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Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
Studiomaster Pro Line GoldReview | Music Technology, Jan 1991Mixing DeskIf you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has... |
Power to the PeopleGroup: Control RoomPower amp giant testAustin Armstrong, BSS, C-Audio, MHA Chameleon, and RCF battle it out |
Perfect vocalsGroup: Sound Advicehow to sing them, how to mic them, how to treat them, how to tape them...Take five and come alive - we show you how |
Room EQ: Myth or Legend? - Part 4Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios. |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |
Studiomaster Proline 16.8.16 MixerReview | Sound On Sound, Sep 1989Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
Shape of Things to ComeNews | Sound On Sound, Nov 1989A colourful bonanza of newly released and forthcoming new products. |
Signal Processors... Meet MIDIFeature | Topic: Effects Processing, MIDI | Sound On Sound, Jul 1991Signal processor control is one of MIDI's less well-known applications yet it offers enormous scope for the imaginative user. Craig Anderton is your guide... |
The Lead Feature - Part 2Feature Series | Home & Studio Recording, Mar 1989Ben Duncan delves even further into the wires that connect it all together. |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
The Music RevivalFeature | Topic: Restoration / Archival, Tape, Vinyl, CD, DAT | Music Technology, Nov 1989Cedar Audio RestorationAs well as creating sound, digital technology can be used to rescue old or damaged recordings. Gordon Reid looks at a British system that's leading the world in audio restoration. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |
Yamaha Studio 100 SeriesReview | Music Technology, Mar 1990Studio ModulesThe 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors. |
The Shape of Things To ComeNews | Sound On Sound, Mar 1987An extended review of new products including many of those unveiled at February's Frankfurt Music Fair. |
Yamaha Compressor & Graphic EQReview | In Tune, Jul/Aug 1985 |
AB Graphic EQReview | Recording Musician, Oct 1992 |
MIDI in the MixFeature | Topic: Effects Processing, MIDI, Mixing | Music Technology, Jun 1988The scope of MIDI control has expanded beyond that of simply allowing one synthesiser to control another. Chris Meyer explains how you can now shape a whole mix using the five-pin DIN plug. |
Alesis QuadraverbReview | Home & Studio Recording, Mar 1989The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects. |