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Sampling Confidential - Lateral Thinking - Part 2

Feature Series | Topic: Sampling | Music Technology, May 1993

Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny

Drum Fun

Feature | Topic: Sampling | Sound On Sound, Jun 1991

Even the biggest sample library never seems to have quite enough drum sounds. The solution? Roll your own. Craig Anderton passes on some hot hints and tips on how to get the best possible drum sounds out of your sampler.

Shape of Things to Come

News | Sound On Sound, Dec 1989

A colourful bonanza of newly released and forthcoming new products.

Roland S550

Review | Music Technology, Jun 1988
Sampling module

Roland follow up their successful S50 sampler with a more highly-specified rack-mount alternative that includes sample display capabilities. Bob O'Donnell monitors its performance.

The Mechanic

Interview | Music Technology, Jul 1990

In engineering and production - as in musicianship - flexibility and adaptability are precious qualities. Martin Rex has covered artists as varied as Neneh Cherry, Fela Kuti and Michael Nyman - Ollie Crooke listens.

Sound Designer Universal

Review | Sound On Sound, Oct 1988

If you own several samplers or just want to transfer S900 samples into your mate’s FZ1, then this program will make life considerably easier. David Mellor creates some designer sounds with the Atari ST version of Digidesign’s universal sample editor.

Shape of Things to Come - AES

Show Report | Sound On Sound, Dec 1988
AES Show Report

Forthcoming new products from the hi-tech music recording field.

Aliens in the Arcade

Group: In Session

Feature Audio | Topic: Composing for Business, Multimedia / Graphics / Visuals, Video / Film / Picture | The Mix, Jan 1995
Games Feature

Now that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games...

The Art Of Recording Electronic Instruments

Feature | Topic: Recording | Sound On Sound, Aug 1991

Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly.

The Rhythm Method

Interview | Music Technology, Jan 1992

From the Midlands' techno culture comes the hardcore sound of Rhythmatic. Simon Trask investigates one of the bands on the ground floor of Britain's fastest-growing musical movement.

Akai S1100

Review | Sound On Sound, Dec 1990
16-Bit Stereo Sampler

Akai's S1000 is without doubt the industry standard professional sampler, so why try and improve on the best? Paul Wiffen finds that SMPTE cue listing, AES/EBU real-time output, and built-in effects are a good start (with hard disk recording to follow).

Turtle Beach Softworks Sample Vision

Review | Music Technology, Mar 1989
Software for the IBM PC

Generic sample editors have been giving Atari ST users a lead in sample editing for a while; now IBM PC users have the chance to get ahead. Dennis Miller has a vision.

Composer's Desktop Project

Review | Sound On Sound, Feb 1990

The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system.

Digidesign Turbosynth

Review | Music Technology, Sep 1988
Synthesis Software

CAD meets synthesis inside the Apple Mac. Robert Rich fires up a program that allows you to design your sounds on computer before transferring them to your sampler.

Resotek Virtual Wave

Review | Music Technology, Feb 1992
Atari ST Software

Using your sampler as a synthesiser is wonderful in theory but frustrating in practice - until Virtual Wave, that is. Vic Lennard waves hello to Resotek's ST software.

Shape of Things to Come

News | Sound On Sound, Feb 1990

A plethora of new hi-tech products to whet your appetite.

Shape of Things to Come

News | Sound On Sound, Apr 1990

Your chance to catch up on the latest releases from the world of hi-tech music and recording.

AudioFrame Grows Up

Review | Sound On Sound, Jan 1989

Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame.

Steinberg Avalon 2.0

Review | Sound On Sound, Dec 1991
Sample Editing Software For The ST

Martin Russ edits, analyses, time corrects and synthesizes as he explores the features of the Steinberg's Avalon software.

Shape of Things to Come

News | Sound On Sound, Aug 1989

Read all about the Emu Systems Proteus, the new Alesis MIDI Disk recorder, Yamaha MT3X multitracker, and lots more!

Hybrid Arts SmpteTrack

Review | Sound On Sound, Apr 1988

The SmpteTrack software for the Atari ST is one of the most expensive ST sequencers around, but is it one of the best? David Mellor dons his pith helmet and hacks his way through the computer jungle to find out.

News

News | Micro Music, Oct/Nov 1989

Exclusive news from UK Electronica, plus all the latest in the world of MIDI music

Shape Of Things To Come

News | Sound On Sound, Jul 1990

A colourful round-up of what's new in the hi-tech recording arena.

Shape of Things to Come

News | Sound On Sound, Nov 1988

A look at some forthcoming products from the world of hi-tech music and recording.

Incoming Data

News | Music Technology, Jul 1993

 

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