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Good Enough For The Pro?

Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993
Thoughts on MIDI's Next Decade

Studiomaster Pro Line Gold

Review | Music Technology, Jan 1991
Mixing Desk

If you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has...

Power to the People

Group: Control Room

Review | The Mix, Jul 1994
Power amp giant test

Austin Armstrong, BSS, C-Audio, MHA Chameleon, and RCF battle it out

Perfect vocals

Group: Sound Advice

Feature | Topic: Microphones, Recording | The Mix, Jul 1994
how to sing them, how to mic them, how to treat them, how to tape them...

Take five and come alive - we show you how

Room EQ: Myth or Legend? - Part 4

Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987

In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios.

Sound Advice

Feature | Topic: Home Studio | Home & Studio Recording, Jan 1984

Don Larking guides you through the various equipment that goes to make up a home studio.

Studiomaster Proline 16.8.16 Mixer

Review | Sound On Sound, Sep 1989

Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out.

Beat On The Cheap

Review | Electronic Soundmaker & Computer Music, Feb 1984
Budget Beats

A beat on the cheap?

Symetrix 511 Stereo Noise Reduction

Review | Home & Studio Recording, Oct 1984

User Report

Korg S3

Review | Sound On Sound, Jan 1991
Rhythm Workstation

With its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out.

Peavey DPM3

Review | Sound On Sound, May 1990
Composition Centre

Announced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market.

Akai MG1212

Review | Home & Studio Recording, Feb 1985
12 Channel Mixer/12 Track Recorder

Shape of Things to Come

News | Sound On Sound, Nov 1989

A colourful bonanza of newly released and forthcoming new products.

Signal Processors... Meet MIDI

Feature | Topic: Effects Processing, MIDI | Sound On Sound, Jul 1991

Signal processor control is one of MIDI's less well-known applications yet it offers enormous scope for the imaginative user. Craig Anderton is your guide...

The Lead Feature - Part 2

Feature Series | Home & Studio Recording, Mar 1989

Ben Duncan delves even further into the wires that connect it all together.

Digidesign Deck

Review | Sound On Sound, Nov 1990

Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates.

The Music Revival

Feature | Topic: Restoration / Archival, Tape, Vinyl, CD, DAT | Music Technology, Nov 1989
Cedar Audio Restoration

As well as creating sound, digital technology can be used to rescue old or damaged recordings. Gordon Reid looks at a British system that's leading the world in audio restoration.

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

Tascam M3700

Review | Sound On Sound, Jan 1992
Raising The Stakes

Zenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to!

Yamaha Studio 100 Series

Review | Music Technology, Mar 1990
Studio Modules

The 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors.

The Shape of Things To Come

News | Sound On Sound, Mar 1987

An extended review of new products including many of those unveiled at February's Frankfurt Music Fair.

Yamaha Compressor & Graphic EQ

Review | In Tune, Jul/Aug 1985

AB Graphic EQ

Review | Recording Musician, Oct 1992

MIDI in the Mix

Feature | Topic: Effects Processing, MIDI, Mixing | Music Technology, Jun 1988

The scope of MIDI control has expanded beyond that of simply allowing one synthesiser to control another. Chris Meyer explains how you can now shape a whole mix using the five-pin DIN plug.

Alesis Quadraverb

Review | Home & Studio Recording, Mar 1989

The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects.

 

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