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Ensoniq EPS-M Sampler Module

Review | Music Technology, May 1989

Rather than keep the module-addicts happy with a rack version of their EPS sampler, Ensoniq have incorporated some attractive improvements into their EPS-M - like quadrupling its memory. David Bradwell liked it so much he bought it...

Ensoniq EPS

Preview | Music Technology, Aug 1988
Sampler

It's nearly three years since Ensoniq struck it rich with the Mirage sampler. Simon Trask previews Ensoniq's new sampler and asks "can they repeat their success with the EPS?"

Ensoniq EPS Update

Review | Micro Music, Jun/Jul 1989

Paul Wiffen takes an exclusive look a Ensoniq's latest offering in the field of sampling

Ensoniq EPS

Review | Music Technology, Oct 1988
Performance Sampler

It's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler".

As Easy As EZE

Review | Sound On Sound, May 1990
Ensoniq EPS Sample Editor

Perhaps its because the auto-looping functions on Ensoniq's EPS sampler are so effective that computer-based sample editing software for the machine is so thin on the ground? Matthew Newman checks out Gelva Software's first offering.

An Oscar Winning Performance

Review | Phaze 1, Aug 1989
Dream Machine: ensoniq EPS/EPSm

the all-singing all-dancing all-bankrupting Ensoniq EPS

Patchwork

Feature Downloads | Topic: Synthesizer Patches | Music Technology, Jun 1989

A review of the Desert Island sample library for the Ensoniq EPS joins a selection of readers own patches for the Korg M1, Ensoniq SQ80 and Yamaha TX81Z in this month's Patchwork.

Ensoniq EPSm

Review | Sound On Sound, Jun 1989
Rack-Mount Sampler/Sequencer

A rack-mount version of the EPS was something Ensoniq swore they would never produce, but they have finally bowed to public pressure. Paul Wiffen looks at the extra memory, extra outputs and SCSI applications, and concludes it has been worth the wait.

Ensoniq EPS16 Plus

Review | Music Technology, Feb 1991
Digital Sampling Workstation

After a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples.

Sweet Sixteen

Review | Sound On Sound, Jan 1991
Ensoniq EPS16 Plus Sampling Workstation

Ensoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates.

Metro Sound Studiosamples Sound Disks

Group: Quality Control

Review | Music Technology, Sep 1993
for Ensoniq EPS16+/ASR10

Metro Sound Studiosamples sound disks for the Ensoniq EPS16+ and ASR10

Ensoniq ASR-10

Review | Music Technology, Jan 1993
Advanced Sampling Recorder

Bit of this, bit of that

Alchemy

Review | Sound On Sound, Aug 1988
Stereo Sample Editor for the Macintosh

Sampling keyboards have come a long way in the last three years, and as a result, the visual editing software available has rather fallen behind the specifications and features of current machines. Until now that is, with the advent of Alchemy from Blank Software, boasting a whole bunch of features new to computer-based sample editors. Paul Wiffen investigates.

A Room Of My Own: The Beatmasters

Interview | Sound On Sound, Dec 1992

Sure Beats Working

Interview | Phaze 1, Jun 1989

why the beatmasters make a mess with their lunch

Roland D110

Review | Music Technology, Sep 1988
LA Synthesiser

Roland's MT32 LA synth expander proved so popular with pro musicians, the company had trouble explaining that it was aimed at the domestic market. Now Thomas Clement test-drives the professionals' LA expander.

Shape of Things to Come

News | Sound On Sound, May 1989

News of Ensoniq’s rackmount sampler, the EPS-M, and other goodies are unveiled in glorious techno-colour. Read all about it.

Three Wize Men

Interview | Music Technology, Jun 1988

Getting philosophical about the new British hip hop. Tim "homeboy" Ponting raps with Wize man DJ Jemski about sampling, sequencing and bringing the drum kit into hip hop.

Kurzweil SMP-R

Review | Music Technology, Jul 1993
Sampling upgrade for the K2000

Now you can upgrade Kurzweil’s market-leading synthesiser, the K2000, with a sampling interface. According to Simon Trask - and who are we to argue? - you can mingle your own samples with the synth’s onboard sounds, and edit the whole lot to your heart’s content in up to 64Mb of RAM. Whistle Kurzweil while you work, indeed.

The Transcontinental Midi Songwriting Shuffle

Feature | Topic: Computing, Sequencing | Sound On Sound, May 1989
MIDI Composition via Computer

The tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened.

Shape of Things to Come

News | Sound On Sound, Mar 1990

Your chance to check out some of the new products launched at January’s NAMM

Beat Generation

Interview | Music Technology, Jul 1989

With their debut album just released and a single high in the charts, these are busy times for the Beatmasters. Tim Goodyer braves a tube strike to find out what technology has done for them (and what they'd like to do to technology).

FZ Update

Review | Micro Music, Feb 1990

Paul Wiffen reviews the new Casio FZ Sampler

Dynacord ADS Sampler

Review | Sound On Sound, Feb 1990

The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive.

Tricks & tales

Group: In Session

Interview | The Mix, Mar 1995

Now at last, it can be revealed! The veteran producer spills the beans about those 70s Genesis albums... and updates us on work in progress

 

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