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MIDI In Control

Feature | Topic: MIDI | Music Technology, Apr 1989

MIDI is regularly used to perform tasks as varied as switching notes on and off, storing patch libraries and controlling mixes, but can it control sound itself? Vic Lennard looks at the uses of MIDI noise gates.

Music Maker Equipment Scene

News | Electronics & Music Maker, Mar 1981

America

News | Electronics & Music Maker, Feb 1983

New amps, effects and mikes from the States

Vive La Difference!

Group: The SOS Guide To Going Live

Feature | Topic: Live, Mixing | Sound On Sound, Mar 1992
Choosing Mixers For Live Sound

All mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage.

Master Or Servant

Review | Sound On Sound, May 1993
Studiomaster P7 In-Line Mixer

Shape of Things to Come

News | Sound On Sound, Jun 1989

News of some products to be released at the coming APRS exhibition, Acorn's new low-cost Archimedes computer, Akai's digital multitrack, and more.

BBE Sonic Maximizer

Review | Sound On Sound, Apr 1991

Does BBE's new box of psychoacoustic tricks offer a new way of livening up a mix? David Mellor takes his music to the max.

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Thoughts Of A Marathon Songwriter

Interview | Sound On Sound, Nov 1985

You don't know his name but you'll have heard his refrains. Composer Paul Bliss writes hits for the best of 'em using a UMI-2B sequencer package and several synthesizers. Ralph Denyer finds out how.

Incoming Data

News | Music Technology, Nov 1992

How To Recreate A Jam & Lewis Production

Feature | Topic: Recording, Sequencing | Sound On Sound, Sep 1988
'When I Think Of You' by Janet Jackson

One good means of learning your way around the equipment you own is to use it to recreate somebody else's music. That's exactly what Mike Collins did last year whilst working at Yamaha's Research & Development Studio in London. Using nothing but Yamaha gear, he set about reproducing a Janet Jackson hit in full, by himself. Here, he recalls what was involved.

Seck Model 1882 Mixer

Review | Home & Studio Recording, Mar 1985

Making More Of The Kawai K5

Feature | Topic: Synthesis & Sound Design, Vintage Instruments | Sound On Sound, Aug 1990

Martin Russ reflects on a cult phenomenon: Kawai’s K5 additive synthesizer.

The Snap Shot Mix

Review | Sound On Sound, Mar 1987
Akai MIDI Mixer

Akai's forthcoming MPX-820 MIDI mixer may not compare with a top-class SSL desk but its fully programmable controls and onboard memories offer the budget-conscious user some of the benefits of a 'total recall' system. Paul D. Lehrman investigates.

Soundtracs Solo MIDI Mixing Console

Review | Recording Musician, Jul 1992

Not so much a budget console as a professional mixing desk at a surprisingly low price.

Studio Sound Techniques - Part 6

Feature Series | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Electronics & Music Maker, Jul 1983
Playback Alignment

Tape Playback Alignment

Sennheiser Microphones

Review | Home & Studio Recording, Jul 1984

PEP Mixer Modules - Part 1

Review Series | Sound International, Mar 1979
Equipment

Getting Teknikal

Review | Home & Studio Recording, Nov 1985

Fostex 2412

Review | Sound On Sound, Aug 1992
24-Channel Multitrack Mixer

Fostex's new 24-channel 12-group 2412 mixer packs big console features into a compact frame. Dave Lockwood tries it on for size.

Shape of Things to Come

News | Sound On Sound, Feb 1990

A plethora of new hi-tech products to whet your appetite.

Convention Invention

Show Report | Music Technology, Feb 1989
AES Convention 1988

Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking.

Vocal Coding

Feature | Topic: Effects Processing | Music Technology, Aug 1988

If you thought vocoders were just an obsolete way of making a singer into a Dalek, you've been missing out. Tom McLaughlin explains music technology's most overlooked innovation.

News & Products

Group: Access All Areas

News | Sound On Stage, Dec 1996

Mix & Match

Review | Recording Musician, Mar 1993
Award MB10 Matchbox DI/EQ/Speaker Simulator

This extremely versatile problem solver can function as a low-noise DI box, guitar preamp and speaker simulator.

 

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