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Newcastle Media WorkshopsFeature | Topic: Recording Studios | Home & Studio Recording, Feb 1984Studio Focus |
Spectro Sound StudioFeature | Topic: Education, Recording Studios | Electronics & Music Maker, Aug 1982A look at Newcastle’s ‘open access' electro-music studio. |
NewsdeskNews | Electronics & Music Maker, Jun 1984 |
The ExpanderFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Mar 1985Mark Jenkins' system |
Sample ShopReview | Sound On Sound, Nov 1992 |
NewsNews | International Musician & Recording World, Jul 1985Up to the minute and down to the nitty gritty |
C-Lab Notator LogicReview | Music Technology, Apr 1993Software for the Apple MacintoshA logical development for Notator users? Maybe, but as Ian Waugh discovers, someone still has to cross the T's and dot the I's on this latest software sequencer from C-Lab. |
Total Recall - Part 21Feature Series | Topic: Vintage Instruments | The Mix, Jun 1995Vintage technology strikes backThe retro-lover's playground |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Everything You Ever Wanted To Know About System Exclusive - Part 5Feature Series | Topic: MIDI | Sound On Sound, Aug 1989(But Were Too Afraid To Ask!)PART 5: Martin Russ delves into the reasons why MIDI Controller messages are able to do what they can do and provides some practical examples. |
Roland TR909 and MSQ-700Review | Electronics & Music Maker, Apr 1984Rhythm Composer and Digital Keyboard RecorderA matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg. |
The A-Z of Analogue - Part 6Feature Series | Topic: Vintage Instruments | Music Technology, Jan 1994This month, Elka Eminent to Everitt Orgatron. |
Psychotronic LandscapesInterview | Sound On Sound, Jun 1993Michel Huygen/NeuroniumThis Spanish synthesist explains the working methods and motivation behind his psychotronic musical landscapes. |
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