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Analogue Lives!Feature | Topic: Vintage Instruments | Sound On Sound, Nov 1992The Enduring Appeal Of Classic Synths |
Armadillo A616 SamplerReview | Music Technology, Jul 1990Still largely neglected by the software houses, the Acorn Archimedes is the host machine for the Armadillo sampler. Vic Lennard investigates a powerful sampling package for a powerful computer. |
Patchbay StudioFeature | Topic: Recording Studios | Sound On Sound, Jan 1990Bringing A Dream To LifeThere can be few home recordists who haven't spent a few idle moments thinking about how nice it would be to run their own professional 24-track studio, Mick Belford of Patchbay explains how determination can turn such a dream into reality. |
Keeping The Dream AliveInterview | Sound On Sound, Nov 1990Tangerine Dream have been at the forefront of electronic music long enough to be regarded as an institution. Mark J. Prendergast talks to Paul Haslinger about the TD experience. |
CP Cases Rack Conversion KitReview | Recording Musician, Sep 1992 |
Allen & Heath Saber MixerReview | Sound On Sound, Jun 1989Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console. |
Corea ManInterview | Music Technology, Aug 1990Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend. |
State of the IndustryShow Report | Home & Studio Recording, May 1987Yet another show. Organised by the Audio Engineering Society, this 4-day show displayed the latest advancements in recording technology. |
John Jones & Duran DuranInterview | Recording Musician, Apr 1993Recording 'Ordinary World'The big names have more in common with home recording than you might think — most of this album was recorded in the guitarist's lounge! |
Four soundchecks in one day...Group: In SessionLater with Jools HollandBehind the scenes at TV’s premier music show |
SmokeGroup: The Front End |
Inside Abbey Road - Part 1Feature Series | Topic: Recording Studios | Recording Musician, Oct 1992Careers In The Music IndustryThe first in a series exploring careers and opportunities in the audio industry, starting at the world-famous Abbey Road studios. |
It Ain't Heavy - It's My CarlsbroReview | Recording Musician, Apr 1993Carlsbro CDX 8:2 Powered MixerA lot of power, a lot of mixer and a versatile digital reverb in a very portable package. |
The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
RusslingsOpinion | Sound On Sound, Jan 1992Could the arrival of new storage media such as magneto-optical disks change the way we perceive music? |
Mission control - Part 1Group: Control RoomYamaha ProMix 01Groundbreaking digital mixer |
NewsGroup: News and Reviews |
Production Masterclass With Hugh PadghamInterview | Recording Musician, Oct 1992Hugh Padgham takes us behind the scenes to explain the tricks and techniques used in the recording and mixing of Phil Collins' 'In the Air Tonight'. |
Keyboard MusicInterview | Sound On Sound, Mar 1990One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music. |
Reflected gloriesGroup: Sound AdviceStudio designBuilding the perfect inner wall |
On The RecordGroup: On The RecordWhat A&R Managers want from your demoFor many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out. |
WelcomeEditorial | Sound On Sound, Jan 1987 |