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Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Akai DR4d

Group: Quality Control

Review | Music Technology, Oct 1993
hard disk recorder

Direct-to-disk recording from the sample stable

The World About Us - Part 1

Feature Series | Topic: Recording Studios | Music Technology, Oct 1992
Real World

Real World music

Perfect Partners

Review | Sound On Sound, Nov 1990
Akai S1000KB Sampler with DAC R4000 Syquest Drive

The S1000 has been with us for almost two years now, and the removable Syquest drive has become the most popular way of accessing a large library for it. But suppose you put them both in the same box with a weighted keyboard? Paul Wiffen discovers to his joy that someone has!

Apple Notes

Feature | Topic: Computing | Sound On Sound, Oct 1993

Past Masters

Group: In Session

Feature | Topic: Mastering | The Mix, May 1995
Sound Mastering

Ace Records' re-mastering engineers reveal the secrets of acoustic restoration

Seeing Double

Interview | Music Technology, Sep 1990

Meeting the music business and business of making music on their own terms saw one London band building a studio as well as a reputation from the ground up. Simon Trask gets in deep with Double Trouble.

Digital Multitrack In North Wales

Feature | Topic: Recording Studios | Sound On Sound, Mar 1990

David Mellor takes a day trip to the University College of North Wales in Bangor to visit the first studio in Britain to take delivery of an Akai DR1200 digital multitrack recorder.

Akai S1100

Review | Sound On Sound, Dec 1990
16-Bit Stereo Sampler

Akai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow).

Falling into line...

Group: Control Room

Review | The Mix, Jul 1994
Tascam M2600

Cosmopolitan eight-buss console

Back To Bach

Feature | Topic: Composing / Art, Recording, Sequencing | Sound On Sound, Jul 1992
The Making of an Album

When Julian Colbeck went back to Bach to find musical inspiration, little did he think he'd end up recording a whole album.

Theme And Variations

Show Report | Music Technology, Mar 1989
Frankfurt Musikmesse 1989

Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse.

Studio Audio SADiE

Review | Music Technology, Jan 1993
Hard Disk Recording System

The £5000 add-on for your PC

Sampling Confidential - Lateral Thinking - Part 2

Feature Series | Topic: Sampling | Music Technology, May 1993

Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny

Casio FZ20M

Review | Music Technology, Mar 1990
Digital Sampler

With two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers.

Tascam 688 Midistudio

Review | Music Technology, Nov 1990

Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century.

Card Tricks

Feature | Topic: Computing | Sound On Sound, Mar 1992
Music On The PC

Panicos Georghiades and Gabriel Jacobs explain how, with the aid of plug-in sound and MIDI interface cards, you can transform that most unmusical of computers, the PC.

Concert Touring News

Group: Access All Areas

News | Sound On Stage, Nov 1996

Digital Remastering

Feature | Topic: Restoration / Archival | Music Technology, Jul 1992

Most of us have bought CDs bearing the label "digitally remastered", but how many of us appreciate what's happened to the music in the process. Tom Doyle exposes the power behind the remastering button.

Rack & Roll

Interview | Music Technology, Dec 1993

One band's mission to save rock and roll - with technology. On the spot: Phil Ward

Dream sequences - Part 2

Group: Sound Advice

Feature Series Audio | Topic: Drum Programming, Sequencing | The Mix, Jan 1995

More sequencing tips

Trading Places

Show Report | Music Technology, Apr 1988
Frankfurt Musik Messe 1988

It's that time of year when the music fraternity descend on a frozen Frankfurt. Tim Goodyer and Simon Trask check out new gear, new ideas and tired feet.

The Orb

Interview | Sound On Sound, May 1993
It Came From Outer Space

The Lost Chord

Editorial | Music Technology, Dec 1991

Ever since it became possible to record music, it's been possible to lose "valuable" recordings. Tim Goodyer raises the question of responsibility.

Recording Techniques - Part 10

Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990
MIDI & Multitrack

Part 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder.

 

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