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Monster Mixing

Review | Sound On Sound, Aug 1993
Francinstien Stereo Enhancement System

Korg MR16 Rhythm Sound Unit

Review | International Musician & Recording World, Sep 1985
Rhythmcheck

The half of the drum machine that goes 'bok' put in a box. Curtis Schwartz reckons it's not half bad

LA Audio MIDI Mute

Review | Sound On Sound, Aug 1992
MIDI Controlled Muting

Paul White evaluates this compact and cost-effective means of adding sequencer-driven mute automation to any mixing console.

News

News | International Musician & Recording World, Mar 1986

Including a special Yamaha news update.

Aries 10:4:8 Mixing Console

Review | Home & Studio Recording, Oct 1986

A no-nonsense, standard format split recording console at a sensible price.

Portrait Of A Freelance Engineer

Interview | Sound On Sound, Feb 1986

Ted Fletcher documents the rise of a talented studio engineer whose recorded credits already include albums by Gary Moore and China Crisis.

America

News | Electronics & Music Maker, Jun 1982

ADA Signal Processors

Review | Sound On Sound, Nov 1988

David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.

Aiwa AD-F770 Stereo Cassette Recorder

Review | Home & Studio Recording, Nov 1984

Soundcraft Spirit Auto

Review | Music Technology, Jul 1993
Mixing Desk

There’s a 16:8:2 and a 24:8:2, and both have MIDI-controlled automation. Furthermore, Steinberg have written a Cubase-like automation program for your ST, so there’s even less need for any of that awkward stretching. Vic Lennard enters into the Spirit.

Born Again

Review | Sound On Sound, Oct 1989
Rhodes MK80 Piano

The Rhodes electric piano features on countless classic tracks, and is one of the most imitated keyboard sounds of all time. Now Rhodes are back, with a new keyboard that updates a classic sound with all the benefits of contemporary MIDI technology. Tony Hastings checks it out.

Recording Techniques - Part 6

Feature Series | Topic: Mixing, Recording | Sound On Sound, May 1990
The Mixing Console (2)

Part 6: The mixing console. David Mellor continues his close examination of the recording studio's most complex and expensive piece of equipment.

Wot... No Tape?

Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992
The Tapeless Recording Market Survey

The tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress.

TC Electronics Stage Effects Units

Review | International Musician & Recording World, Sep 1985
Effectscheck

There is nothing like a Dane, as Dave Burrluck found

The Shape of Things to Come

News | Sound On Sound, Nov 1987

The only product round-up that shows you 'in living colour' what's new in the field of music and recording technology.

The Sound That Steve Built

Interview | Recording Musician, Sep 1992

Marillion's guitarist talks to John Harris about the band's home studio and about getting great guitar sounds on tape...

Live Sound - Part 6

Feature Series | Topic: Live | Recording Musician, Apr 1993
Stage Monitoring

A practical look at on-stage monitoring for small and awkward gigs.

Shape of Things to Come

News | Sound On Sound, Jun 1990

Another glimpse of forthcoming products from the hi-tech music and recording worlds.

Recording Techniques - Part 11

Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Oct 1990
Using the Compressor and Noise Gate

Part 11: Using the compressor and noise gate. The compressor and the noise gate are the most powerful of all the effects in a studio rack. David Mellor passes on some techniques and tricks.

Shape Of Things To Come

News | Sound On Sound, Jul 1991

Yet another selection of recently announced new products to whet your appetite!

Astronaut or Heretic?

Interview | Sound On Sound, May 1992

Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator.

Alan Parsons

Interview | Topic: Mastering, Restoration / Archival | Sound On Sound, Nov 1993
20 years of Pink Floyd's Dark Side of the Moon

Original engineer on the 'Dark Side Of The Moon' sessions, Alan Parsons, explains the 20th anniversary remastering of this classic album.

Enya - Watermark

Feature | Sound On Sound, Mar 1989

Modular Synthesis - Part 4

Feature Series | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Apr 1984
Percussion Sounds

Steve Howell investigates conventional drum-kit sounds and how to synthesise them, using even the most basic of instruments.

Kracked Plastik

Group: In Session

Interview | The Mix, Dec 1994

Explains his complex minimalism

 

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