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Buzz

News | International Musician & Recording World, Feb 1985
Digital's revolting

The hot poop from the Pop world

Digital Delay

Editorial | Music Technology, Jul 1991

One of the basic lessons in life is learning not to fight the inevitable, but it's one Tim Goodyer believes the record companies have yet to learn if their attitude towards DAT and now DCC is to be accepted.

The Digital Maze

Feature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Sep 1992

MT shows you the best way out

Digital Dynamite

Review | Electronic Soundmaker & Computer Music, Jan 1985

The CZ101 is the spearhead of Casio's first serious onslaught on the pro-synth market. We check out this contender for the DX's digital synthesis crown.

Digital Recordings

Review | Sound On Sound, Jul 1987

Sound engineer David Mellor checks out the most boring Compact Disc in the world: Korg's first digital collection of sound samples!

Doing That Digital Thing

Feature | Topic: Digital Audio, Recording, Tape, Vinyl, CD, DAT | Making Music, Sep 1986

Producer John Walters discusses how those noughts and ones will affect us musiciany beings.

Analogue-To-Digital Conversion

Feature | Topic: Digital Audio | Sound On Sound, Apr 1991

Why isn't everybody happy with 16-bit sampling? Why are 20 bits better than 16? Kendall Wrightson looks at the technology in the latest generation of analogue-to-digital convertors.

Digital Aids The Video Stars

Feature | Topic: Digital Audio | Electronics & Music Maker, Sep 1982

Do you know why top recording artists like Toyah and Haircut 100 are going digital? Our article explains why.

IMS Dyaxis

Review | Music Technology, Aug 1987
16-bit Digital Recorder

An American 16-bit digital recording system designed to run with the Apple Mac Plus makes sampling direct-to-hard disk recording a powerful reality. Rick Davies gets his ear to the disk.

Alesis ADAT Digital Recorder

Review | Music Technology, Sep 1992

ADAT for all seasons

A Digital Hit

Review | Electronics & Music Maker, Mar 1986
Dynacord Percuter S

Digital drums the Dynacord way. Or as Nigel Lord would put it, a better-than-average electronic drum kit at a higher-than-average price. Is the Percuter worth the extra?

Yamaha CBX-D5 Digital Recorder

Review | Sound On Sound, Nov 1992
First Take

Korg SoundLink

Review | Music Technology, Mar 1992
Digital Audio Workstation

From the home of the M1 and the Wavestation comes SoundLink - an advanced digital recording and editing system. Simon Trask trips into the future.

Bits 'n' Pieces - Part 2

Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Dec 1992
Digital Audio

How tapeless recording works and what advantages it has over conventional recording systems.

Technics PX1

Review | Making Music, Apr 1986
digital grand

Sampled Grand Piano

The Synclavier

Feature | Topic: Design, Development & Manufacture, Digital Audio Workstations | Sound On Sound, May 1986
New England Digital: A Company Philosophy

Most people have heard of the Synclavier but little is known about the company that produces it: New England Digital. Paul Gilby met up with its Vice-President, Brad Naples, who supplied us with a fascinating insight into the philosophy behind the development of this highly advanced digital recording system they call 'the Synclavier'.

Philips DCC900

Review | Sound On Sound, Oct 1992
Digital Compact Cassette Recorder

Philips hope that their new cassette-based DCC format will succeed where DAT failed — becoming the new consumer digital recording medium. Derek Johnson evaluates the world's first first DCC recorder.

Bits 'n' Pieces - Part 1

Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Nov 1992
An Introduction to Digital Audio

Digital audio explained from the ground up — bit by bit!

Kurzweil 250

Review | Electronics & Music Maker, Dec 1984
Digital Keyboard

How can the principles of Artificial Intelligence be employed to make a computer musical instrument sound like a grand piano? David Ellis delves deep into the workings of a £10,000+ Stateside keyboard.

Alesis ADAT

Review | Sound On Sound, Sep 1992
8 -Track Digital Recorder

Paul White finds his Holy Grail in a 3U rackmount package — Alesis' revolutionary ADAT, the first digital multitrack tape recorder to compete in the same price bracket as affordable analogue multitracks.

Alesis ADAT

Review | Recording Musician, Sep 1992
8-Track Digital Recorder

It's finally here, it's available and it works!

Plasmec ADAS

Review | Sound On Sound, Nov 1991
Digital Audio For The Atari ST

Kendall Wrightson examines an inexpensive Atari-based tapeless recorder offering digital audio editing, plus MIDI controlled hard disk recording with Notator/Creator, Cubase/Cubeat or Virtuoso.

Soundchaser

Group: Computer Musician

Review | Electronics & Music Maker, Jan 1984
Digital Computer Music System

A state of the art computer music system for Apple users.

Sony PCM-501 ES

Review | Home & Studio Recording, Feb 1986
Digital Audio Processor

Sony's budget digital sound processor lets you record high quality sound on a domestic video recorder.

Digidesign Audiomedia LC

Review | Sound On Sound, Sep 1993
Digital Audio Board For The Mac LC

 

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