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Tool Box

News Audio | The Mix, Aug 1994
Sounds, samples, & software upgrades for the modern studio

New software, systems, sounds, updates

Vesta Fire Modular Effects System

Review | Home & Studio Recording, Mar 1985

Home Recording

Group: PortaStudioMania

Feature | Topic: Buyer's Guide, Recording | International Musician & Recording World, Dec 1986

Right As Rane

Review | Sound On Stage, Nov 1996
Rane Mojo Series

Art Attack

Review | Recording Musician, Jan 1993
ART SGX T2 Guitar And Studio FX

ART have what is probably the most confusing product range on the market — and this is one of the latest models.

Personal Effects

Feature | Topic: Effects Processing | Electronic Soundmaker & Computer Music, Nov 1983

A survey of electronic treatments

Rogers LS7 & Studio 1 Speakers

Review | Home & Studio Recording, Jun 1984

Vesta Fire RV-2 & Vesta Kozo RV-3

Review | Home & Studio Recording, Jan 1985
Dual Reverberation Devices

Zoom 9030 Instrument Effects Processor

Review | Sound On Sound, Sep 1991

David Mellor straps on his vintage Stratocaster and plugs into the effects unit of the future.

45 Kingdom

Interview | Music Technology, May 1989

As well as being famous for the size of his record collection, DJ Mark is currently one of the major forces in hip hop sampling. The 45 King tells Simon Trask about the biters and the bitten.

Fostex A-8

Review | Electronics & Music Maker, Feb 1982
8 Track Recorder/Reproducer

Alesis 1622 Mixing Desk

Review | Music Technology, Jul 1990

Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance.

Digitech DSP 128 Plus

Review | Music Technology, May 1989
Digital Multi-effects Processor

In the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself.

Sony DPS-M7

Review | Sound On Sound, May 1992
Digital Sonic Modulator

Following hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units.

Widen your horizons - Part 1

Group: Sound Advice

Feature Series Audio | Topic: Effects Processing | The Mix, Feb 1995
FX tutorial

Part one of Bob Dormon's effects tutorial

AKG LSM50 Micro Monitors.

Review | Home & Studio Recording, Nov 1983

Berwick Street Studios

Feature | Topic: Recording Studios | Sound On Sound, Oct 1988
The Dawning Of A New Era?

The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out.

Shape of Things to Come

News | Sound On Sound, Oct 1989

A colourful bonanza of newly released and forthcoming products unveiled...

Interfacing The Line - Part 1

Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Mar 1985
Line Level

What is 'line level'? What significance do the numbers -10, 0, +4 and +8 have to recording? What does MOL refer to? Plug in to page 48 and find out.

Fast Forward

News | Home & Studio Recording, Jan 1986

Messe Market!

Show Report | In Tune, Feb 1986

IN TUNE's sneak preview of the Frankfurt Fair

Mackie 8-Bus

Review | Sound On Sound, Dec 1993
Recording/PA Mixing Console

8-track Without Tears

Review | Home & Studio Recording, Dec 1985

It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388.

LA Gear

Interview | Music Technology, Oct 1989

From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out.

The Sound Art Of Programming

Interview | Music Technology, Sep 1987

An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new.

 

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