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Personalise Your Drum Machine SoundsFeature | Topic: Drum Programming, Mixing | Sound On Sound, Jun 1993Masterclass - Drum Machines |
Going soloGroup: Control RoomEphos 10:2 Powered MixerPowered mixer with effects |
Strange ChangesInterview | Music Technology, Dec 1991MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues. |
The Stuff That Rooms Are Made OnFeature | Topic: Acoustics, Home Studio | Making Music, Mar 1987Find out how to direct the noise inside your room to better effect |
Mixing with the BestReview | Home & Studio Recording, Nov 1986Soundcraft 200SR MixerA first rate general purpose live or recording desk that doesn't cost the earth. |
The Shape Of Things To ComeNews | Sound On Sound, Sep 1986Another selection of brand new products about to be launched in this country. |
Sound On StageFeature | Topic: Electronics / Build | Electronics & Music Maker, Nov 1983Mixer front-ends for on-the-road musicians. |
Floored Genius?Review | Recording Musician, May 1993Digitech RP1 Guitar Multi-EffectsOur man from the valleys discovers how RP1 owners do it on the floor... |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jul 1989Hints, Tips & News from the World of Music SoftwareMore hints, tips and update news from the world of music software. |
ART Multiverb IIReview | Music Technology, Nov 1989Multi-FX ProcessorTaking the Multiverb as their starting point, ART have a new multi-effects processor with which to enhance your music. Ian Waugh says the verb is "to want". |
Tascam 112 cassetteReview | Sound On Sound, Apr 1987Gareth Stuart investigates Tascam's latest stereo cassette mastering machine and learns why pro equipment nearly always carries a pro price tag. |
Acid RadicalInterview | Music Technology, Dec 1988The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell. |
Mackie Designs CR1604 MixerReview | Music Technology, Jun 1992One of the nerve centres of any studio is its mixing desk - but how do you choose a mixer which is both affordable and expandable? Tim Goodyer discovers a desk which is built to last and to grow - and cost very little. |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
Inside TEAC JapanFeature | Topic: Design, Development & Manufacture | Sound On Sound, Nov 1990Ian Gilby pays a visit to TEAC headquarters in Tokyo, gets blown away by Dolby S noise reduction, and learns some little-known facts about a company destined to play a continued part in the development of recording technology. |
Acid RadicalInterview | Phaze 1, Feb 1989baby ford, golden boy of british acid, drops hints on getting the dancefloor moving |
Incoming DataNews | Music Technology, Oct 1992 |
The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Jun 1985Spotlighting Poly Magoo. |
Vesta Fire MR-1 Multitrack RecorderGroup: Recording WorldStudio TestJim Betteridge gives it a damp reception |
Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |