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Interfacing The Line - Part 2

Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Apr 1985

The importance of impedance matching at line levels is widely misunderstood. This article attempts to clarify the situation.

Totally Wired

Feature | Topic: Maintenance / Repair / Modification | Making Music, Jul 1987
Leads & Wires

Find out about the rubber on the outside, the wire on the inside, the music goes round and round...

Gain Brain

Review | Recording Musician, Jul 1992
Drawmer DL251 Spectral Compressor

This sophisticated compressor has a choice of hard- or soft-knee compression and has a built-in spectral enhancer.

Colin Owen

Interview | Home & Studio Recording, Aug 1986

The chief engineer at the Old Smithy, one of the Midlands' most respected studios, passes on a few pearls of wisdom.

News

News | International Musician & Recording World, Jun 1985

Tomorrow's news today — the IM tardis is off again

Musictronics MEX D50/D550 Expansion

Review | Music Technology, Feb 1990

When your favourite keyboard starts to look a little out of date, do you remain faithful to it or sell it? If it's a D50 you could give it multitimbrality, more waveforms and extra memories. Gordon Reid installs the MEX.

Fostex R8 - The 8-Track Take-Away

Review | Sound On Sound, Jan 1989

In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin...

Cellular reproduction

Group: Control Room

Review | The Mix, Aug 1994
Digidesign SampleCell II

Mac-driven sampling re-defined

Powerful Stuff

Review | Sound On Stage, Nov 1996
Yamaha EMX3500 Powered Mixer

Dr T's Tiger Cub

Review | Music Technology, Nov 1990
Software for the Atari ST

Notorious for the numerical approach of their programs, Dr T's have incorporated GEM friendliness in their latest Atari ST sequencer and scorewriter. Ian Waugh reckons it's purrfect for those on a tight budget.

Back to the future

Group: Control Room

Review | The Mix, Jun 1995
Akai MPC3000

Sampler, sequencer, synchroniser

Cubase In-depth

Review | Micro Music, Jan 1990

Paul Glaister takes us deeper into Steinberg's premiere sequencing package

The Production Centre

Review | Sound On Sound, Sep 1988
Roland D20 LA synthesizer

With its 8-track sequencer, rhythm composer, digital reverb and built-in disk drive, Roland's latest multitimbral LA synthesizer would be better described as a budget 'music workstation'. Paul Ireson reveals why ...

HB Engraver

Review | Music Technology, Jul 1989
Macintosh Notation Software

Desktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots.

Dance To The Machine

Interview | Home & Studio Recording, May 1986

Janet Angus discovers the secret of Peter's success in producing big selling dance music.

Strange Changes

Interview | Music Technology, Dec 1991

MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues.

Licensed To Thrill

Review | Recording Musician, Nov 1992
Roland GR1 Guitar Synthesizer

What the world needs is a guitar synth that sounds good and behaves predictably. Does Roland's latest model pass the test?

The World About Us - Part 1

Feature Series | Topic: Recording Studios | Music Technology, Oct 1992
Real World

Real World music

Electro-Music Engineer

Feature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Apr 1982
Cables

Steinberg SMP-24

Review | Sound On Sound, May 1987
SMPTE/MIDI Processor

From soft to hard - Steinberg's latest package is a hardware combination of MIDI patchbay, merger, synchroniser and SMPTE reader rolled into one. It operates as a stand-alone unit or in conjunction with an Atari ST micro. But is it all that it's cracked up to be? Mark Badger investigates.

The Gatekeepers

Feature | Topic: Music Business | Music Technology, Aug 1992

Everything you wanted to know about A&R men - but only MT dared to ask.

Kaja Who's-Who

Interview Audio | One Two Testing, Nov 1983

Is there life after Limahl? Yup. The four shy boys take turns to explain how they do it, and what they do it on.

Alesis ADAT

Review | Sound On Sound, Sep 1992
8 -Track Digital Recorder

Paul White finds his Holy Grail in a 3U rackmount package — Alesis' revolutionary ADAT, the first digital multitrack tape recorder to compete in the same price bracket as affordable analogue multitracks.

UMI-2B

Review | Sound On Sound, Nov 1985
A Soft Touch

Jay Chapman discovers why this 16 track MIDI sequencer package for the BBC B micro, described as the musical equivalent of the humble word processor, is receiving so much acclaim from studio users.

Alesis ADAT

Review | Recording Musician, Sep 1992
8-Track Digital Recorder

It's finally here, it's available and it works!

 

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