- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 1 - 25 of 51 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Metadata matches from your search | |||
Gear | |||
Author | |||
Plain text global search results | |||
Alternative StringsFeature | Topic: Sampling | Music Technology, Apr 1988Stuck for a good string sound or one you haven't used a hundred times before? Tom McLaughlin explains how an old guitar, a violin bow and a little ingenuity can work wonders. | |||
StringsFeature | Topic: Tuition / Technique | One Two Testing, Jul 1984Synth Techniquesimprove your keyboard chords | |||
Double DealingFeature | Making Music, Jan 1987Double BassesThose large wooden things that are becoming surprisingly trend. How to cope. | |||
Strange CustomsFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Jan 1984Upsetting things that you've done to your own instruments. | |||
Set It Up!Feature | Topic: Maintenance / Repair / Modification | Phaze 1, Apr 1989how to ensure your guitar will give its best - and keep on giving it | |||
On The AttackFeature | Topic: Sampling | Music Technology, Jan 1992Attack transients can bring a new level of interest and realism to your samples. The London Sample Workshop's Tom McLaughlin explains this trick of the trade. | |||
Strings & The Art Of ArrangingFeature | Topic: Arranging / Songwriting | International Musician & Recording World, Mar 1986A string arrangement can make or break a song — Ian Gardiner digs up a few basic rules for right-on arranging. | |||
Yamaha CE20Group: Synth SpecialMono/poly preset with orchestral voices | |||
Brave New ScienceInterview | Music Technology, Jul 1987Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'. | |||
When Worlds CollideFeature | Topic: Live | Sound On Sound, Apr 1987The Chieftains In ChinaJanet Angus reports on what happened when Irish folk group The Chieftains took up an offer to do a concert tour of China and decided to record the event. | |||
Korg Poly 61Review | One Two Testing, Dec 1982Shake with disbelief as you find out Korg have produced a 12 oscillator, 64 memory polyphonic for under a grand. | |||
Kaja Who's-WhoInterview Audio | One Two Testing, Nov 1983Is there life after Limahl? Yup. The four shy boys take turns to explain how they do it, and what they do it on. | |||
Andrew PowellInterview | Electronics & Music Maker, Oct 1983This premier producer, conductor and arranger discusses his solo album 'The Best of the Alan Parsons Project' | |||
Natural synthesisGroup: Control RoomYamaha VL1mVirtual synthesis in a box | |||
Strat MaintenanceGroup: Stratocaster SupplementKeep on running. | |||
Fast TalkingInterview | Music Technology, May 1987Tim Goodyer talks to the man who's programmed Peter Gabriel's synths, recorded a host of electronic albums under the name Synergy, and started up his own record label for instrumental music. | |||
Bigger ScienceInterview | International Musician & Recording World, Aug 1986Multi-media artist Laurie has come a long way since O Superman. But has the heart gone out of her Art? Mark Dery and Tony Reed find out | |||
Orchestrating with MIDI - Part 1Feature Series | Topic: Arranging / Songwriting, MIDI, Sequencing | Sound On Sound, Jul 1993 | |||
Fun in the Waves - Part 1Feature Series | Topic: Synthesis & Sound Design | Music Technology, Sep 1988The benefits of additive synthesis software as a means of imitating natural sounds, creating new ones and tidying up your sample loops. Tom McLaughlin adds it all up. | |||
Page 1 of 3 Next