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Roland E660

Review | Music Technology, Oct 1988
Digital Parametric Equaliser

The advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser.

Allen & Heath GS3

Review | Sound On Sound, May 1992
Multitrack Mixer

With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.

When is EQ

Feature | Topic: Effects Processing, Mixing | One Two Testing, Mar 1985

tone controls explained

Company Report - Sequential

Feature | Topic: Advertisement Feature, Design, Development & Manufacture | One Two Testing, Nov 1985

Ibanez GE3101 Graphic Equaliser

Review | Home & Studio Recording, Jan 1984

Behringer Rack Effects

Review | Sound On Sound, Dec 1992

EQ

Feature | Topic: Effects Processing, Mixing | Making Music, Jan 1987

The varieties, the uses, the pros and the cons.

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

Hire

Feature | International Musician & Recording World, Nov 1975
Where To Hire The Things You Cant Afford To Buy

Where to hire the things too expensive to buy.

Recording Techniques - Part 10

Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990
MIDI & Multitrack

Part 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder.

In The Mix

Review | Electronics & Music Maker, Aug 1986
AHB Keymix

Simon Trask takes an in-depth look qt a computer-controlled modular mixer. Does MIDI programmability represent the future of the mixing console?

The Rough Guide To Choosing Microphones

Feature | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jan 1992

Dave Lockwood presents the ultimate guide to microphone basics — how they work, how to choose the right mic for a given application, and how to use them.

Accessit

Review | Sound International, May 1979
Equipment

TAC Scorpion

Review | Sound On Sound, Jul 1988
Mixing Desk

Not quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16.

Analogue Equipment Design - Part 1

Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985
for Rock 'n' Roll

Ben Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility.

Sync Explained

Feature | Topic: Syncronisation | Home & Studio Recording, Mar 1989

The title says it all...

Studio Construction Set

Feature | Topic: Buyer's Guide, Home Studio | Sound On Sound, Dec 1992
Which Gear is Right for You?

Mixers - Part 3

Feature Series | Topic: Buyer's Guide | One Two Testing, Jul 1985

three-month investigation finishes with six mixers priced £1500 to £3500

A Case for Quality Microphones

Feature | Topic: Microphones | Sound On Sound, May 1989

With the development of their Series 4000 range of studio mics, Bruel & Kjaer have earned a reputation as one of the top manufacturers of versatile, high performance microphones. In this article Ralph Dunlop, B&K's UK Sales Manager, makes a case for the use of quality microphones and outlines a useful guide for determining microphone choice and application.

Peavey DPM3 SE & DPM SX

Review | Music Technology, Aug 1991
Digital Synth & Sampling Interface

Since entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy.

Cassette Multitrackers - Buyer's Guide

Feature | Recording Musician, Jul 1992
Every Current Model Reviewed

All you need to know about choosing a cassette multitrack, plus concise reviews of every current model on the market.

Red devil

Group: Control Room

Review | The Mix, Jun 1995
Focusrite Red 2

Thoroughbred EQ

Recording Techniques - Part 5

Feature Series | Topic: Recording | Sound On Sound, Apr 1990
Mixing Console (1)

Part 5: The mixing console is the largest, most complicated, and probably the most expensive item in the recording studio. In this first installment, David Mellor begins his journey through its component parts.

Sound Control: Alesis Quadraverb

Review | Sound On Sound, Mar 1989

Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear.

ACES 27 Band Graphic Equaliser

Review | Home & Studio Recording, May 1984

 

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