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Fostex X30

Review | Music Technology, Nov 1987

Take the Fostex X15, restyle it, add new features, raise the price by the cost of a dirty weekend in Blackpool and you've got their new X30 multitracker. Nicholas Rowland finds out if they're on the right track.

Pet Sounds

Review | Recording Musician, Aug 1992
3G Mynah Mixing Console

Mike Simmons tries out this cost-effective live sound console and finds it also has home studio applications.

Six Appeal

Review | Sound On Sound, Dec 1989
Sansui WSX1 6-Track Recorder

Sansui mark their debut into the home recording market with the impressive WSX1. Incorporating the first ever 6-track cassette recorder, it also combines a 2-track master recorder, an 8-channel mixer, and built-in digital effects in a convenient package. Will it appeal? Dave Lockwood finds out.

A Modern Classic

Review | Sound On Sound, Jan 1992
Korg Wavestation EX

Korg's Wavestation synthesizer has won a small but devout following since its introduction 18 months ago. Paul Ireson wonders whether new sounds and effects on the updated Wavestation EX will broaden its appeal.

BMF Preview

Show Report | One Two Testing, Jul/Aug 1986

All's Fair in Olympia and war

Fostex X28

Review | Music Technology, Feb 1992
Cassette Multitracker

When cassette multitrackers were new they said everybody should have one - now that there are machines like the X28 around, everybody can. Nigel Lord says small is beautiful.

From Top To Bottom

Review | Recording Musician, Jan 1993
Aphex Aural Exciter Type C2

Aural Excitement complete with the new 'Big Bottom' bass enhancer. A veritable feast of sonic titillation.

Making The Most Of... - Part 7

Feature Series | Topic: Recording | Home & Studio Recording, Nov 1985
Acoustic Drums 2

To continue the saga of recording acoustic drums, this month we look at ways of treating the recorded sound.

World Beating?

Review | Sound On Sound, May 1993
Real Drum Company Masterkit CD-ROM Vol. 1

Fostex 260 Multitracker

Review | Home & Studio Recording, May 1986

A worthy successor to the long running 250 and at no extra cost.

New Order

Interview | Micro Music, Jan 1990

Leslie Bunder talks to Steve Morris from top Indie band New Order

Wayne's World

Interview | Sound On Sound, Aug 1992
Mission In Action

Instead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so.

Emagic Notator Logic Audio

Review | Sound On Sound, Dec 1993
The Logical Choice?

Boss Micro Rack Additions

Group: Recording World

Review | International Musician & Recording World, Mar 1986
Studio Test

RPQ-10 PREAMP/EQ, RSD-10 DIGITAL SAMPLER/DELAY Two hot new additions to the home-effects range. Tony Reed reports

BMF Product News

Group: Roland Newslink - Autumn 1986

News | Topic: Advertisement Feature | International Musician & Recording World, Sep 1986

Four pages packed with news hot from BMF

Tantek Master Matrix

Review | Sound On Sound, Aug 1987

It may sound like something out of a Dr Who plot but this British electronic patchbay system attracted enormous interest from pro studio users at this year's APRS show. David Mellor got hold of a Matrix to find out just what all the fuss is about.

Zoom At The Top?

Review | Sound On Sound, Dec 1992
Zoom 9120 Advanced Sound Environment Processor

Monster Mixing

Review | Sound On Sound, Aug 1993
Francinstien Stereo Enhancement System

Korg MR16 Rhythm Sound Unit

Review | International Musician & Recording World, Sep 1985
Rhythmcheck

The half of the drum machine that goes 'bok' put in a box. Curtis Schwartz reckons it's not half bad

Portrait Of A Freelance Engineer

Interview | Sound On Sound, Feb 1986

Ted Fletcher documents the rise of a talented studio engineer whose recorded credits already include albums by Gary Moore and China Crisis.

America

News | Electronics & Music Maker, Jun 1982

LA Audio MIDI Mute

Review | Sound On Sound, Aug 1992
MIDI Controlled Muting

Paul White evaluates this compact and cost-effective means of adding sequencer-driven mute automation to any mixing console.

News

News | International Musician & Recording World, Mar 1986

Including a special Yamaha news update.

Aries 10:4:8 Mixing Console

Review | Home & Studio Recording, Oct 1986

A no-nonsense, standard format split recording console at a sensible price.

ADA Signal Processors

Review | Sound On Sound, Nov 1988

David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.

 

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