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Atari NotesFeature | Topic: Computing | Sound On Sound, Aug 1993 |
Industry Profile - MPC ElectronicsFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Dec 1983Innovators of The Kit and the Music Percussion Computer, MPC explain their approach and hint at some new products to come. |
The Shape Of Things To ComeNews | Sound On Sound, Apr 1986Reports of some of the new products unveiled at this year's Frankfurt Music Fair which will be winging their way into the shops over the coming months. |
A Handy Way To Solve Sticky Control ProblemsFeature | Topic: Synthesis & Sound Design | Polyphony, Feb 1978 |
First BornRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1991E-mu EmulatorThese days a few hundred pounds will buy you technology that once cost thousands. Gordon Reid looks at an early sampler and discovers there's more to it and its manufacturer than you might have known. |
Turbosound TPC-1151 Phase CheckerReview | Home & Studio Recording, Sep 1986Ben Duncan explains this most useful gadget. |
Music On DisplayInterview | Electronic Soundmaker & Computer Music, Sep 1983Pete Shelley talks about XL-1 |
French LessonsReview | Electronics & Music Maker, Feb 1986RSF DD30 Drum MachineFrom France comes a digital drum machine with more facilities per pound than any of the Japanese competition. Jean-Paul Verpeaux likes what he hears in this exclusive review. |
Front LineInterview | Music Technology, Jun 1989Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front. |
Back to BlackFeature | Phaze 1, Jun 1989twenty years after they invented heavy metal the seminal sabbs are back |
The Outer LimitsShow Report | Electronics & Music Maker, Feb 1985Exclusive reviews of two avant garde music festivals that saw technology pushed to its creative limits, Ars Electronica at Linz and the International Computer Music Conference at IRCAM, Paris. |
Force MajeureInterview | Music Technology, May 1989From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music. |
Unnatural Axe - Part 1Feature Series | Topic: Tuition / Technique | Making Music, Oct 1987 |
Love's Great AdventureInterview | Electronics & Music Maker, Oct 1984Seven years old and still going strong, Ultravox discuss writing, recording and performing with Dan Goldstein. They also explain why they've got four OSCars... |
The Tascam Way - Part 1Review Series | Sound International, May 1978The Teac 80-8 tape machine, Tascam Model 5 mixer, and dbx DX-8 noise-reduction unit. |
Call Of The WildInterview | Music Technology, Mar 1989After carving a career for themselves with their unique brand of anarchic funk, Shriekback have decided the time has come for a change. Barry Andrews tells David Bradwell about the importance of loving musical equipment. |
Artistic LicenseInterview | Music Technology, Dec 1989Well established as sampling innovators, the Art Of Noise have just released their fourth LP. David Bradwell talks to the Art's JJ Jeczalik about Fairlights and fairplay. |
Electric BlueInterview | Music Technology, Feb 1989From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. |
Inside Views: dbxFeature | Topic: Design, Development & Manufacture | Sound On Sound, Aug 1986The second of our series that takes a behind the scenes look at companies and design personnel involved in recording and hi-tech products. This month Paul Gilby talks to Scott Berdell of dbx. |
Rickenbacker 12Review | In Tune, Jul/Aug 1985 |
Story of the BluesFeature | Topic: History / Culture | Phaze 1, May 1989if you’ve got plenty of feeling but your technique lets you down - try playing the blues |