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Mackie Designs CR1604 MixerReview | Music Technology, Jun 1992One of the nerve centres of any studio is its mixing desk - but how do you choose a mixer which is both affordable and expandable? Tim Goodyer discovers a desk which is built to last and to grow - and cost very little. |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
Inside TEAC JapanFeature | Topic: Design, Development & Manufacture | Sound On Sound, Nov 1990Ian Gilby pays a visit to TEAC headquarters in Tokyo, gets blown away by Dolby S noise reduction, and learns some little-known facts about a company destined to play a continued part in the development of recording technology. |
Acid RadicalInterview | Phaze 1, Feb 1989baby ford, golden boy of british acid, drops hints on getting the dancefloor moving |
The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Jun 1985Spotlighting Poly Magoo. |
Vesta Fire MR-1 Multitrack RecorderGroup: Recording WorldStudio TestJim Betteridge gives it a damp reception |
Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |
Pumping stationGroup: Control RoomStudiomaster Power House Vision 8Powered mixer with effects |
Back To BachFeature | Topic: Composing / Art, Recording, Sequencing | Sound On Sound, Jul 1992The Making of an AlbumWhen Julian Colbeck went back to Bach to find musical inspiration, little did he think he'd end up recording a whole album. |
The Power Behind the ButtonReview | Electronics & Music Maker, May 1986Yamaha SPX90With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it. |
NewsdeskNews | Music Technology, Aug 1992 |
Soundtracs 16-8-16 MixerReview | Home & Studio Recording, Jan 1984 |
ACES 12-4-2 MixerReview | Home & Studio Recording, Apr 1984 |
Recording Techniques - Part 9Feature Series | Topic: Recording | Sound On Sound, Aug 1990Recording VocalsPart 9: The human voice is the most difficult instrument to record, bar none. David Mellor offers some practical guidance. |
Fostex X30Review | Music Technology, Nov 1987Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track. |
Pet SoundsReview | Recording Musician, Aug 19923G Mynah Mixing ConsoleMike Simmons tries out this cost-effective live sound console and finds it also has home studio applications. |
Six AppealReview | Sound On Sound, Dec 1989Sansui WSX1 6-Track RecorderSansui mark their debut into the home recording market with the impressive WSX1. Incorporating the first ever 6-track cassette recorder, it also combines a 2-track master recorder, an 8-channel mixer, and built-in digital effects in a convenient package. Will it appeal? Dave Lockwood finds out. |
A Modern ClassicReview | Sound On Sound, Jan 1992Korg Wavestation EXKorg's Wavestation synthesizer has won a small but devout following since its introduction 18 months ago. Paul Ireson wonders whether new sounds and effects on the updated Wavestation EX will broaden its appeal. |
Fostex X28Review | Music Technology, Feb 1992Cassette MultitrackerWhen cassette multitrackers were new they said everybody should have one - now that there are machines like the X28 around, everybody can. Nigel Lord says small is beautiful. |
From Top To BottomReview | Recording Musician, Jan 1993Aphex Aural Exciter Type C2Aural Excitement complete with the new 'Big Bottom' bass enhancer. A veritable feast of sonic titillation. |
Making The Most Of... - Part 7Feature Series | Topic: Recording | Home & Studio Recording, Nov 1985Acoustic Drums 2To continue the saga of recording acoustic drums, this month we look at ways of treating the recorded sound. |