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Playing With FurInterview | International Musician & Recording World, Sep 1986Breaking American, expensive recordings and living with your own history — Paul Trynka swaps top hats and tall tales with Furs guitarist John Ashton |
"We'll fix it in the bits..."Group: Sound AdviceDigital voice editingHow to swing the on-screen scalpel |
We Are The ManagementFeature | Topic: Music Business | Music Technology, Nov 1988Who are the music biz' management, and do you really need them? David Bradwell talks to the people who take care of the stars and their affairs. |
Drivers - Part 3Feature Series | Home & Studio Recording, May 1984The third instalment on Drive Unit speaker protection. |
On StageMusic Review | Electronics & Music Maker, Sep 1984Two sparkling summer concerts, by Ultravox and Michael Nyman. |
Studio Mains Supplies - Part 4Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Sep 1985In the fourth part of the series, Ben Duncan deals with interference and possible remedies for it. |
Active Speaker Systems - Part 3Feature Series | Topic: Acoustics | Home & Studio Recording, Dec 1983 |
Tanrack SystemGroup: Recording WorldStudio TestThe Tanrack system — no, not 19" mounting sunbeds but a new and interesting effects package. Jim Betteridge slaps on the Bergasol |
Before You Start Making That Demo TapeFeature | Topic: Recording | Phaze 1, Nov 1988Demo Tape Disciplinethe power behind the button |
Nobody's Perf/XReview | Sound On Sound, Mar 1989Oberheim Cyclone and Systemizer Performance EffectsOberheim's two Performance Effects units are something of a new direction for a company associated with classic analogue synths. Paul Ireson tries them out and finds a few surprises in store - not all of them pleasant. |
Auratone T6 MonitorsReview | Home & Studio Recording, Oct 1984 |
Yamaha SE200 and SE300Review | International Musician & Recording World, Mar 1985GuitarcheckDo we really need more Strat copies? Dave Burrluck ponders the question |
Seck 1882 MixerGroup: Recording WorldStudio TestJim Betteridge on Seck... drugs and Rock'n' Roll? |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Sep 1992Choosing The TechnologyStephanie Sobey-Jones tackles the tricky subject of selecting appropriate hardware when setting up a school music lab. |
Short CutsGroup: Quality ControlQue Computer Hardware Buyers Guide, AMG Global Trance Mission sample CDs, Microsoft Music Multimedia CD-ROMs |
Heavy fretting - Part 4Group: Sound AdviceBrian O' Shaughnessy advises on recording acoustic guitar |
Shadow Guitar To MIDI ConverterReview | Sound On Sound, Sep 1986The 'guitar synthesizer' appears to be going through a new lease of life at present, with many manufacturers releasing guitar-based synth controlling devices that make good use of MIDI's powers of expression. Ian Gilby tries out one such model: the Shadow GTM-6. |
How to Set Up a Home Studio - Part 1Feature Series | Topic: Home Studio | Sound On Sound, Dec 1988It has been predicted that by the year 2020, the world will be entirely covered by a ten metre deep layer of home recording equipment. David Mellor begins a new series that offers advice on how to set up your home studio. |
Recording Heavy Rock 'Live'Feature | Topic: Humour, Live, Recording | Home & Studio Recording, Jan 1985Where 'live' recording is involved, truth is stranger than fiction. Or is it? |
Berwick Street StudiosFeature | Topic: Recording Studios | Sound On Sound, Oct 1988The Dawning Of A New Era?The impact of new technology has brought many changes to the recording industry. It has equally brought problems. Why, for instance, are some studios failing to attract enough business to survive, whilst others seem to be flourishing? One West London studio that has foreseen the writing on the wall and implemented changes is Berwick Street Studios. So we checked them out. |
Road WorthyFeature | Topic: Live | Making Music, Jan 1987Can you cope with a life of motorways, transits and cafe grease? Roadside Rescuer Adrian Legg advises from grim experience. |
33 Recording TipsGroup: Recording WorldWhat to do to get tip-top tapes from our master of the mastering, Steve Toke |
Ultra Vox - Part 1Feature Series | Topic: Performing, Tuition / Technique | Phaze 1, Jul 1989all the singer needs to know, part 1 |