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Mackie Designs CR1604 MixerReview | Music Technology, Jun 1992One of the nerve centres of any studio is its mixing desk - but how do you choose a mixer which is both affordable and expandable? Tim Goodyer discovers a desk which is built to last and to grow - and cost very little. |
Carry On MixingReview | Recording Musician, Feb 1993Soundcraft Spirit FolioA quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home. |
Vesta Fire MR-1 Multitrack RecorderGroup: Recording WorldStudio TestJim Betteridge gives it a damp reception |
The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Jun 1985Spotlighting Poly Magoo. |
Pumping stationGroup: Control RoomStudiomaster Power House Vision 8Powered mixer with effects |
Back To BachFeature | Topic: Composing / Art, Recording, Sequencing | Sound On Sound, Jul 1992The Making of an AlbumWhen Julian Colbeck went back to Bach to find musical inspiration, little did he think he'd end up recording a whole album. |
Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |
Recording Techniques - Part 9Feature Series | Topic: Recording | Sound On Sound, Aug 1990Recording VocalsPart 9: The human voice is the most difficult instrument to record, bar none. David Mellor offers some practical guidance. |
The Power Behind the ButtonReview | Electronics & Music Maker, May 1986Yamaha SPX90With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it. |
NewsdeskNews | Music Technology, Aug 1992 |
Soundtracs 16-8-16 MixerReview | Home & Studio Recording, Jan 1984 |
ACES 12-4-2 MixerReview | Home & Studio Recording, Apr 1984 |
The Italian JobGroup: In SessionRapino BrothersKylie and Take That’s remixers talk technique |
Fast ForwardNews | The Mix, Jun 1995No hype, no waffle — just tomorrow's products todayThe latest products previewed |
Monitor Special: Urei 809 - Part 1Review Series | Home & Studio Recording, Jul 1986Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions. |
MTR series IIIReview | Micro Music, Oct/Nov 1989John Renwick gives in to the temptation of the MTR Series III mixer |
TwisterFeature | Sound On Sound, Aug 1987Programmable Automation ComputerNew writer Roger Jackson reveals how this mid-priced programmable automation computer can be used to automate mixes on any manufacturer's mixing desk. |
Getting ExcitedFeature | Topic: Effects Processing | Home & Studio Recording, May 1985An explanation of psychoacoustic signal enhancers and their possible applications. |
Tascam Porta 05Review | Music Technology, Jan 1988Personal MultitrackerThe intrepid Nicholas Rowland continues his search for the ultimate in personal multitrackers; armed only with a blank cassette and a bedroom's worth of gear, he tackles Tascam's latest budget baby. |
Mixer MinimalismFeature | Topic: Recording | Recording Musician, Aug 1992A little lateral thinking from Paul White reveals new and better ways of getting signals to and from tape. |