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Crystalline Glass

Group: Sound Reports & Views

Feature | Topic: Live | Sound International, Jan 1979

Glass Case

Group: GuitarCheck

Review | International Musician & Recording World, Aug 1975

Art of Glass

Feature | Topic: Sampling | Music Technology, Oct 1988

If you're short of a new source of samples you could do worse than to turn to the glass (not the bottle). Tom McLaughlin explains how a wine glass can provide a wide variety of unusual tone colours.

The Glass of '85

Interview | International Musician & Recording World, Aug 1985

The synthesist who knows no parameters discusses his works. Interview by Tony Mills

The Glass Bead Game

Interview | Making Music, Jul 1986

The man the man who the man who makes the man who the man who the man who makes repetitive music.

A Touch of Glass

Interview | Sound On Sound, Mar 1989

Philip Glass is best known for his work as a minimalist classical composer, but recently he's been completing work in fields as diverse as opera, piano recitals, film and synth ensembles. Mark Jenkins talked to the minimalist maestro during a fleeting visit to London for his latest opera, 'The Making Of The Representative From Planet 8'.

Glass

Interview | Electronics & Music Maker, Sep 1985
Handle With Care

Systems composer Philip Glass is still high technology's best-known 'serious music' champion. But how good have the performances of his latest opera, 'Akhnaten' really been? Annabel Stott again.

Glass Struggles

Interview | One Two Testing, Sep 1985

composing with technology

Concert Review

Music Review | Electronics & Music Maker, Dec 1982
Phillip Glass

Philip Glass

Interview | Sound On Sound, Nov 1991
The Making Of A New Music Supremo

Philip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast.

20th Century Americans - Philip Glass - Part 1

Interview Series | Music Technology, Jan 1993

Philip Glass: Glazed expression

Alesis through the Looking Glass

Review | Home & Studio Recording, Mar 1986
Sheer XTC

A truly classy digital reverb at a sensible price.

This article has no OCR bodytext.Album Analysis

Music Review | Making Music, Jun 1986

Peter Gabriel, The Ramones, Philip Glass, That Petrol Emotion, and old-time Velvet Underground.

Editorial

Editorial | Sound International, May 1978

Constructing a 'floating' studio floor

Feature | Topic: Construction / Build | Home & Studio Recording, Mar 1984
Acoustics

Building A Control Room Window

Feature | Topic: Acoustics, Construction / Build | Home & Studio Recording, May 1984

Control room window design.

Program Notes

Feature Downloads | Topic: Synthesizer Patches | Making Music, Jul 1986

New noises to try for your DX7, Juno 106, JX8P, and CZ101 synths. Get twiddling.

OCLI VDU Antiglare Screens

Review | Music Technology, Dec 1992

Comment

Editorial | Music Technology, Feb 1993

The Auto-Tune Story

Feature | Topic: Design, Development & Manufacture | International Musician & Recording World, Jul 1975

On the net

Feature | Topic: Computing | The Mix, Mar 1995

More news from cyberspace

Editorial

Editorial | One Two Testing, Feb 1985

Glassworks

Interview | Electronic Soundmaker & Computer Music, Sep 1985

Category crossing contemporary composer cornered

Studio Diary

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Dec 1986

The good Fairy Trynkabell trips off to a Fantasyland where money doesn't matter, talent rarely counts, and you can't move for Robber Barons and Wicked Queens. Yes folks, it's the Diary. (Boo! Hiss!)

The List

Feature | One Two Testing, Oct 1984

birthday treat: One Two staff lick pencils

 

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