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The Ephos ethos

Group: Control Room

Review | The Mix, Nov 1994
Ephos 16:2 mixer

Compact desktop mixer

Analogue Lives!

Feature | Topic: Vintage Instruments | Sound On Sound, Nov 1992
The Enduring Appeal Of Classic Synths

Armadillo A616 Sampler

Review | Music Technology, Jul 1990

Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer.

Patchbay Studio

Feature | Topic: Recording Studios | Sound On Sound, Jan 1990
Bringing A Dream To Life

There can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality.

Keeping The Dream Alive

Interview | Sound On Sound, Nov 1990

Tangerine Dream have been at the forefront of electronic music long enough to be regarded as an institution. Mark J. Prendergast talks to Paul Haslinger about the TD experience.

CP Cases Rack Conversion Kit

Review | Recording Musician, Sep 1992

Allen & Heath Saber Mixer

Review | Sound On Sound, Jun 1989

Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console.

Welcome

Editorial | Sound On Sound, Oct 1992
Right Royalty Rip-Off

Corea Man

Interview | Music Technology, Aug 1990

Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.

State of the Industry

Show Report | Home & Studio Recording, May 1987

Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology.

John Jones & Duran Duran

Interview | Recording Musician, Apr 1993
Recording 'Ordinary World'

The big names have more in common with home recording than you might think — most of this album was recorded in the guitarist's lounge!

A Cynic Writes...

Opinion | Music Technology, May 1993
Einsturzende Neuplatten

Four soundchecks in one day...

Group: In Session

Feature | Topic: Live, Location Sound, Video / Film / Picture | The Mix, Sep 1994
Later with Jools Holland

Behind the scenes at TV’s premier music show

Smoke

Group: The Front End

News | Making Music, Oct 1987

Inside Abbey Road - Part 1

Feature Series | Topic: Recording Studios | Recording Musician, Oct 1992
Careers In The Music Industry

The first in a series exploring careers and opportunities in the audio industry, starting at the world-famous Abbey Road studios.

It Ain't Heavy - It's My Carlsbro

Review | Recording Musician, Apr 1993
Carlsbro CDX 8:2 Powered Mixer

A lot of power, a lot of mixer and a versatile digital reverb in a very portable package.

The Strongroom

Feature | Topic: Recording Studios | Sound On Sound, Aug 1989

In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity.

Russlings

Opinion | Sound On Sound, Jan 1992

Could the arrival of new storage media such as magneto-optical disks change the way we perceive music?

Mission control - Part 1

Group: Control Room

Review Series | The Mix, Jan 1995
Yamaha ProMix 01

Groundbreaking digital mixer

News

Group: News and Reviews

News | Making Music, Nov 1987

Production Masterclass With Hugh Padgham

Interview | Recording Musician, Oct 1992

Hugh Padgham takes us behind the scenes to explain the tricks and techniques used in the recording and mixing of Phil Collins' 'In the Air Tonight'.

Keyboard Music

Interview | Sound On Sound, Mar 1990

One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music.

Reflected glories

Group: Sound Advice

Feature | Topic: Acoustics, Construction / Build | The Mix, Sep 1994
Studio design

Building the perfect inner wall

On The Record

Group: On The Record

Feature | Topic: Music Business | Sound On Sound, Nov 1993
What A&R Managers want from your demo

For many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out.

Welcome

Editorial | Sound On Sound, Jan 1987

 

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