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Enterprise zone

Group: Sound Advice

Feature | Topic: Education | The Mix, May 1995
Newham College

An East End education boots up the digital revolution

EastWest Communications

Review | Sound On Sound, May 1991
Bob Clearmountain Sample CDs

On a clear day you can usually tell the difference between sampled and real drums. But if the quality of the samples is high enough, will there come a time when you can't tell which is which? David Mellor listens to two new sample cds.

Russlings

Opinion | Sound On Sound, Nov 1991

Just as musicians have day jobs, so companies in the music industry often have activities outside the field, writes Martin Russ.

Fast Forward

News | The Mix, Sep 1994
No hype, no waffle - just tomorrow's products today

Tomorrow’s hot products previewed

PC Notes

Feature | Topic: Computing | Sound On Sound, Jul 1992

...Brian Heywood reports on the latest PC developments...

Pan Handler

Group: Control Room

Review Audio | The Mix, Jul 1994
Lexicon Vortex

Morphing FX box

King For A Day

Interview | Sound On Sound, May 1991

Mark King, master bassist with a string of hit albums to his name as leader of Level 42, has reaped many of the rewards that pop stardom can bring — but satisfaction with the music industry is never guaranteed, as Paul Tingen discovers.

Mixed Media

News | The Mix, Jul 1994
interacting with the future

The automation of creation

Russlings

Opinion | Topic: Sampling | Sound On Sound, Mar 1992

Sampling clichés and how to avoid them.

Aliens in the Arcade

Group: In Session

Feature Audio | Topic: Composing for Business, Multimedia / Graphics / Visuals, Video / Film / Picture | The Mix, Jan 1995
Games Feature

Now that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games...

Gloria!

Feature | Topic: Live | Sound On Stage, Dec 1996
Gloria Estefan live in Miami

Voodoo Chile

Interview | Music Technology, Apr 1990

You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.

Recording Musician

Feature | Topic: Home Studio | Recording Musician, Dec 1992
Paul Ward

Paul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio.

Peter Gabriel - Passion

Feature | Topic: Recording Studios | Sound On Sound, Sep 1989

Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.

Welcome

Editorial | Sound On Sound, Nov 1990
Volume 6 Starts Here

Recording Techniques - Part 18

Feature Series | Topic: Recording | Sound On Sound, May 1991
Any Questions?

Part 18. David Mellor concludes this 18-part mammoth series on recording techniques with a handy question and answer session.

Fast Forward

News | The Mix, Jul 1994
No hype, no waffle - just tomorrow's products today

Tomorrow's technology today

Sound Spaces

Feature | Topic: Acoustics | Sound On Sound, Apr 1992
Getting Studio Acoustics Right

In major studios or in home setups, a good listening environment is essential. Wilf Smarties presents a practical guide to creating the right space for your sound.

Virtual or Reality

Feature | Topic: MIDI, Recording | Sound On Sound, Sep 1993

Demo Doctor

Feature | Recording Musician, Jul 1992

Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo.

Masterkit CD-ROM

Review | Music Technology, Mar 1993
Real Drum Company

Hungry for the ultimate drum samples? Take a byte out of this

Mix Revolution

Review | Recording Musician, Jan 1993
Fostex DCM100 & Mixtab Mixing System

Made possible by the revolution in consumer microchip design, this low-cost system automates virtually every control on the mixer, including EQ.

Phonic PMC 240A Mixing Desk

Review | Recording Musician, May 1993

This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer?

Meet the Beat

Interview | Music Technology, Jan 1991

Why limit music to the sounds you hear or the run-of-the-mill images that litter video and concert appearances? Steve Cogan discovers that there's no reason at all - for Meat Beat Manifesto.

Friendchip K..AT

Review | Music Technology, Dec 1991

You could just have dived from computer keyboard to synth keyboard for the last time. Tim Goodyer looks at a useful Atari remote which takes sequencer control wherever you want it.

 

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