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Hugh PadghamInterview | Sound On Sound, May 1988Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out... |
Akai DR4dGroup: Quality Controlhard disk recorderDirect-to-disk recording from the sample stable |
The World About Us - Part 1Feature Series | Topic: Recording Studios | Music Technology, Oct 1992Real WorldReal World music |
Perfect PartnersReview | Sound On Sound, Nov 1990Akai S1000KB Sampler with DAC R4000 Syquest DriveThe S1000 has been with us for almost two years now, and the removable Syquest drive has become the most popular way of accessing a large library for it. But suppose you put them both in the same box with a weighted keyboard? Paul Wiffen discovers to his joy that someone has! |
Apple NotesFeature | Topic: Computing | Sound On Sound, Oct 1993 |
Past MastersGroup: In SessionSound MasteringAce Records' re-mastering engineers reveal the secrets of acoustic restoration |
Seeing DoubleInterview | Music Technology, Sep 1990Meeting the music business and business of making music on their own terms saw one London band building a studio as well as a reputation from the ground up. Simon Trask gets in deep with Double Trouble. |
Digital Multitrack In North WalesFeature | Topic: Recording Studios | Sound On Sound, Mar 1990David Mellor takes a day trip to the University College of North Wales in Bangor to visit the first studio in Britain to take delivery of an Akai DR1200 digital multitrack recorder. |
Akai S1100Review | Sound On Sound, Dec 199016-Bit Stereo SamplerAkai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow). |
Falling into line...Group: Control RoomTascam M2600Cosmopolitan eight-buss console |
Back To BachFeature | Topic: Composing / Art, Recording, Sequencing | Sound On Sound, Jul 1992The Making of an AlbumWhen Julian Colbeck went back to Bach to find musical inspiration, little did he think he'd end up recording a whole album. |
Theme And VariationsShow Report | Music Technology, Mar 1989Frankfurt Musikmesse 1989Rain, sub-zero temperatures and sleazy hotels - who'd go to Frankfurt if it wasn't for the trade show? Simon Trask finds more than warmth and shelter at the Musikmesse. |
Studio Audio SADiEReview | Music Technology, Jan 1993Hard Disk Recording SystemThe £5000 add-on for your PC |
Sampling Confidential - Lateral Thinking - Part 2Feature Series | Topic: Sampling | Music Technology, May 1993Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny |
Casio FZ20MReview | Music Technology, Mar 1990Digital SamplerWith two-minutes of sample time, Casio's FZ20M would seem to be an instant contender for any serious sampler's shortlist - but size isn't always everything, as Vic Lennard discovers. |
Tascam 688 MidistudioReview | Music Technology, Nov 1990Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century. |
Card TricksFeature | Topic: Computing | Sound On Sound, Mar 1992Music On The PCPanicos Georghiades and Gabriel Jacobs explain how, with the aid of plug-in sound and MIDI interface cards, you can transform that most unmusical of computers, the PC. |
Concert Touring NewsGroup: Access All Areas |
Digital RemasteringFeature | Topic: Restoration / Archival | Music Technology, Jul 1992Most of us have bought CDs bearing the label "digitally remastered", but how many of us appreciate what's happened to the music in the process. Tom Doyle exposes the power behind the remastering button. |
Rack & RollInterview | Music Technology, Dec 1993One band's mission to save rock and roll - with technology. On the spot: Phil Ward |
Dream sequences - Part 2Group: Sound AdviceMore sequencing tips |
Trading PlacesShow Report | Music Technology, Apr 1988Frankfurt Musik Messe 1988It's that time of year when the music fraternity descend on a frozen Frankfurt. Tim Goodyer and Simon Trask check out new gear, new ideas and tired feet. |
The Lost ChordEditorial | Music Technology, Dec 1991Ever since it became possible to record music, it's been possible to lose "valuable" recordings. Tim Goodyer raises the question of responsibility. |
Recording Techniques - Part 10Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990MIDI & MultitrackPart 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder. |