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Hot ShotReview | Sound On Sound, Nov 1990TAC Bullet ConsoleIs TAC's versatile Bullet a new big gun in the compact console market? Dave Lockwood reports. |
Good Enough For The Pro?Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993Thoughts on MIDI's Next Decade |
Studiomaster Pro Line GoldReview | Music Technology, Jan 1991Mixing DeskIf you can't afford to be without a fully-featured mixing desk but can't afford the usual asking price, it could be that you haven't checked out Studiomaster's Pro Line Gold. Tim Goodyer has... |
Power to the PeopleGroup: Control RoomPower amp giant testAustin Armstrong, BSS, C-Audio, MHA Chameleon, and RCF battle it out |
The Music RevivalFeature | Topic: Restoration / Archival, Tape, Vinyl, CD, DAT | Music Technology, Nov 1989Cedar Audio RestorationAs well as creating sound, digital technology can be used to rescue old or damaged recordings. Gordon Reid looks at a British system that's leading the world in audio restoration. |
20/20 VisionReview | Recording Musician, Dec 1992Peavey SDR 20/20 Digital Multi Effects UnitA refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity. |
Tascam M3700Review | Sound On Sound, Jan 1992Raising The StakesZenon Schoepe gets to grips with the VCA automated desk that some British console manufacturers have not been looking forward to! |
Room EQ: Myth or Legend? - Part 4Feature Series | Topic: Acoustics | Home & Studio Recording, May 1987In the last part of Ben Duncan's series, he examines the acoustic properties on Live End/Dead End studios. |
Sound AdviceFeature | Topic: Home Studio | Home & Studio Recording, Jan 1984Don Larking guides you through the various equipment that goes to make up a home studio. |
Studiomaster Proline 16.8.16 MixerReview | Sound On Sound, Sep 1989Offering 32 inputs on mixdown, four auxiliary sends, flexible EQ and the added benefit of a MIDI-controlled muting option, Studiomaster's ProLine 16.8.16 mixer has a lot going for it. Gareth Stuart checks it out. |
Beat On The CheapReview | Electronic Soundmaker & Computer Music, Feb 1984Budget BeatsA beat on the cheap? |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Peavey DPM3Review | Sound On Sound, May 1990Composition CentreAnnounced over a year ago, the all-American DPM3 has finally landed on our shores. Martin Russ takes the wraps off Peavey's much publicised first foray into the hi-tech keyboard market. |
Shape of Things to ComeNews | Sound On Sound, Nov 1989A colourful bonanza of newly released and forthcoming new products. |
Signal Processors... Meet MIDIFeature | Topic: Effects Processing, MIDI | Sound On Sound, Jul 1991Signal processor control is one of MIDI's less well-known applications yet it offers enormous scope for the imaginative user. Craig Anderton is your guide... |
The Lead Feature - Part 2Feature Series | Home & Studio Recording, Mar 1989Ben Duncan delves even further into the wires that connect it all together. |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
Combo Test - Part 1Feature Series | Topic: Buyer's Guide | Sound International, Jun 197920 guitar combos of 100 Watts get a good going over by five fine guitar players: in this first part Acoustic to Lab receive the ole SI ear ole test. |
Life In The Fast LaneReview | Sound On Sound, Aug 1988Korg M1 Music WorkstationAs Korg prepare an armada of new products to invade the music shops, Tony Hastings investigates the M1 Music Workstation - the flagship that looks set to blow a lot of the competition out of the water. |
Studio Sound Techniques - Part 3Feature Series | Topic: Mixing | Electronics & Music Maker, Sep 1982More about mixing consoles |
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. |
Yamaha Studio 100 SeriesReview | Music Technology, Mar 1990Studio ModulesThe 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors. |