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Drumware SoundfilerReview | Music Technology, Mar 1988Akai S900 Editor for the Atari STThis comprehensive visual sample-editing package from America could be the answer to many S900 owner's prayers. Vic Lennard says: have ST will travel. |
At Home in the StudioInterview | Recording Musician, Jul 1992An exclusive look inside Genesis' private studio retreat deep in the heart of Surrey. |
The Modular ApproachFeature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jun 1987Expander modules may be the modular synths of our age, but are they as good? Steve Howell explores the Akai VX90 and provides some guidance on how it can be used with Akai's range of sampling machines. |
Fostex 812 Recording & 2016 Line MixersReview | Sound On Sound, Apr 1990Best known for their tape recorders and cassette-based multitrackers, this new generation of mixers from Fostex look like they will make more than a few converts. Dave Lockwood checks them out. |
On Tour With The Who's Road CrewFeature | Topic: Live | International Musician & Recording World, Dec 1975with MEH and the roadies of rock's greatest band. |
Twin VoiceInterview | Making Music, Jul 1987 |
EmpathyInterview | Sound On Sound, Jun 1986The Rupert Hine Approach to Record ProducingYou may be surprised to learn that as a producer, Rupert Hine has some sixty-five albums credited to him, though it is only in recent times that his name has started to mean anything outside of the record business. Something that has come about largely through his successful associations with Howard Jones and Tina Turner. David Etheridge chatted to him in the studio about his career to date and his approach to record production. |
Dod 944 Chain ReactionReview | International Musician & Recording World, Feb 1986EffectscheckDave Burrluck stuffs everything into one box and sets off to find DOD |
Simon BozwellInterview | Home & Studio Recording, Mar 1986Simon is both a musician and a producer. This month he talks to Paul White about, amongst other things, his work doing 12" remixes for Nik Kershaw. |
The Shape Of Things To ComeNews | Sound On Sound, Nov 1986A quick gaze at the crystal ball reveals a new MIDI mixer from Simmons, a digital reverb/effects processor from AKG, a MIDI-CV module from Tantek, and plenty more... |
Alesis MIDIverb IIIReview | Sound On Sound, Jan 1990This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out. |
Keeping the faithGroup: Control RoomTascam 488 MKIIRocking, reeling portastudio |
3's CompanyReview | Home & Studio Recording, Jul 1986Fostex Model 20Who needs a 3-track mastering machine? Fostex think you do so read all about the Model 20. |
Audio Level MeterFeature | Topic: Electronics / Build | Home & Studio Recording, Nov 1983Build this versatile LED PPM/VU meter project. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Oct 1984Anthony Braine informs us of his own home set-up. |
Colin ThurstonInterview | Home & Studio Recording, Feb 1985Record ProducerThe man who turned the music of Duran Duran, Kajagoogoo, Human League and Magazine into hits, discloses his hit-making formulae, recording methods and well-equipped home studio. |
First TakeFeature | Topic: Recording | Electronics & Music Maker, Feb 1986Paul White and Dan Goldstein on how to beat the problems of venturing into a professional studio for the first time. If you’re new to recording, the advice is unmissable. |
Sennheiser MicrophonesReview | International Musician & Recording World, Jan 1985MikecheckCurtis Schwartz checks over three of the new Sennheiser range and is pleasantly surprised |
A&HB CMC 24 MixerGroup: Recording WorldStudio TestThe ultimate mixer for the semi pro? Tony Mills gets to grips with the computerised AHB CMC 24 |
Home TapingGroup: Recording WorldDryden Hawkins and Zeb YekRichard Walmsley in Maida Vale. Sound developments in sculpture |
MIDI Mixing Made EasyReview | Sound On Sound, Jul 1991MIDIMation VCA Automation SystemEven if your music is fully MIDI-controlled, when it comes to mixing you're probably still relying on fingers and thumbs. But mix automation is coming within reach of the home recordist — MIDIMation offers 16 channels of VCA based level and mute automation for under £1,000. Simon Sanders investigates this new box of mix tricks. |