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Digitech DSP 128 PlusReview | Music Technology, May 1989Digital Multi-effects ProcessorIn the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself. |
Sony DPS-M7Review | Sound On Sound, May 1992Digital Sonic ModulatorFollowing hot on the heels of the DPS-D7 and R7 digital delay and reverb units comes a third dedicated processor in Sony's DPS series — the DPS-M7. David Mellor wonders whether this marks the end of the line for multiple effects units. |
Widen your horizons - Part 1Group: Sound AdviceFX tutorialPart one of Bob Dormon's effects tutorial |
Berwick Street StudiosFeature | Topic: Recording Studios | Sound On Sound, Oct 1988The Dawning Of A New Era?The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out. |
Shape of Things to ComeNews | Sound On Sound, Oct 1989A colourful bonanza of newly released and forthcoming products unveiled... |
Interfacing The Line - Part 1Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Mar 1985Line LevelWhat is 'line level'? What significance do the numbers -10, 0, +4 and +8 have to recording? What does MOL refer to? Plug in to page 48 and find out. |
AKG LSM50 Micro Monitors.Review | Home & Studio Recording, Nov 1983 |
Fast ForwardNews | Home & Studio Recording, Jan 1986 |
8-track Without TearsReview | Home & Studio Recording, Dec 1985It's more than a Portastudio; 8-track reel-to-reel and mixing facilities all in one unit - the Tascam 388. |
SPX AppealReview | Sound On Sound, Sep 1993Yamaha SPX990 20-Bit Digital Multi EffectsWe put the first affordable 20-bit processor through its paces. |
LA GearInterview | Music Technology, Oct 1989From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out. |
The Sound Art Of ProgrammingInterview | Music Technology, Sep 1987An American synthesist and composer with a soft spot for aborigines and analogue sounds, talks to Bob O'Donnell about programming synths and sequencers old and new. |
Shape of Things to ComeNews | Sound On Sound, Jul 1989Read all about Roland's new U20 synth, Korg's M3R and S3 rhythm workstation, Peavey's mouthwatering new recording gear, and lots more! |
Tascam 488Review | Sound On Sound, Mar 1991Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio. |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Synclavier II - Part 2Review Series | Electronics & Music Maker, Jun 1983A Real-time Performance System |
Modular Synthesis - Part 6Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Jun 1984Woodwind SoundsWoodwind sounds - from both the Western and non-Western worlds - are the subject of this month's missive from Steve Howell. |
Company Profile: StudiomasterFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985Mixing with the master men |
Vestax MR200Review | Music Technology, Jun 1990If you're already running a MIDI studio on a budget and want to add a handful of tape tracks, the Vestax MR200 could be the answer. Nigel Lord checks out a cassette multitracker that won't cost you much more than £300. |
US Audio GatexFeature | Sound On Sound, May 1986With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio. |
Electronic Music For FilmsFeature Audio | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982Richard Mitchell explains his use of electronic music for film. |