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Fostex X18Review | Music Technology, May 1992Cassette MultitrackerIf you're looking for a cost-effective way to add multitrack tape recording to your sequencing setup, it couldn't come much more cheaply than with Fostex' X18. Simon Trask goes back to basics with this new cassette multitrack. |
Digitech DSP 128 PlusReview | Sound On Sound, Apr 1989Multi-Simultaneous Effects ProcessorHot on the heels of the Multiverb and Quadraverb comes Digitech's contender for the title of best 'four effects at once' signal processor. Paul Ireson checks out the form. |
Kawai K5Review | Sound On Sound, Dec 1987The Additive synthesizerOnce upon a time, 'additive synthesis' was an expensive and little used option on expensive computer music systems. Now, thanks to Kawai's latest keyboard, there is an instrument dedicated to this type of synthesis. Paul Wiffen, long-time advocate of creating your own waveforms, investigates. |
Roland MT32 Update & EditorsReview | Sound On Sound, Jul 1988If you own an MT32 then you really should be using a computer-based voice editing program to make the most of its facilities. Martin Russ compares three possible contenders for your money from Tigress Designs, Dr T and Steinberg. |
MIDI In ControlFeature | Topic: MIDI | Music Technology, Apr 1989MIDI is regularly used to perform tasks as varied as switching notes on and off, storing patch libraries and controlling mixes, but can it control sound itself? Vic Lennard looks at the uses of MIDI noise gates. |
Music Maker Equipment SceneNews | Electronics & Music Maker, Mar 1981 |
Vive La Difference!Group: The SOS Guide To Going LiveChoosing Mixers For Live SoundAll mixers are fundamentally the same, aren't they? Dave Lockwood explains the differences between mixers designed for studio and stage. |
Shape of Things to ComeNews | Sound On Sound, Jun 1989News of some products to be released at the coming APRS exhibition, Acorn's new low-cost Archimedes computer, Akai's digital multitrack, and more. |
BBE Sonic MaximizerReview | Sound On Sound, Apr 1991Does BBE's new box of psychoacoustic tricks offer a new way of livening up a mix? David Mellor takes his music to the max. |
APRS 86 Exhibition PreviewGroup: Recording WorldWhat to expect at the Big Show in June |
ReviewsGroup: PortaStudioMania |
Simmons SPM8:2 MIDI MixerReview | Sound On Sound, Apr 1987A mixer from Simmons? Why not? The application of MIDI control to audio mixers is resulting in a radical departure from traditional designs, as Tony Hastings found out when he road-tested the SPM8:2 recently. |
The Logical Choice?Review | Sound On Sound, Oct 1993Soundtracs Solo Logic Automated Mixing ConsoleA lot of bang for the bucks, and MIDI control too! |
Allen & Heath Saber MixerReview | Sound On Sound, Jun 1989Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
Andy MunroInterview | Home & Studio Recording, May 1985Studio DesignerTop studio designer talks to Janet Angus. |
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
Tascam 644 MIDIstudioReview | Sound On Sound, Oct 1989David Mellor gets to grips with a multitrack cassette recorder, an autolocator, a 16-channel mixer, a MIDI-to-tape synchroniser and a MIDI mute processor - all rolled into one compact box called the Tascam 644. |
The Shape Of Things To ComeNews | Sound On Sound, Mar 1986An extended feature this month to incorporate many of the new products shown at NAMM and the Frankfurt Music Fair. |
Burns Steer, Eccleshall EQGroup: Guitar Special |
Steal The FeelFeature | Topic: Sequencing | Sound On Sound, Nov 1991Stealing a bit of someone else's playing is the way to swing a dance record. But rather than just lifting a drum loop, wouldn't it be nice if you could invite the drummer to play directly into your sequencer? Well, maybe you can. Wilf Smarties explains how. |
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