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Casio DA1Review | Sound On Sound, Mar 1989The Digital MasterCasio's DA1 is the smallest and cheapest Digital Audio Tape recorder on the market, and an ideal addition to any home studio. Paul Ireson swoons in its presence. |
ToolboxNews Audio | The Mix, Nov 1994Sounds, samples, & software upgrades for the modern studioSoftware, samples and gadgets for the modern musician |
Rediscovering The Yamaha DMP7Feature | Sound On Sound, Dec 1992 |
The Future of SynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Sep 1987With the summer shows out of the way and the forthcoming new products all unveiled, Martin Russ looks into the crystal ball and plots out his version of where the world of synthesis might be heading... |
Using Backing TracksFeature | Topic: Live, Performing | Sound On Stage, Dec 1996Pros & Cons of Backing Tape Formats |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |
Tascam DA88Review | Recording Musician, Mar 19938-Track Digital Tape RecorderTascam's digital 8-track recorder is designed to meet the needs of professionals, yet is costed to appeal to the home studio market. |
You pays yer money...Group: Control RoomFostex RD8Assessing the alternative ADAT |
Shape of Things To ComeNews | Sound On Sound, Mar 1989 |
Akai DD1000Review | Music Technology, Apr 1991Magneto-optical Disk RecorderAkai's DD1000 Magneto-optical recorder applies state-of-the-art technology to four-track dedicated digital editing. Vic Lennard sees the light at the end of the sample. |
The Music RevivalFeature | Topic: Restoration / Archival, Tape, Vinyl, CD, DAT | Music Technology, Nov 1989Cedar Audio RestorationAs well as creating sound, digital technology can be used to rescue old or damaged recordings. Gordon Reid looks at a British system that's leading the world in audio restoration. |
Shape of Things to ComeNews | Sound On Sound, Jun 1990Another glimpse of forthcoming products from the hi-tech music and recording worlds. |
A format too far?Group: Control RoomDCC vs. MiniDiscIs either format any good? |
Akai/Linn MPC60 IIReview | Sound On Sound, Nov 1991Warren Cann looks at the updated version of the MPC60, the most notable result of Roger Linn's collaboration with Akai. |
Byte the waxGroup: Control RoomD-to-D software triple-testSoftware for Mac, PC and Falcon |
Mixing ItShow Report | Music Technology, Sep 1987Studio or stage? As technology advances, the traditional distinction between "recording technology" and "keyboard technology" becomes more and more confused - as this years recording show displayed. Report by Simon Trask. |
Frankfurt: The Final FrontierShow Report | Music Technology, May 1991Following on from last month's pictorial exclusive, this account of Europe's largest hi-tech music exhibition fills in the details. Tim Goodyer files the report. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jul 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
Studer DyaxisReview | Sound On Sound, May 1990Digital Audio Production SystemToday's high-end tools for the professional are tomorrows affordable tools for the musician in the street. David Mellor explores a Macintosh-based digital recording and editing system from a company best known for their analogue tape recorders. |
The Digital MazeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Sep 1992MT shows you the best way out |
ToolboxNews Audio | The Mix, Dec 1994Sounds, samples, & software upgrades for the modern studioDisks, gadgets, samples and bits for the computing musician |
Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |