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Secondhand Rows

Group: One Two Tactics

Feature | Topic: Buyer's Guide | One Two Testing, Dec 1985
Buying Tactics

how much for what

Korg DSS-1

Review | Sound On Sound, Apr 1987
Sampling Synthesizer

The DSS-1 offers 12-bit sampling, high fidelity samples, integral dual digital delay and EQ, plus the most comprehensive synthesizer section of all the midrange samplers. Review by Mark Jenkins.

The Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Sep 1986
The Micro Guitar

Tony Mills uncovers some software for—guitarists! Whatever will they think or next?

The Future of Synthesis

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Sep 1987

With the summer shows out of the way and the forthcoming new products all unveiled, Martin Russ looks into the crystal ball and plots out his version of where the world of synthesis might be heading...

The Music Network

Feature | Topic: Computing | Sound On Sound, May 1989
SOS Online

Paul Gilby reports on activities on Europe's new electronic communications system for musicians.

Emu Emax HD

Group: News And Reviews

Review | Making Music, Sep 1987
Hard Disc Sampler

standing for Hard Disc, as in rack mounted sampler. This device has so much memory, even Lemmy could remember what band he played for. Alastair Gavin indulges.

Replay Professional

Review | Sound On Sound, Feb 1990

Martin Russ checks out this update to the popular ST Replay sampler.

Musical Micro

Feature | Topic: Computing | International Musician & Recording World, Aug 1985
Bananas and Softsels

Advice for those with unusual computers

Sampling Keyboards

Group: The MIDI Connection Supplement

Feature | Topic: Buyer's Guide, Sampling | International Musician & Recording World, Nov 1985

Akai S612 Sampler

Review | One Two Testing, May 1985

polyphonic sampling for a grand

The Shape of Things To Come

News | Sound On Sound, Feb 1987

Another digital reverb from Alesis, a waveform digitizing pad for the Roland S50 sampler, Passport's multitrack software for the Atari ST, exclusive news of the world's first ever 8-track recorder to use standard cassettes, and more...

Technically Speaking

Feedback | Music Technology, Jan 1993

PA Column

Feature | Topic: Live | International Musician & Recording World, Dec 1985

Stuart Gillan steps out in search of The Cure

SOS Guide to Music Software

Feature | Topic: Buyer's Guide | Sound On Sound, Apr 1988

Last month we gave you advice on choosing a computer for musical applications; as a follow on, this month Mike Barnes provides a comprehensive rundown of available music software for the Atari, Macintosh, IBM PC, and Amiga computers.

Rumblings

Group: Computer Musician

News | Topic: Computing | Electronics & Music Maker, Mar 1985

Details of a new German computer musical instrument, MIDI software for the Apple Macintosh, and Passport's latest Commodore 64 music packages.

Linn Sequencer

Review | One Two Testing, Jan 1986

easy note doodling

British Music Fair

Show Report | One Two Testing, Oct 1985
Show Reports

what we saw

Logitech CSDD1 Sampling Delay

Review | Home & Studio Recording, Dec 1985

Running Status

Feature | Music Technology, Nov 1990

Largely misunderstood, MIDI's running status protocol can be used effectively to streamline a MIDI system - as long as you know how to take advantage of it. Vic Lennard stretches his legs.

Alchemy in the UK

Review | Micro Music, Jun/Jul 1989

Sample editing was never so simple thanks to this Mac package

Eat your heart out PPG!

Review | Sound On Sound, Jul 1986
Akai S900 Sampler

Akai's first foray into the sampling market, the S612, was a resounding success. Their new sampling system, aimed more at studios, is considerably more advanced yet still a respectable price. Eventually it will incorporate a multitrack event recorder and harmonic synthesis module, but just released is the first system component - the S900 rack-mount sampler. Mark Jenkins checks it out.

Sampling on the Cheap

Review | Electronics & Music Maker, Aug 1985

A new British company, Logitech, have just announced the world's cheapest pitch-tracking sampler. If you've a CV synth you'll be quids in — or will you? Paul White reports.

Oberheim Matrix-6

Review | Sound On Sound, Jan 1986

Flying in the face of fashion, Oberheim's new Matrix-6 polysynth utilises traditional analogue voicing and offers some of the most powerful and versatile sounds around. Keyboards man Paul Wiffen checks out its pedigree.

Greengate DS:3 & Looping Software

Review | International Musician & Recording World, Jul 1985
Systemcheck

The Greengate goes loopy

Technics PX1

Review | Making Music, Apr 1986
digital grand

Sampled Grand Piano

 

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