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At Home in the StudioFeature | Topic: Recording Studios | Home & Studio Recording, Jun 1986Castleridge StudiosH&SR takes a look at its first Australian studio. The locals couldn't give a Castleridgexxx for anything else. |
Return To Zero - Part 2Feature Series | Topic: Recording | Home & Studio Recording, Mar 1985Following on from last month's glossary of terms, we begin our run through the complicated business that is recording, with a back-to-basics approach to setting record levels. |
Psychoacoustic Enhancer - Part 9Feature Series | Topic: Electronics / Build | Home & Studio Recording, Aug 1985This exciting project from Paul Williams is capable of making even the most dull recordings come to life - it's a pity it can't do anything about duff songwriting though. |
The Shape Of Things To ComeNews | Sound On Sound, Mar 1988Glimpse some of the forthcoming and recently released new products from the hi-tech and recording fields. |
What Katy DidInterview | International Musician & Recording World, Oct 1985A new studio, a new LP. Tony Harkins isn't beating around the Bush |
Frankfurt Show ReportShow Report | Home & Studio Recording, Mar 1989All that was new and all that was interesting at the this year's sojourn into Germany. |
Index To ArticlesIndex | Home & Studio Recording, Feb 1985September 1983 - January 1985All articles ever featured in HSR from September 83 to January 85 listed for your delectation. |
Modular Effects Rack Project - Part 1Feature Series | Topic: Electronics / Build | Home & Studio Recording, Dec 1984A major new series describing the design and construction of a high quality modular effects rack. This first instalment deals with the Sub Rack assembly, Power Unit and the first module: the Pro-Gate. |
British Music Fair PreviewShow Report | International Musician & Recording World, Aug 1986It's the biggest! It's the best! It's the 1986 British Music Fair! Our man on the inside, Tony Mills tracks down the hottest gear of the year |
Back To BachInterview | Music Technology, Jun 1993Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates |
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