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Digitech DSP 128 Plus

Review | Music Technology, May 1989
Digital Multi-effects Processor

In the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself.

Sony DPS-M7

Review | Sound On Sound, May 1992
Digital Sonic Modulator

Following hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units.

Widen your horizons - Part 1

Group: Sound Advice

Feature Series Audio | Topic: Effects Processing | The Mix, Feb 1995
FX tutorial

Part one of Bob Dormon's effects tutorial

Berwick Street Studios

Feature | Topic: Recording Studios | Sound On Sound, Oct 1988
The Dawning Of A New Era?

The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out.

Shape of Things to Come

News | Sound On Sound, Oct 1989

A colourful bonanza of newly released and forthcoming products unveiled...

Interfacing The Line - Part 1

Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Mar 1985
Line Level

What is 'line level'? What significance do the numbers -10, 0, +4 and +8 have to recording? What does MOL refer to? Plug in to page 48 and find out.

AKG LSM50 Micro Monitors.

Review | Home & Studio Recording, Nov 1983

Fast Forward

News | Home & Studio Recording, Jan 1986

Messe Market!

Show Report | In Tune, Feb 1986

IN TUNE's sneak preview of the Frankfurt Fair

Mackie 8-Bus

Review | Sound On Sound, Dec 1993
Recording/PA Mixing Console

8-track Without Tears

Review | Home & Studio Recording, Dec 1985

It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388.

Fair's Fare

Show Report | In Tune, Oct 1985

Fun Fair, who was there.

SPX Appeal

Review | Sound On Sound, Sep 1993
Yamaha SPX990 20-Bit Digital Multi Effects

We put the first affordable 20-bit processor through its paces.

LA Gear

Interview | Music Technology, Oct 1989

From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out.

The Sound Art Of Programming

Interview | Music Technology, Sep 1987

An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new.

Showdown '86

Show Report | In Tune, Jul 1986
ITs Guide To The British Music Fair

Shape of Things to Come

News | Sound On Sound, Jul 1989

Read all about Roland's new U20 synth, Korg's M3R and S3 rhythm workstation, Peavey's mouthwatering new recording gear, and lots more!

Tascam 488

Review | Sound On Sound, Mar 1991

Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio.

The Shape of Things to Come

News | Sound On Sound, Aug 1988

Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year.

Synclavier II - Part 2

Review Series | Electronics & Music Maker, Jun 1983
A Real-time Performance System

Modular Synthesis - Part 6

Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Jun 1984
Woodwind Sounds

Woodwind sounds - from both the Western and non-Western worlds - are the subject of this month's missive from Steve Howell.

Company Profile: Studiomaster

Feature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985

Mixing with the master men

Vestax MR200

Review | Music Technology, Jun 1990

If you're already running a MIDI studio on a budget and want to add a handful of tape tracks, the Vestax MR200 could be the answer. Nigel Lord checks out a cassette multitracker that won't cost you much more than £300.

US Audio Gatex

Feature | Sound On Sound, May 1986

With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio.

Electronic Music For Films

Feature Audio | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982

Richard Mitchell explains his use of electronic music for film.

 

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