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Enterprise zoneGroup: Sound AdviceNewham CollegeAn East End education boots up the digital revolution |
EastWest CommunicationsReview | Sound On Sound, May 1991Bob Clearmountain Sample CDsOn a clear day you can usually tell the difference between sampled and real drums. But if the quality of the samples is high enough, will there come a time when you can't tell which is which? David Mellor listens to two new sample cds. |
RusslingsOpinion | Sound On Sound, Nov 1991Just as musicians have day jobs, so companies in the music industry often have activities outside the field, writes Martin Russ. |
Fast ForwardNews | The Mix, Sep 1994No hype, no waffle - just tomorrow's products todayTomorrow’s hot products previewed |
PC NotesFeature | Topic: Computing | Sound On Sound, Jul 1992...Brian Heywood reports on the latest PC developments... |
King For A DayInterview | Sound On Sound, May 1991Mark King, master bassist with a string of hit albums to his name as leader of Level 42, has reaped many of the rewards that pop stardom can bring — but satisfaction with the music industry is never guaranteed, as Paul Tingen discovers. |
RusslingsOpinion | Topic: Sampling | Sound On Sound, Mar 1992Sampling clichés and how to avoid them. |
Aliens in the ArcadeGroup: In SessionGames FeatureNow that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games... |
Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Peter Gabriel - PassionFeature | Topic: Recording Studios | Sound On Sound, Sep 1989Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex. |
Recording Techniques - Part 18Feature Series | Topic: Recording | Sound On Sound, May 1991Any Questions?Part 18. David Mellor concludes this 18-part mammoth series on recording techniques with a handy question and answer session. |
Fast ForwardNews | The Mix, Jul 1994No hype, no waffle - just tomorrow's products todayTomorrow's technology today |
Sound SpacesFeature | Topic: Acoustics | Sound On Sound, Apr 1992Getting Studio Acoustics RightIn major studios or in home setups, a good listening environment is essential. Wilf Smarties presents a practical guide to creating the right space for your sound. |
Virtual or RealityFeature | Topic: MIDI, Recording | Sound On Sound, Sep 1993 |
Demo DoctorFeature | Recording Musician, Jul 1992Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo. |
Masterkit CD-ROMReview | Music Technology, Mar 1993Real Drum CompanyHungry for the ultimate drum samples? Take a byte out of this |
Mix RevolutionReview | Recording Musician, Jan 1993Fostex DCM100 & Mixtab Mixing SystemMade possible by the revolution in consumer microchip design, this low-cost system automates virtually every control on the mixer, including EQ. |
Phonic PMC 240A Mixing DeskReview | Recording Musician, May 1993This charming new mixer has a detachable bowl and three speed settings... what do you mean it's not that kind of mixer? |
Meet the BeatInterview | Music Technology, Jan 1991Why limit music to the sounds you hear or the run-of-the-mill images that litter video and concert appearances? Steve Cogan discovers that there's no reason at all - for Meat Beat Manifesto. |
Friendchip K..ATReview | Music Technology, Dec 1991You could just have dived from computer keyboard to synth keyboard for the last time. Tim Goodyer looks at a useful Atari remote which takes sequencer control wherever you want it. |