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Byte the waxGroup: Control RoomD-to-D software triple-testSoftware for Mac, PC and Falcon |
Shape of Things to ComeNews | Sound On Sound, Jul 1989Read all about Roland's new U20 synth, Korg's M3R and S3 rhythm workstation, Peavey's mouthwatering new recording gear, and lots more! |
Tascam 488Review | Sound On Sound, Mar 1991Can't quite stretch your budget to a 688 MIDIStudio? Richard Aaron checks out Tascam's appealingly priced new 8-track portastudio. |
Vestax MR200Review | Music Technology, Jun 1990If you're already running a MIDI studio on a budget and want to add a handful of tape tracks, the Vestax MR200 could be the answer. Nigel Lord checks out a cassette multitracker that won't cost you much more than £300. |
US Audio GatexFeature | Sound On Sound, May 1986With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio. |
The Shape of Things to ComeNews | Sound On Sound, Aug 1988Three pages of forthcoming new products to tempt you to dig deeper into your pockets later on this year. |
Synclavier II - Part 2Review Series | Electronics & Music Maker, Jun 1983A Real-time Performance System |
Modular Synthesis - Part 6Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Jun 1984Woodwind SoundsWoodwind sounds - from both the Western and non-Western worlds - are the subject of this month's missive from Steve Howell. |
Company Profile: StudiomasterFeature | Topic: Design, Development & Manufacture | International Musician & Recording World, Oct 1985Mixing with the master men |
The Shape Of Things To ComeNews | Sound On Sound, Apr 1986Reports of some of the new products unveiled at this year's Frankfurt Music Fair which will be winging their way into the shops over the coming months. |
Electronic Music For FilmsFeature Audio | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982Richard Mitchell explains his use of electronic music for film. |
Sampling Confidential - Lateral Thinking - Part 2Feature Series | Topic: Sampling | Music Technology, May 1993Dom Foulsham continues our series on the digital ins and outs of sampling, and talks to some arch sampling professionals about the tricks of their trade. Discover how to get a convincing crash cymbal; how to break the rules creatively and stay legal; and 20 things to do with a redundant manual. Read it and weep, Jive Bunny |
NAMM - Part 1Show Report Series | One Two Testing, Aug 1985Shredder goes to New Orleans for hot news from America's major instrument show... scoop |
Fast ForwardNews | The Mix, Jan 1995No hype, no waffle — just tomorrow's products todayTomorrow’s hot products previewed |
Start of the ARTReview | Sound On Sound, Mar 1990Multiverb II Multiverb EXTDave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART. |
Fast ForwardNews | The Mix, Jul 1994No hype, no waffle - just tomorrow's products todayTomorrow's technology today |
Digidesign Session 8 Digital StudioReview | Sound On Sound, Jul 1993The Personal Studio Of The Future?Your PC becomes your best friend in the studio with this eagerly awaited digital system. |
Using Timecodes - Part 5Feature Series | Topic: Syncronisation, Video / Film / Picture | Sound On Sound, Jun 1986In the final part of his series on the synchronisation of audio and video, Francis Rumsey summarises the possible applications of timecodes in helping to automate the music studio. |
Monitoring - Active Crossovers - Part 4Feature Series | Home & Studio Recording, Jan 1984 |
InterconnectFeature | Topic: Electronics / Build | Home & Studio Recording, Jun 1984MatchingA more theoretical approach this month, with an explanation of cable impedance matching. |
AudioFrame Grows UpReview | Sound On Sound, Jan 1989Although expensive, digital audio workstations are a pointer to the kind of features we can expect to see on the next generation of 'affordable' hi-tech instruments. Craig Anderton takes a look at one of the very latest workstations to appear, the AudioFrame. |
Marantz Professional PMD740 MultitrackerReview | Music Technology, Jun 1993The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it? |
You Can Make It If You Try - Part 1Feature Series | Topic: Recording Studios | Home & Studio Recording, May 1985Dave Simpson relates the saga of how his recording dreams became a reality. The Thatched Cottage sixteen track studio must be every home recordist's idea of a success story. |
Tape Machines Survey - Part 1Feature Series | Topic: Buyer's Guide | Sound International, May 1978A readable survey — the first part covering manufacturers from A to L. |