demo Doctor

Feature | Recording Musician, Jul 1992

Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo.

Masterkit CD-ROM

Review | Music Technology, Mar 1993
Real Drum Company

Hungry for the ultimate drum samples? Take a byte out of this

Mix Revolution

Review | Recording Musician, Jan 1993
Fostex DCM100 & Mixtab Mixing System

Made possible by the revolution in consumer microchip design, this low-cost system automates virtually every control on the mixer, including EQ.

Phonic PMC 240A Mixing Desk

Review | Recording Musician, May 1993

This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer?

Meet the Beat

Interview | Music Technology, Jan 1991

Why limit music to the sounds you hear or the run-of-the-mill images that litter video and concert appearances? Steve Cogan discovers that there's no reason at all - for Meat Beat Manifesto.

 

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