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Roland E660Review | Music Technology, Oct 1988Digital Parametric EqualiserThe advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser. |
Allen & Heath GS3Review | Sound On Sound, May 1992Multitrack MixerWith features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored. |
When is EQFeature | Topic: Effects Processing, Mixing | One Two Testing, Mar 1985tone controls explained |
Company Report - SequentialFeature | Topic: Advertisement Feature, Design, Development & Manufacture | One Two Testing, Nov 1985 |
Ibanez GE3101 Graphic EqualiserReview | Home & Studio Recording, Jan 1984 |
Behringer Rack EffectsReview | Sound On Sound, Dec 1992 |
EQFeature | Topic: Effects Processing, Mixing | Making Music, Jan 1987The varieties, the uses, the pros and the cons. |
Accessit Sound Processor UnitsReview | Home & Studio Recording, Apr 1984Dual Sweep EQ & Stereo Reverb |
HireFeature | International Musician & Recording World, Nov 1975Where To Hire The Things You Cant Afford To BuyWhere to hire the things too expensive to buy. |
Recording Techniques - Part 10Feature Series | Topic: MIDI, Recording, Syncronisation | Sound On Sound, Sep 1990MIDI & MultitrackPart 10: David Mellor looks at ways of getting the best of both worlds by combining a MIDI system with a multitrack tape recorder. |
In The MixReview | Electronics & Music Maker, Aug 1986AHB KeymixSimon Trask takes an in-depth look qt a computer-controlled modular mixer. Does MIDI programmability represent the future of the mixing console? |
The Rough Guide To Choosing MicrophonesFeature | Topic: Microphones, Sound Fundamentals | Sound On Sound, Jan 1992Dave Lockwood presents the ultimate guide to microphone basics — how they work, how to choose the right mic for a given application, and how to use them. |
TAC ScorpionReview | Sound On Sound, Jul 1988Mixing DeskNot quite a desk in a million - studio owner Gareth Stuart gets to grips with one of TAC's 73 possible variations in their Scorpion mixer range, the 16-8-2+16. |
Analogue Equipment Design - Part 1Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985for Rock 'n' RollBen Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility. |
Sync ExplainedFeature | Topic: Syncronisation | Home & Studio Recording, Mar 1989The title says it all... |
Studio Construction SetFeature | Topic: Buyer's Guide, Home Studio | Sound On Sound, Dec 1992Which Gear is Right for You? |
Mixers - Part 3Feature Series | Topic: Buyer's Guide | One Two Testing, Jul 1985three-month investigation finishes with six mixers priced £1500 to £3500 |
A Case for Quality MicrophonesFeature | Topic: Microphones | Sound On Sound, May 1989With the development of their Series 4000 range of studio mics, Bruel & Kjaer have earned a reputation as one of the top manufacturers of versatile, high performance microphones. In this article Ralph Dunlop, B&K's UK Sales Manager, makes a case for the use of quality microphones and outlines a useful guide for determining microphone choice and application. |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
Cassette Multitrackers - Buyer's GuideFeature | Recording Musician, Jul 1992Every Current Model ReviewedAll you need to know about choosing a cassette multitrack, plus concise reviews of every current model on the market. |
Recording Techniques - Part 5Feature Series | Topic: Recording | Sound On Sound, Apr 1990Mixing Console (1)Part 5: The mixing console is the largest, most complicated, and probably the most expensive item in the recording studio. In this first installment, David Mellor begins his journey through its component parts. |
Sound Control: Alesis QuadraverbReview | Sound On Sound, Mar 1989Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear. |
ACES 27 Band Graphic EqualiserReview | Home & Studio Recording, May 1984 |