- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:
eg: +roland +"great synth" -juno
See the Search Help page for more details.
Results: 751 - 775 of 1000 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Korg MR16 Rhythm Sound UnitReview | International Musician & Recording World, Sep 1985RhythmcheckThe half of the drum machine that goes 'bok' put in a box. Curtis Schwartz reckons it's not half bad |
LA Audio MIDI MuteReview | Sound On Sound, Aug 1992MIDI Controlled MutingPaul White evaluates this compact and cost-effective means of adding sequencer-driven mute automation to any mixing console. |
NewsNews | International Musician & Recording World, Mar 1986Including a special Yamaha news update. |
Aries 10:4:8 Mixing ConsoleReview | Home & Studio Recording, Oct 1986A no-nonsense, standard format split recording console at a sensible price. |
Portrait Of A Freelance EngineerInterview | Sound On Sound, Feb 1986Ted Fletcher documents the rise of a talented studio engineer whose recorded credits already include albums by Gary Moore and China Crisis. |
AmericaNews | Electronics & Music Maker, Jun 1982 |
ADA Signal ProcessorsReview | Sound On Sound, Nov 1988David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money. |
Aiwa AD-F770 Stereo Cassette RecorderReview | Home & Studio Recording, Nov 1984 |
Soundcraft Spirit AutoReview | Music Technology, Jul 1993Mixing DeskThere’s a 16:8:2 and a 24:8:2, and both have MIDI-controlled automation. Furthermore, Steinberg have written a Cubase-like automation program for your ST, so there’s even less need for any of that awkward stretching. Vic Lennard enters into the Spirit. |
Born AgainReview | Sound On Sound, Oct 1989Rhodes MK80 PianoThe Rhodes electric piano features on countless classic tracks, and is one of the most imitated keyboard sounds of all time. Now Rhodes are back, with a new keyboard that updates a classic sound with all the benefits of contemporary MIDI technology. Tony Hastings checks it out. |
Recording Techniques - Part 6Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990The Mixing Console (2)Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment. |
Wot... No Tape?Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992The Tapeless Recording Market SurveyThe tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress. |
TC Electronics Stage Effects UnitsReview | International Musician & Recording World, Sep 1985EffectscheckThere is nothing like a Dane, as Dave Burrluck found |
The Shape of Things to ComeNews | Sound On Sound, Nov 1987The only product round-up that shows you 'in living colour' what's new in the field of music and recording technology. |
The Sound That Steve BuiltInterview | Recording Musician, Sep 1992Marillion's guitarist talks to John Harris about the band's home studio and about getting great guitar sounds on tape... |
Live Sound - Part 6Feature Series | Topic: Live | Recording Musician, Apr 1993Stage MonitoringA practical look at on-stage monitoring for small and awkward gigs. |
Shape of Things to ComeNews | Sound On Sound, Jun 1990Another glimpse of forthcoming products from the hi-tech music and recording worlds. |
Recording Techniques - Part 11Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Oct 1990Using the Compressor and Noise GatePart 11: Using the compressor and noise gate. The compressor and the noise gate are the most powerful of all the effects in a studio rack. David Mellor passes on some techniques and tricks. |
Shape Of Things To ComeNews | Sound On Sound, Jul 1991Yet another selection of recently announced new products to whet your appetite! |
Astronaut or Heretic?Interview | Sound On Sound, May 1992Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator. |
Alan ParsonsInterview | Topic: Mastering, Restoration / Archival | Sound On Sound, Nov 199320 years of Pink Floyd's Dark Side of the MoonOriginal engineer on the 'Dark Side Of The Moon' sessions, Alan Parsons, explains the 20th anniversary remastering of this classic album. |
Enya - WatermarkFeature | Sound On Sound, Mar 1989 |
Modular Synthesis - Part 4Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Apr 1984Percussion SoundsSteve Howell investigates conventional drum-kit sounds and how to synthesise them, using even the most basic of instruments. |